magic show tips – Page 222

PreShow for Non Mentalists…

There is nothing worse than a magician asking to borrow money from the audience and then waiting. I’ve experienced this from the stage as the performer and from the audience watching a show, it’s rarely ever fun to watch.

The problem with borrowing money is that it takes forever, and sometimes it looks like someone else is going to do it so you don’t dig. In the best case scenario the performer asks for to borrow a dollar. Someone immediately takes out their wallet, finds the appropriate bill, holds it up and volunteers it. In this scenario it’ll take 8-10 seconds.

In a more common scenario the performer will ask to borrow money. There will be a pause while everyone looks around to see if someone else is offering it. Finally someone will say they have it, then take out their purse and start digging for their wallet. Once they find the wallet, they’ll start digging for a bill. In this more common scenario it’s 90+ seconds to get the borrowed bill. That’s a lot of dead time!

Until recently I didn’t do magic with borrowed money because there’s too much dead time. Now what I do is I put a dollar in my pocket and go out into the audience before the show. I introduce myself to someone in the audience and I tell explain that I need to borrow a dollar from someone in the show, and ask if they have a dollar. I then explain how big of a time suck it is to borrow money, so if they have a dollar can the take it out now and keep it somewhere accessible and to offer it when I ask. If they do not have a dollar bill, I give them the one in my pocket.

Setting up that person to give me the dollar bill really makes a huge difference in the flow of the show.

One thing you have to do is address the “elephant in the room” when there is one. Last night I did a show with light attendance, which was due to an unusual situation. The show was in a big theater, and it was obvious that it was a light turn out.

I opened the show with a joke about it and it went over well and the show proceeded to do great. I think that when everyone notices something, you need to say something about it, you can’t pretend it doesn’t exist.

A good example was many years ago I saw the Amazing Kreskin perform. He had a light turn out, and he came out before the show, mentioned it, and invited the balcony to move to the floor. That gave him a more tightly packed audience, and really made the show better for him and the audience.

Whether it’s a light turn out, someone having a heart attack, whatever, if it’s on the audience’s mind, you need to address it.

Take a Risk…

Sometimes you have to do something that’s hard. Where if it fails, you stand to actually lose. I was curious about adding money to the presentation of the 10 card poker deal. The idea of losing real money, even for a sure fire bet was hard to do the first time.

Yesterday I put some money out, by the third hand I had over $400 on the line. Personally I don’t like the idea of me giving the person money to bet with. I prefer just betting my money, and letting them risk nothing. I think that if they never had money in their hand, the feeling of loss is lessened.

The main reason I wanted to put real money on the line, is that I wasn’t positive I wanted to have a money aspect of the routine. What I learned was that I don’t, but I never would have known, had there not been a risk element to it.

Doing the Work…

This week I’m trying to be good about actually working on my show. What I’m doing is watching video of my show and writing notes on the video. I’m writing down what I don’t like, and ideas to improve it. When I do this, I write down the time code on the video that the … Continue reading “Doing the Work…”

When I do this, I write down the time code on the video that the note is relevant to. This really helps if I am trying to make sense of it later. When writing notes you also need to be brutally honest, if you can’t say it to yourself, no one can.

I had one bit in the show where I don’t think the ending got the payoff it deserved. After watching it, I think I figured out why. It needed a music change at the end. I added some “stinger” music and we’ll see how it plays tonight!

Newly Acquired Taste in Card Tricks

One of the books that I’m reading right now is Principia by Harapan Ong. It’s a card magic book, and while I’m only about 50 pages into it, I think it’s a really good, modern card magic book. One of the books selling points is that there is internet video of Harapan doing all of … Continue reading “Newly Acquired Taste in Card Tricks”

One of the books that I’m reading right now is Principia by Harapan Ong. It’s a card magic book, and while I’m only about 50 pages into it, I think it’s a really good, modern card magic book. One of the books selling points is that there is internet video of Harapan doing all of the material in the book. Unfortunately I’m in a position where I don’t have internet access fast enough to stream video, so I haven’t watched them.

One thing that surprised me was there was an “elevator” card trick that I actually liked. I think I was introduced to the elevator plot when I was a teenager reading the big Alex Elmsley books. I never really liked the plot simply because there always seemed to be either too much process or too much proving. The Michalevator routine in the book doesn’t have much process and doesn’t over prove…and I like it.

I don’t know if I’ll ever actually use Harapan’s elevator trick in an actual show or not, but it’s been fun to play with. I’ve said it before, but it’s important to still play with magic. That’s how we learn, through play.

Artist vs Craftsman

One thing that I don’t get is the appeal of a coverband to a performer in one. What I mean by that, is your art is 100% other people’s art. You are taking something that someone else did the work on and taking credit. You are relating to the audience through other people’s art, which … Continue reading “Artist vs Craftsman”

This relates to magic, not just music. After David Copperfield did his snow routine on TV, and Kevin James started selling the prop, 99% of routines that were presented were about someone “never having seen snow”. This dumbs down magic. It gives performers a false feeling that they are artists, but it’s also why a lot of magic isn’t taken seriously.

Magicians say they are unique and this is the problem. If you say in your promo you have a unique take on magic, or a show unlike any other and you do standard tricks the standard way, you are doing everyone who is an artist a disservice.

I you are a magician that does tricks the bought and presents them in a way that’s standard, you should bill your show as “classics of magic” or something like that. I know we’re all guilty of having done standard stuff in the normal way, that’s part of the learning process. At some point you have to decide if you’re going to be a 1980’s cover band or Bon Jovi.

Practice Time…

Practicing is something that I’m amazed at how few magicians do. The kinda learn something, then it’s the end. Or the bigger one is when magicians complain that something is hard. That’s loser talk, yes somethings may be hard, but that doesn’t mean it’s bad. Everyone wants to be Shin Lim, but only Shin Lim put in the work to be Shin Lim.

In a broad sense practicing can take many forms. It could be working on the muscle memory for a sleight, it could be rehearsing an act, it could be writing a bit, it could be watching a video of yourself performing. There are a lot of ways you can put in the work. All of those things make you a better performer.

Personally, I’m writing this today to motivate myself. I’m in a situation where I have a lot of downtime while travelling to shows. Yesterday was day one of two weeks and at one point I was bored. I’m not bored, I was being lazy. There’s nothing wrong with relaxing, but being bored there is. Once I realized my thought, I picked up a book and started reading, I was practicing being me.

There’s a henry rollins quote that’s relevant to this: “No such thing as spare time, no such thing as free time, no such thing as down time. All you got is life time. Go.”. That’s true. I can spend my time wishing I had something to do, OR I can do something.

New Tricks in the Show…

Every summer for about the last decade I do a library tour and this summer is no different. This year I’m only doing about a dozen library shows. In the past I think I’ve done 70ish some years. Each summer the library tour gets a show written for it. Usually this is based on the … Continue reading “New Tricks in the Show…”

One of the tricks in the show is a trick I’ve wanted to do for a while, but doesn’t fit my style is the Gypsy Thread. I think it’s a good trick, however my show lacks what it needs to play larger, and that’s good lighting at many venues. Generally if a trick is something I can’t do virtually everywhere, I don’t put it in my main show.

That’s the beauty of the library shows, I can do a trick that I normally wouldn’t. If for some reason I fall in love with it, then I can work to move it into the main show. The huge thing it’s got going for it is that it’s a pack small trick. It takes up virtually no space in my case, so if I can come up with at least a decent presentation, it could be a great emergency trick.

When I’m planning on attending local magicians shows I frequently ask them if they’d like me to record their show for them. One response I get a lot is, “I don’t like to watch myself on video”. This response surprises me, especially now when so much of the live entertainment industry is video related with social media, etc.

I always wonder why people don’t like watching their shows on video? Is it because they aren’t proud of it? I think this probably the reason. It’s hard to watch your show early on when you aren’t good. You’ll notice everything that’s wrong or that you don’t like. This is where you grow, by watching those things and eliminating them so your show is watchable by you. If you can’t stand to watch your show, how do you expect your audience to watch it?

With video being so cheap and easy to get compared to when I started, it’s really a wonder why people are opposed to getting video and watching it. Personally I think good video is worth it’s weight in gold. Whether it’s for use in a promo video, a social media clip, or to improve your show.

Go out there are record your shows…but more importantly, watch the video!

Big Stages

The variety show that I was in last night was a lot of fun. A couple of the acts were thrown off by how wide the stage was. The stage was probably 24 feet wide and 8 feet deep. I personally don’t mind a wide stage, but work on them fairly frequently. The picture above … Continue reading “Big Stages”

The picture above is form the venue last night. You’ll notice one of the things that I do is “define my area” on the stage. My case and table create the edges of where I work. This keeps me from wandering the stage to get props if my case or table were at either end of the stage.

Having a wider stage is way better than a narrow stage where you are crammed into. Currently I’m working hard on my show to play larger. I’m not a pack small, play big person. I prefer to use props that fit what I want to do…but hopefully make it play large!