magic show tips – Page 202

Instagram Magic

A year or so ago I was chatting with Jonathan Friedman and he said something like, “Instragram is now a perfectly valid performing venue…”. He’s 100% correct. Social media magic has really launched the career, or kept them going for many magicians.

Shin Lim is a good example of this. His fanbase is HUGE outside of magicians. He’s using magic trick to keep people who follow him engaged and promote upcoming shows. A lot of the stuff he’s doing is social media only content. It’s stuff that he’s really not going to do in a show, it’s just to reach or connect with fans.

On a smaller scale than Shin Lim, I do this. The main reason is to give me an outlet for ideas. Things that I know I’ll never really do in a show. Here’s a good example:

Having a reason to work out little ideas and a place to share them is great. I’ve had a couple of ideas I’ve posted videos of get big responses, and I’ve figured out ways to work them into the show.

The moral of the story is to not be upset with social media magic tricks, they have place and a purpose. You need to grow with the times and stop being a dinosaur!

Working Slow…

In my continuing quest to be a better performer, I’m still trying to slow down while I perform. Personally I’ve always had a fast rate of speech, I remember that was always a note on the presentations I gave in elementary school. During my shows I have to make a conscious effort to not talk … Continue reading “Working Slow…”

In my continuing quest to be a better performer, I’m still trying to slow down while I perform. Personally I’ve always had a fast rate of speech, I remember that was always a note on the presentations I gave in elementary school. During my shows I have to make a conscious effort to not talk fast, it’s rough.

What I try to do is to put out the verbal information in chunks. I say a bit, then I take a slight pause to let what I just said sink in with the audience, then continue talking. This seems to work. I’m not just throwing information at people and not giving them time to process it.

Working slower applies not only to verbal but to physical things as well. I’m taking more pauses to display things.

I’m happy with the results of doing it this way. It still takes a effort on my part to do. I think it’s easier with newer routines as I’m learning them this way, where older routines I learned them and have done them too fast for years and need to break that muscle memory.

Never Restore It!

One of the “impromptu” tricks that I do is the mismade bill. It’s an amazing trick, and I’ve got a great routine for it. The flow of the trick is that I borrow a dollar, rip it up and it ends up mismade. I leave the dollar bill with them and don’t restore it. When … Continue reading “Never Restore It!”

Mismade dollar bill magic trick — image from www.mismadebill.com

When I do the trick I normally don’t turn it back, I offer to buy the dollar bill back. It’s a much stronger trick to leave it messed up and give them the option to keep the bill. If they want a dollar back, I simply give them a fresh dollar out of my wallet.

Here’s why I never turn it back. People at that point try to bust you. They’ll remember the condition of the bill, or serial number and call you out on the switch. You are in a much better position buying back the bill with a separate dollar or ideally letting them keep it.

Instagram Force…

A few days ago I wrote about using the Predict n’ Grab trick to force an image on Instagram. I was thinking this morning if it’s better than using flash cards. Everyone can relate to flash cards…but also with Instagram.

Flash cards are a tangible thing which is nice, however so is my phone and it’s larger. For the trick I’m doing, on the person on stage can see the forced animal. The reason for that is simple, since I’m doing this for kids, I don’t want another kid to say what it is. If they say what I’ve forced outloud, I can’t got back and redo the selection because of what I’m revealing.

Instagram also feels “cooler” for older kids in the audience than flash cards do. When performing for kids, I always try to play up to the older kids, than play down to the younger ones. I’ve found that works better for my style of performing.

Silk Thru Coat Hanger…

After much experimentation, I’ve landed on using the Tango Ultimate Reel (T.U.R.) for the Silk Thru Coat Hanger trick. I’ve played with most of the major reels and ended up on this Tango reel. There are some things I don’t like about it, but so far it’s the most reliable. The T.U.R. has the smoothest … Continue reading “Silk Thru Coat Hanger…”

Tango ultimate reel magic — Image from www.StevensMagic.com

The T.U.R. has the smoothest pull and one thing that I noticed was that the spring is rolled in a different way than I’ve seen in any other “magic reel”, or commercially sold badge / key ring reel. I’m not positive that rolling the spring this way contributes to the smoothness, but that’s the big difference between this and other reels.

I’m glad I kept searching around for a reel, this one makes me feel more secure when doing the trick. Having a bit of piece of mind when doing something mechanical, that’s a bit knacky is bonus!

Magic Apps…

Ugh, this summer for my Library tour I needed a way to either force some information, or get a peek at it. The problem with a peek is this that I need pretty much real time info, I can’t preshow it. I also need it to fit an “educational” bullet point in the show. The bullet point would be researching.

The nice thing about researching is that I could use a book. The downside is that I need to force specific information. I need to force the size of an animal. I was going to use Inject 2.0, however the need for two devices to have working internet was something that I didn’t want to get involved in. This is a huge the problem with most magic apps.

If internet isn’t an issue, then the other problem is why are you using your phone. I use an app on my phone in my show on cruise ships, and there’s a good reason. I make a phone call, and a phone call at sea is very expensive, so obviously I’m not going to use a borrowed phone. The cellphone thing is easily overcome in a kids show, because younger kids frequently don’t have phone on them.

I heard about an Instagram prediction called Predict n’ Grab.

Predict n' Grab magic mentalism trick review

This is the solution. They now scroll through an animal facts Instagram page and stop at one of the pictures and that’s the force! I created a custom Instagram page that has all of the force info in the picture in meme form. Having the info in the pictures makes it much easier for a kid “research”.

Reel Experiments…

The Silk Thru Coat Hanger that I’ve been doing is getting some interest from magicians on Facebook. It’s interesting how many don’t realize that going from the body to the hook isn’t a standard way of doing it. They’re going to try it, but I’m not sure they’ll “understand” the trick.

By understanding the trick, there’s a lot that can go wrong with this trick. I think that’s why more people don’t do Silk Thru Ring or even the Silk Thru Microphone type tricks. In the short amount of time I’ve been doing this, I’ve learned a lot about the trick and the props used in the trick.

The first thing you need is a good reel. Right now I’m using a P & L reel, but still experimenting with other ones. I just had a Kirkendall Reel show up yesterday and have a Tango Ulimate Reel showing up today. I’ve even played with using a badge reel.

The nice things about a badge reel is that they are cheap and have a lot more force than the other magic reels. The downside is that they make a lot more noise. When initially experimenting with a badge reel, I 3d printed a finger clip and glued it on one:

I think when I have time, I’m going to 3d print the entire reel housing and put the badge reel inside it. I think there are some things that I can do to quiet down the cheap badge reel and make it usable!

Gypsy Thread…

One of the tricks that I’m working on for my summer library tour is the Gypsy Thread trick. Basically it’s a torn and restored string trick, but you rip the string into many pieces and restore it. Technically I’ve got the trick down, but having a bit of trouble selling the trick.

I think it’s a matter of figuring out where to put, and what the “magic” moment is. I think this is a case of me needing to tell them what they are going to see. I need to put some sizzle onto it.

Part of the problem with a restoration for kids, is in our modern society, things just fit together, or fit back together. Yes, things break, but with so many children’s products that just snap back together, the concept of a restoration of something like a piece of string isn’t miraculous. Of course this changes with something like Tony Clark’s Gypsy Balloon, where kids can relate to the broken string.

Audience Test…

When I have a new trick, I typically do my audience testing before shows. I do it as “preshow” warm up for people that get there super early. I’m also very clear that they are tricks I’m working on, and not part of the show. Yesterday I performed at a school assembly and had a … Continue reading “Audience Test…”

I was worried about people not understanding the trick when the silk went through the body of the hanger and ended up on the hook. My solution to this was to simply tell them why what they were about to see made it impossible.

The test run of the silk thru coat hanger seemed to go over well, and I think I’ll be working it in more this summer and hopefully have a solid routine in a few months!

More Silk and Coat Hanger

The main reason I’m playing with the silk and coat hanger trick is that I had an idea for a move. I think this is an interesting move, but it’s also fairly subtle. Here’s just a quick video of me running some moves with the props: The first move where the silk goes from the … Continue reading “More Silk and Coat Hanger”

The first move where the silk goes from the body of the hanger to the hook is what interests me. However I think selling the idea of the penetration to an audience may be hard. The concept of going from a locked place to a place that’s not locked in will muddy the effect. I’m worried audience will thing the trick is that the silk go onto the open hook, and not that it got off of the closed body of the hanger.

It’s more about where it started, not where it ends for the first phase. That’s a very subtle difference in effect, but I think that will make a world of difference to the audience.