magic show tips – Page 228

Upgrade Your Show!

This morning I upgraded a prop that I’ve been using for years. Current technology allows me to make part of the gimmick smaller, lighter and slightly more durable. The prop was working just fine, so why upgrade it? Simple, by upgrading now when I’m not in a time crunch, like it broke while I’m on … Continue reading “Upgrade Your Show!”

This morning I upgraded a prop that I’ve been using for years. Current technology allows me to make part of the gimmick smaller, lighter and slightly more durable. The prop was working just fine, so why upgrade it?

Simple, by upgrading now when I’m not in a time crunch, like it broke while I’m on tour allows me to make sure I get it right. I’m making a lateral replacement, it’s an actual upgrade.

As a general rule, upgrading before replacement is required will get you better results. Upgrading along with proper maintenance of your props is essential to avoid them failing during your show.

Really???

On an internet group of magicians, someone recently posted about how they did a library show for one kid, then asked if they should put a minimum number of kids for the show to happen.

This is crazy, why would you do it that?

If I was a booker and I saw that, I’d not book the person. I’d feel that person is going to be a pain to work with. What is the penalty if they don’t get enough people? Let’s say there was a 6 person minimum and if I was paying for it, I’d round up 6 people and make you do the show. The problem with this is you are going to have six people who are completely uninterested in your show watching it. That show is going to be worse than doing a show for one person.

My suggestion would be to play. Do a trick, hang out, improvise. Be an artist, not a craftsman.

I’ve been there, I’ve had to do a show for zero people. The only thing that stood between me and a paycheck was an empty room and that’s what the casino wanted me to do, so I did it. I’ve also done a show for one person that ended up getting me booked to a 22 show tour. Give it you all, and don’t be a pain to work with!

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.

Michael Carbonaro LIVE

Last night I went out and saw Michael Carbonaro at the Moore Theater in Seattle. It was a great show, and I highly recommend checking it out. The show was a great showcase for his personality, and all of the tricks were solid! I’ve always said one of the things that takes you up a … Continue reading “Michael Carbonaro LIVE”

I’ve always said one of the things that takes you up a level as a performer is tightness. How you get from one thing to another, and Michael did it expertly. There were no slow spots in the show, or down time.

Eliminating downtime between tricks makes your show a show, and not a collection of acts. It’s not easy to come up with transitions that make sense, but the work is worth it!

Four Dollar Routine…

This week I was on the road performing for a few days. Earlier in the week Barry Mitchell in his Facebook group posted a picture of some kids magic tricks that Target was selling for dollar each. At one point I was at a Target so I picked them up.

Two of the tricks that Target sells are the Ball and Vase and the Burglar Box. The Burglar Box is a clear box that a ball penetrates the bottom of to end up inside. Unlike the Ball and Vase, the Burglar box isn’t the best first trick for a kid as it will take a fair amount of practice to do well.

My initial idea was to buy three of the Burglar Boxes and do some sort of shell game with them. I bought three of them and three Ball and Vases. Here’s the little routine I came up with:

It’s a decent little routine for $4, and a fun little exercise to try to make more out of a beginner’s trick.

Ripping Routine Part V

The additions to the base script are in bold. EFFECT 1: “Take a card, and don’t let me see it.” “And you’re going to grab one, don’t let me see it.” “On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. … Continue reading “Ripping Routine Part V”

The additions to the base script are in bold.

EFFECT 1:
“Take a card, and don’t let me see it.”
“And you’re going to grab one, don’t let me see it.”
“On the count of three say your card out loud. If you say the same thing, that’s amazing and it means you’re married in Uruguay. Ready…One, Two Three.”
EFFECT 2:
“We’re going to make it a little bit harder. We’re going to cut the cards”

“I learned to do rip a deck when I was younger. One of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try “

“The wrist strength to do this is common in every circus strongman and teenage boy.“
“You’re going to take a card and you’re going to take a card. Hopefully your cards will match each other and my card.”
“ Like two turtles, your cards match on the back …”
“The odds of them matching the first time were one in fifty two. Now that there are double the cards, it’s one in fifty two times fifty two. Or one in two thousand, seven hundred and four. There’s also a one hundred percent odd that my math is wrong. ”

“On the front…They match about as much as my mom and my ex-step dad”

“Oh, wait. I put my card here, hopefully it matches one of your cards.”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!”

The ripping routine is now off to a start. It’s brand new, so it’s not the best routine that it can be yet. There is still a lot of work, audience testing and workshopping it.

Ripping Routine Part IV

Today we’ll start writing the meat of the deck tearing routine. Basically I’m going to write a narrative script. This is going to be the essential things that I need to say for the trick to work, or to make sense. I’m also going to write the accompanying action with the trick.

There are essentially two tricks in the routine. The first is where they both pick and card and it’s the same card. The second is where you rip the deck, they both pick an card and they don’t match, but do match your half and half prediction

Here’s the bare bones script:

EFFECT 1:
“Take a card, and don’t let me see it.”
Have a card selected and returned to the deck.

“And you’re going to grab one, don’t let me see it.”
Have a second person select a card and return it to the deck.

“On the count of three say your card out loud. One, Two Three.”
They both say the same card.

EFFECT 2:

“We’re going to make it a little bit harder. We’re going to cut the cards”
Rip the deck in half

“You’re going to take a card and you’re going to take a card. Hopefully your cards will match each other and my card.”
Set your prediction card on the table and have a card selected from each half of the torn deck.

“The cards match perfectly on the back…”
Line up the tear on the face down selected cards.

“On the front…”
Flip the cards face up to show they don’t match, and react.

“Oh, wait. I put my card here, hopefully it matches one of your cards.”
Flip the card over to show it matches the halves they picked and react.

Currently we’ve got three things done. We have a presentation hook, we have a few random jokes and we have a bare bones script. Tomorrow we’ll start working on putting those together and punching it up.

Ripping Routine Part III

It’s time to write the foundation routine for the deck ripping trick. Yesterday’s post I talked about the main 4 different ways that I work on putting together a routine. Today I’m going to focus on method one from yesterday. 1. Write random jokes: “No one asks me to cut the cards anymore!” “This skill … Continue reading “Ripping Routine Part III”

1. Write random jokes:

“No one asks me to cut the cards anymore!”

“This skill come in handy almost…never.”

“The wrist strength to do this is common in every strongman and teenage boy.”

“I had to rip over a thousand decks of cards to learn to do this…that means I’m banned from just about every casino in the country.”

“If your cards match, that means you’re married in Uruguay.”

“Like two turtles, your cards match on the back.”

“If you card matches my prediction, I’ve just won the magic lottery”

“Like a half Hawaiian, half pepperoni pizza, this end perfectly!

When writing the above jokes, I didn’t really filter anything, I wrote down everything I thought of. Hopefully out of a dozen jokes you’ll get one or two that are any good. These are going to give us some things I can insert into the the script tomorrow when I write some more.

Ripping Routine Part II

In yesterday’s post I got started with working on a routine for my version of the Split Deck trick. Right now we have the presentation hook for the trick and need to get into writing some jokes for the routine. There are several ways that I typically do this.

1. Write random jokes: This is basically just doing some research on the props and the skill and writing jokes about what turns up.

2. Punch up a basic script: This is where you write a narrative script saying what you have to say, then go back and write jokes to make it funny.

3. Improv it: For this you go out and just do the trick an see what comes up.

4. Workshop it: This is where you get together with a group and brainstorm ideas.

Usually I will use all four of the above methods. I don’t do them in any particular order, I probably should have a system that I follow every time, but I don’t.

One thing that is important for me early on in the process is just to go out and do the trick to see if there’s anything there. You’ll learn a lot by doing the trick once or twice without devoting a ton of time to writing. You may learn that your method doesn’t feel right, or people don’t give a crap about the trick. If you are lucky something major will present it self that will become an anchor for the routine.

Alright, so those are the methods for writing the routine. Tomorrow I’ll start the actual writing (hopefully).

Ripping a Deck of Cards…

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine. Here’s the … Continue reading “Ripping a Deck of Cards…”

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine.

Here’s the bare bones (the deck ripping trick starts about halfway through):

First thing with a routine is what is it going to reveal about “me”. I used the word me in quotes, because it doesn’t have to be the literal me, it can be what I want to portray on stage as “me”. It’s going to reveal that I hang out with some unusual people. My idea for the opening/hook is:

“When I was younger one of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try.
While I lived with him, he helped train me to rip a deck of cards in half”

Another idea for an opening/hook would be:

“I’m always amazed at how many people come up to me to show me a trick they can do. What other profession does this happen in? Imagine after open heart surgery, you wake up and ask the doctor if you can borrow his scalpel to show him that you do a mean amateur appendectomy.”

Both are decent approaches to the presentation of the trick. I think I prefer the first one. I think learning stuff from an old roommate is more relatable than people wanting to show you a card trick. If working at a magic convention, then the second one is probably good.

Ok, so we’ve got the hook, now where to go from there? Tomorrow we’ll start to build the meat of the routine.