I’m pretty sure I’ve written about his before, and I’ll say it again, we live in an amazing time to be magicians. You can watch videos of old master magicians perform, or the new upcoming magicians on YouTube. You can stream a magic lecture from your favorite magician without leaving your couch. While all of … Continue reading “”
I’m pretty sure I’ve written about his before, and I’ll say it again, we live in an amazing time to be magicians. You can watch videos of old master magicians perform, or the new upcoming magicians on YouTube. You can stream a magic lecture from your favorite magician without leaving your couch.
While all of this is great, I also thing an important part of being a good magician is “jamming” with other magicians. Not just demonstrating tricks, but playing with magic. When you play and start “riffing” with tricks, some amazing stuff happens!
Go out to your local magic club, meet some people and start jamming, you never know when you’ll stumble upon the next big magic trick!
Yesterday I had a guy come up to me after a show and tell me how much he loved magic. This is great! He was telling me about how he loves watching magic on TV, and how sleight of hand is his favorite to watch, he especially loved Shin Lim on America’s Got Talent. Then … Continue reading “”
Yesterday I had a guy come up to me after a show and tell me how much he loved magic. This is great! He was telling me about how he loves watching magic on TV, and how sleight of hand is his favorite to watch, he especially loved Shin Lim on America’s Got Talent.
Then things got a bit interesting. He told me how he loved David Blaine, and remembers actually seeing him do street magic in Seattle. He told me about how he saw him levitate four feet off the ground and reach his arm through a window of a store!
The only problem is that I’m betting he didn’t actually see that. Those were things that happened on the TV show, not in real life. The way the guy told me, I believe that he remembers seeing those things happen. He very well may have run into David Blaine in Seattle who showed him a couple of tricks, but not reaching through a window.
It’s great that a magician connected with this guy and put amazing memories into his head. We all do this on some level, audiences memories tend to forget things, or remember them wrong over time. Many magicians use this to their advantages. Look into what you currently do and see what you can do to make the memory even more amazing than the real thing!
Recently I was performing a close up gig for a bunch of teenagers and a great group. When I finished they thought I as the best magician in the world (I’m not). What made me 200% more amazing than I normally am was that I wasn’t afraid to go off script. This was one of … Continue reading “Go With The Flow”
Recently I was performing a close up gig for a bunch of teenagers and a great group. When I finished they thought I as the best magician in the world (I’m not). What made me 200% more amazing than I normally am was that I wasn’t afraid to go off script.
This was one of the shows where everything that could go right, did! What I mean by that, is I do a “coin under watch” routine. I load the coin really early in the routine. It’s risky, as it has a lot of time to be discovered or fall out. Well, about halfway through the trick one of the kids says, “make it appear under his watch” and points to the guy who I had the loaded watch.
A miracle was about to happen.
When things like this pop up, I can’t get excited and immediately make it happen. I need to make it look difficult for me to do. I laughed it off telling the kid that it would be amazing, but I’m not that good. Got slightly deeper into the routine, and then made it appear under the guys watch. The kids when crazy!
The entire set I did for these kids, they would request things to happen that I already had set up. To them it must have felt like I could do anything, to me it felt like the audience was psychic!
Yesterday I did a gig that was for only about 15 people, so it was a large close up show or a small platform show. One of the things with shows like this, is that it often lacks the formal feeling of a formal show. People can get chatty with you and I tend to … Continue reading “Small But Mighty…”
Yesterday I did a gig that was for only about 15 people, so it was a large close up show or a small platform show. One of the things with shows like this, is that it often lacks the formal feeling of a formal show. People can get chatty with you and I tend to be a little less formal with them.
With this many people, it’s easy to connect with them, and for them to connect with each other. I can spend a bit more time with someone if something interesting is happening. I’m still doing my show, but I feel it’s easier to play a lot more.
When performing for a bigger group, playing can be more difficult if it’s verbal. The audience can’t hear the person, so you either need to mic them or repeat what they are saying. I’m all for playing, however sometimes, it’s just not as practical as thers.
There are ton of magic tricks, or ideas that have been in my head for years. I haven’t done them, or built them because I know they won’t fit my performing style, or because I don’t have a method that’s any good. Every now and then I try to make these tricks happen at least … Continue reading “Getting It Out Of Your System…”
There are ton of magic tricks, or ideas that have been in my head for years. I haven’t done them, or built them because I know they won’t fit my performing style, or because I don’t have a method that’s any good. Every now and then I try to make these tricks happen at least once to get them out of my brain.
One trick that had been in my head forever was doing a Multiplying Billiard Ball routine. Eventually I put together a routine and did it on a tour of over 90 shows. By the end of the tour the routine was really good, however I also decided that I don’t want to do that trick in my main show.
Then there are times when I begrudgingly put together a routine simply to get an idea out of my head and I end up liking the trick. A good example is my version of the “tossed out deck”. I hate the trick, however ended up coming up with a good routine and method that’s staying in my show.
If you have an idea, make it a reality, even if it’s a bad one. It will make you a better magician and performer…or at least clear up room in your brain for a new idea!
One way to keep creativity fresh is to be creative in more than just the field that’s your job. Lots of magicians in addition to magic also do things like painting, photography, or music. Having another outlet for your creativity allows you to continually flex your creative muscle. One of the creative things that I … Continue reading “Creative Side Hustle”
One way to keep creativity fresh is to be creative in more than just the field that’s your job. Lots of magicians in addition to magic also do things like painting, photography, or music. Having another outlet for your creativity allows you to continually flex your creative muscle.
One of the creative things that I do is run a podcast called The Odd and Offbeat Podcast. In this podcast a buddy and I talk about strange news stories and joke about them.
The fun thing about this podcast is that it’s a weekly podcast, so I have to keep up on reading the news and writing jokes about things that I read. It also keep me sharper with my ad libs as we riff on each other’s jokes.
If you don’t already have a creative hobby, go out and find one!
Recently I worked with an act at a family show that didn’t really have a clue as to how to perform for kids. His idea of a good routine for kids involves them screaming. By screaming, I mean that he told them to scream as loud as they could. It was basically 7 minutes of … Continue reading “Desired Reactions…”
Recently I worked with an act at a family show that didn’t really have a clue as to how to perform for kids. His idea of a good routine for kids involves them screaming. By screaming, I mean that he told them to scream as loud as they could. It was basically 7 minutes of kids yelling and rolling on the ground. Luckily his act was after mine, so I didn’t have to deal with the aftermath.
The screaming didn’t have any theatrical purpose, other than to make kids scream. There was no reason, like it made the magic happen, it was basically, “hey kids scream and do it whenever you want”. It really gives mixed messages to the kids in the audience for how to behave for the next act.
Some people may defend the performers, saying something like, “if the kids had fun, that’s all that matters”, but that’s wrong. It’s wrong thinking because it there were more than just kids in the audience. There were adults and the adults weren’t happy with it. Essentially the performer rolled back the clock on all of the audience training that this particular audience had gotten over the years. It hurts the venue in the long run, I wouldn’t take my kid back to that.
TLDR: Mindless yelling isn’t a desired reaction from kids.
A few years ago Bicycle Playing Cards changed how they make their playing cards. While they are still the standard, they are crap compared to how they used to be. A deck of cards will last me about 45 mins to an hour when roving, where before they’d last all day. As a result of … Continue reading “Making a Trick My Own…”
A few years ago Bicycle Playing Cards changed how they make their playing cards. While they are still the standard, they are crap compared to how they used to be. A deck of cards will last me about 45 mins to an hour when roving, where before they’d last all day.
As a result of this, I ended up having a ton of cards kicking around that I can’t use after a gig. I wanted to figure out how something to do with all of these cards, so I’m learning to rip a deck of cards in half. This isn’t easy. After about a month I can do 22 cards, with best being 28 cards. I’ve got a long way to go to fifty two!
Now that I’m working on this skill, I’m starting to think of what to do with it. Yesterday in the car I thought of a trick. Why not do the split deck, but instead of the stupid patter line, “I asked someone to cut the cards and they did” when you introduce the cards, I can just rip them in half.
This creates a unique trick that very few people can copy. It adds some texture to the trick as well, because I can talk about learning to rip the deck. Also it’s going to be a harder trick for anyone to copy because of the time it takes to learn to rip a deck of cards in half.
All it takes to make a trick better is taking an extra step forward and adding one thing, plus new scripting and you’ve got something unique!
In my show I don’t do sucker tricks, and haven’t since I was a kid. A sucker trick is an easy way to get a reaction to a trick. It’s plug and play “comedy” except most people don’t think about what it does beyond the initial reaction. Here’s an example, let’s say you are doing the … Continue reading “Sucker Tricks are for Sucka’s”
In my show I don’t do sucker tricks, and haven’t since I was a kid. A sucker trick is an easy way to get a reaction to a trick. It’s plug and play “comedy” except most people don’t think about what it does beyond the initial reaction.
Here’s an example, let’s say you are doing the Egg Bag and you do the bit where you pretend to put the egg under your armpit, but it’s really somewhere else. For this bit to work you need someone in the audience to yell you how they think you did the trick. Someone has to say, “it’s under your arm”, if they don’t, the bit falls completely flat.
If everything is working correctly, the audience needs to heckle you, and you need to encourage it for the bits to work. Then you do the under the arm bits, and you continue to encourage the audience to heckle you for the next two minutes.
Guess what? You’ve just trained a room full of people to call you out when they think they know how you are doing a trick. This will be a problem later in your show. Is it worth the two minutes of “comedy”? Notice I put quotes around the word comedy, because the audience, isn’t laughing, they are heckling you.
Before you do a sucker trick, think of the larger implications in your show. Here’s a different example: You are working for an agent at an event. The only watch 2 minutes of your show and it’s when the audience is heckling you and telling you how the trick works. Do you think the agent will think you are worth big bucks on the next gig? Probably not.
Lately I’ve been thinking about how to add more production value to my show. One way that I know that my show is lacking is in lighting. Unfortunately I know nothing about theatrical lighting. Last night I worked in a theater and asked the lighting guy for some notes. His main thing was that I … Continue reading “Ask For Help!”
Lately I’ve been thinking about how to add more production value to my show. One way that I know that my show is lacking is in lighting. Unfortunately I know nothing about theatrical lighting. Last night I worked in a theater and asked the lighting guy for some notes.
His main thing was that I should light by bubble act from below as well as above. It’s make them “pop” visually more to the audience that is seated below me. That’s great advice, and next time I’m going to add that to my show.
The point is, if you don’t know how to do something, ask someone who does. Don’t just ignore it. If by asking someone for help makes my show 1% better, it’s totally worth it!
