Pictures – Page 103 – MagicShow.Tips

A Servante…

One of the things I’ve never really explored much was using a gimmicked table. The main reason is that it doesn’t really work in the venues that I perform in. I rarely have an audience that’s just in front of me, so the stuff hanging off the back of my table would be visible.

Yesterday I 3d printed a dice holder and it worked great. This was to avoid loading from my pocket. Then it got me thinking that I should remove the “two in the hand, one in the pocket” sequence from the routine so that I don’t got to the pocket at all. That would make the routine more deceptive, so I made a servante to ditch the dice into:

I was playing with a new routine and I’m liking it. I’ve come up with an interesting ditch of the one of the dice, that’s built upon something that I saw Tom Stone do at a lecture. It’s a way to get rid of one of the dice without having to put my hand on the table’s edge. It was part of his talk on “crossing the gaze” and something that’s stuck with me for years.

The new routine is starting to figure itself out, but it’ll be a bit before the sequence starts to get finalized. I’m happy I finally built this.

Table Loading…

I’m excited that my table dice holder that I was 3d printing yesterday turned out and works great! It’s for the final two dice production of my Cee-lo cup and dice routine. Here’s the finished holder:

The holder has a notch in the bottom for my finger to contact the bottom of the dice and then to lift straight up to load them into the cup. Here’s this loading procedure in a test video:

This is way better than loading from the pocket for video! I’m glad I spent the time to make it and wasn’t okay with doing it the way I’ve always done it.

Cee-Lo for Virtual Shows…

One of the tricks I’m adding to my virtual magic shows is Cee-Lo which is my cups and dice routine. One of problems going from an in person show a virtual show is that you can’t move the audience’s focus around as easily. At one point in the routine I need to load the cup and doing it in the room with people there is super easy, however it’s much harder with the focused eye of the camera.

Normally I would load this from my pocket, however that won’t work for the reason above. What I’m going to do is load from the table. I designed a holder for the dice and they will slide up into the cup from behind the table’s edge.

This holder is currently printing out and I’ll try it out later today. This is something that I normally couldn’t use in my live shows because I perform in conditions where people can frequently see behind my table. This is one of the interesting things about working on a virtual show, I can use techniques that don’t work for my in person show.

Perfect Fishing Trick…

Yesterday I wrote about using “fishing techniques” on streaming magic shows, you can read the post here. Today I’m going to deal with a specific trick. Let’s not forget that I think that if you are doing a trick where you are asking questions to figure out what someone is thinking of, you need to have something physical as your prediction. That makes it harder to back track and figure out the method of the trick.

Okay, let’s get to the trick. I just got mine in the mail a couple of days ago and have done it a few times already and it’s playing great. The trick is John Kennedy’s Mind Power Deck!

If you aren’t familiar with this deck, you can show it to be normal, have someone memorize a card and with asking just a few questions you can tell them the card they are thinking of. It’s great! The trick has a built in cheat sheet, but I simply printed out a flow chart and taped it to the wall behind my webcam. This is easier to read that the hidden in plain sight cheat sheet he gives you.

How I add a physical prediction to the trick is I have an envelope that I’m holding in my hand before the trick. The envelope ends up having the card they are thinking of in it. Having the card in the envelope makes it so that someone can’t say, “the magician just asked questions until he figured out the card“. Unfortunately that’s the logical solution that a non-magician would come up with and the correct one. Always add a physical prediction!

Learn About Your Props…

There are some amazing tricks in magic, one of them is the lottery prediction. It’s the answer to the question everyone gets (even if you aren’t a mentalist), which is “can you tell me the winning lottery numbers“.

There are a lot of solutions, and the best I think is Cesaral’s CUPP. The cool thing about that is at the end the audience is left with a physical lottery ticket they can keep. Right now I think there are several that use a picture of you holding the lottery ticket. Honestly I don’t think this has the impact of a physical ticket, because the easiest way for an audience to guess how it works is actually how it works.

This picture came across my facebook feed of someone doing a digital lottery prediction:

Here’s the problem with it. He’s using a prop (lottery ticket) that everyone is familiar with, but he’s using it wrong. Tons of people play the lottery, it’s a very popular game and because of that people know the rules. In Powerball you can only play numbers up to 69 for the first five numbers. That means that the 85 on that ticket would be impossible to play. Then the last number, the 99 is in the power ball position, which you can only play up to the number 26.

There have to be people who notice that. It’s a simple thing to fix by giving people a number range. I did the lottery prediction in my show for a couple of years, it’s not hard. That little bit of realism makes the trick soo much stronger.

That’s something that drives me nuts, when someone uses a prop to customize their show, but they know nothing of the prop. Look at how most people do the mismade flag…it’s very disrespectful to the flag.

If you use a prop that is something in real life, learn about it!

Dino Card Trick!

Sometimes things pop up on my Facebook Memories and I forget how long ago they happened. I just had this picture show up:

This was from the debut of a new trick. Essentially it’s a card sword, but instead of using a sword, it uses an inflatable dinosaur costume! This picture was taken 3 years ago, it doesn’t feel like I started doing it that long ago. I created this trick for a library tour and did it over a hundred times that summer. Then the trick made it into my school assembly show, and I’ve even done it on TV!

This particular trick is a great example of taking an existing trick and altering it soo much that it’s no longer recognizable. I could do this trick in the same show that someone does a tradition card sword in without a feeling of duplication.

That’s my end goal, to be able to be in any show with other magicians and not have to worry about duplication. Sure a vanish is a vanish, but they don’t have to be done the same way.

Vanishing Birdcage…

I’m fascinated by the Vanishing Birdcage trick. I remember hearing stories of Bert Allerton doing the vanishing birdcage close up at tables. The story I remember reading was that he took the sides off of his cage so that it would vanish quicker and have less bulk in his sleeve.

There have been many other people that have done the cage, and solved many problems. For example, using a Take Up Reel to allow you to do the cage later in your show.

The biggest challenge is how do you deal with the cage after the vanish (if it’s not your closer)? There are a lot of solutions ranging from using a small, flexible cage and just leaving it in your sleeve, to having a secret pocket in your pants your ditch it in.

Recently it hit me, that a virtual magic show is a great place to use the cage in the middle of the show. After the vanish you could have a title card that says “no rubber birds were hurt in this trick” or something like that. Then in the few seconds that plays, you ditch the cage. As long as you use title cards previously in your show, it won’t feel out of place.

Scripting Magic Book…

My current book that I’m reading is Scripting Magic by Pete McCabe. This book is interesting and I’m only about 145 pages into volume one and it’s pretty good. When I was younger I used to have a loose script, but nothing formally written down. As I’ve gotten older I’ve realized the huge advantages to writing down what you say in your show.

For me writing out a script makes it a lot easier to see where jokes should be. It also makes it easier to work on them. One thing I don’t like very much is the script format that this book uses when it’s showing scripts. I find them hard to read, however I’m 99% sure it’s simply because I’m not used to that format. I think the more I use it the easier it will get to read.

I’m working on my Polaroids to Envelope trick that I wrote about a week or so ago. I decided to write out the script using the format in Scripting Magic. What I did was simply use a practice video and wrote down what I said and added the actions.

Polaroids to Envelope Download

In the version in the document above it’s pretty basic and narrative. It’s got a rough presentation hook, and a chuckle in it, but it needs more work.

Virtual Producer…

The last couple of months I’ve watched a lot of online magic shows and I’ve come to the conclusion that the one thing they all need is a producer. Someone to make the show run smooth, whether is changing cameras, reading comments or just someone to troubleshoot any problems that may come up.

My buddy and I have been working together to produce each other’s virtual shows.

It’s amazing what a little bit of production value adds to the show. Also it’s helping me develop some stuff for stage shows that will use video projection!

If you’re doing a virtual show, find someone to run the production, it helps a lot!

Virtual Way To Force A Card…

One of the challenges we’re all having moving shows from physical shows to virtual shows are things like card forces. There are ways to do them, however you’ve got to get over things like “lag” in video and comments. There are plenty of people doing the visual riffle card force, but there’s some risk with that.

Here’s a force that I’ve been doing a long time that’s 100% sure fire:

How the force works is you fan a deck and run the joker along it, someone from the audience says stop and remembers the card next to the joker. That’s your force card. The advantage this force has is that it allows people to change their mind. That overcomes any lag issue. They can say stop, then have you move the joker if it’s not exactly where they wanted you to stop.

One of the things I like about this force is how direct it is. There’s really no procedure. They say stop, and that’s where you put the joker. Look into if you need a “virtual card force“.