magic show tips – Page 201

Know More Than Seven Tricks…

There’s been advice that you only need to learn a few tricks and you can do those the rest of your life. Sure that may have been good advice in 1910, but now TV, and streaming video eat up material. Every famous magician in the world has done more than a dozen different tricks.

Having a background in magic and sleight of hand bailed me out of a situation last week. I went to do a trick in my show and the deck of cards I use for that trick wasn’t there. It was there when I did the early show, it was gone, and I never found it later. I was already into the trick with three people onstage. I freaked out, but then knowing tricks saved me!

How I bailed myself out was I had another deck that which I rip in half later in the show and I used that deck to do “cards across”. The method was pretty crude, just palm three cards and add them to the other stack. I then forced a three and used that for the number of cards to be moved.

The trick played well, but had I not been a magic nerd, it wouldn’t have turned out very well. That background in magic and sleight of hand is “insurance” for when things don’t go well.

Working On It…

Last week I spent four days performing at a county fair and working on a new show. At the end of the week, the sound guy commented that the show had gotten a lot tighter. That was great to hear, and it felt like it was getting tighter, however it still has a long way to go.

One thing that really helped was committing to the show. If something didn’t play like I wanted it to, then I shouldn’t follow it up with something from my normal show. I need to do the show in the show order that I have come up with. This will make me more confident in the show.

Show order is a huge thing, it really adds tightness to your show. It makes prop management easy. The less time you spend fumbling for props the better!

Selling a Trick Onstage…

One of the tricks that I’m working on is the Silk and Coat Hanger. This is basically a silk and ring routine, if you dig around this blog you can find more about it. Basically the silk goes through the coat hanger in different ways. It’s a fun trick for me to do as a perform, and so far the audience seems to enjoy it as well.

Here’s the problem with it, I’m having trouble selling it on stage. Most people who do it, do it to music, not talking. I think I need some jokes upfront and then do the trick to music. Music is nice because it fills the gap while I wait for the audience’s brains to catch up with the effect. As a talking act, you stand there for what feels like an eternity while the audience processes the trick.

I really like the trick, and it’s semi unique to me. I’m going to keep plugging away with it and hopefully I’ll figure out how to make it work better on stage!

Tossed Out Invisible Deck

In the show yesterday I tried out my new idea for the invisible deck. You can read about the idea here. In a nutshell, the idea is to have multiple cards named and all of them are reversed in the deck. I don’t know if for the audience this is a better trick than the standard invisible deck with only one card, for me it’s an interesting challenge.

I did the trick once yesterday and it went well. All the named cards were reversed in the pack and the people in the audience seemed to not know how the trick worked. This is an important part of a new idea…having it actually work for an audience, now the next step is going to be tweaking the gimmick.

Roughing stick by vanishing in for card magic — image from www.VanishingIncMagic.com

I’m roughing the cards with a Roughing Stick that Vanishing Inc puts out. It works well, but I need to play around with how I apply it to the cards. Right now I’m doing it in the middle of the length of the card. I think I’m going to make another deck where it goes across the middle of the short edge of the deck and see how that works.

The cool thing about the Roughing Stick, is that it’s easy to apply, so I fairly quickly try it in different configurations and see what works best for me. I’m also thinking I need to use two different cards stocks for the trick. I’ll be doing some playing this week!

Working On It…

This week is my first county fair of the fair season this summer. I did three shows today. The first show was the new show that I’m working on, the second was my normal show and the third show was a combination of the two. All the shows went well despite the normal or abnormal challenges of performing during a fair.

The new show is what’s more important than the old show to me right now. Here’s the huge difference between the two…jokes and premises. The new show hardly has any and I really feel it. The show is also lacking in transitions, it’s got a long way to go. That’s the nice thing about these shows at fairs, I get to do a lot of shows in a short amount of time.

One of the things that was hitting harder than I thought was that the 10 Card Poker Deal. I thought it would be a lot harder to get it to transition to the stage, but the two times I did it yesterday it played well. I may try to do it in all three shows today. It’ll be in the preshow for one show and in the body of the show for the other two.

Ideas and Action

Whenever I get an idea, my goal is to try to get a working version of it as quickly as possible. For me, this is a way to see if the idea has something going for it. There could be a weakness in effect, or method. Knowing that there is early on before a ton of time has been devoted to it is very helpful.

Recently I had an idea pop into my head for a trick. I’m calling this trick “Invisible Tossed Out Deck”. Basically it’s a tossed out deck premise where three people end up thinking of cards. However instead of tossing a physical deck into the audience, it will be an imaginary one. The payoff will be that the thought of cards are in your deck upside down.

It only took a minute to source the necessary props for the routine.

I quickly realized that there’s a problem if I construct the deck like a normal Invisible Deck. I’ll need a cull or displacement for each card I’m revealing. Luckily yesterday I was setting in construction traffic and sat for an hour not moving. I started to play with methods for concealing cards in the spread and came up with a couple of methods.

Later today I’ll give the trick a try during my preshow and see how it goes!

Road Work Ahead…

Later today I’m heading out to perform for a week in California. I’m using this week to get some work in on my show. In stand up comedy you go on the road to work on your act and less desirable venues so that you are good when you perform in good venues. Magicians seem … Continue reading “Road Work Ahead…”

Magicians seem to lack having “a place to be bad”. Well, these venues do exist, I think that most magician’s egos have a hard time letting them “be bad”. They are afraid to try new things, to push the envelope. Instead they do safe, hack tricks and that’s why magicians aren’t considered artists. It’s like they are a cover band of a cover band of a cover band.

My advice is to go out on the road, leave half of your A-show at home and bring some wacky ideas and force yourself to try them out. Out a few years ago I did a long tour in the midwest and my goal was to come up with a new 45 minute school assembly. By the end of the tour I had one and it was SOLID, but it took guts to leave my normal show at home and hit the road with a trunk full of ideas.

Deck Ripping Routine…

A while ago on this blog I wrote up my deck ripping routine. Basically it’s the split deck trick, but instead of a factory made deck, you are using a deck that you rip in half with your bare hands. One of the things I like about doing this trick is the “barrier to entry”, you have to put in the time to be able to do the trick.

The other day during my preshow at a library gig I had a kid helping me and I just kept classic forcing the two of hearts to him. I was playing around and would top change the two for another card, then rip it in half and throw it away. Then the kid would pick the two of hearts that I just torn up. I did this a couple times. Finally I turned the deck face up and had him pick a card that wasn’t the two and I had him stand on it (after I switched it). I then ripped the deck in half so he couldn’t pick the two. Once the deck was ripped the kid (on his own) reached down to look at the card he was standing on and was very much amazed that the card had changed into the two of hearts!

This is a decent ending to a multiple force routine. You really can’t do anymore, the deck is destroy and the card has changed one last time. Structurally and logically, I need to work on it, but for this “improv” situation it was fun.

While I will probably never do this routine again, it got me thinking about it. What if I used a flap card with a lock. The person picks a card that’s not the force and you set it facing the audience. You rip the deck, and then the card visually changes into the force card. I’m not sure this is better than the kid reaching for the card he’s standing on, because his reaction really sold the trick.

New 45 Min Show…

My big project this summer is to work on a new 45 minute show. To be completely honest, it’s not 100% new, as some of the material is stuff I’ve done before. The goal at the end of the summer is to have a second show that’s an A show, or at least a strong B show.

Currently I’ve done the show two times, and hitting the road next week, so I’ll get a ton of chances to work on it. There are some things in the show that I like, and some that I don’t. This is one of those things that over time, I think will start to fit together.

Having only done the show a couple of times, I realized I use the fake explanation of the trick three times. I need to cut out at least one of them, and space out the remaining two. Ideally, I’d cut two of the fake explanations and have only one.

It’s time to put the work in….

Pump The Breaks…

At my only show I did yesterday I really slowed down. The entire show I probably went 30% slower. I let the magic moments sink in and the jokes marinade with the audience. I’m really happy with the results and I’m going to keep the slowness going for all three shows I’m doing today.

I understand why I go fast. It’s a fear of failure. It’s the fear of audiences not liking the tricks, or jokes not landing with the audience. How I deal with it is that I plow on to the next line. I recently watched a short little animated documentary on Doc Ellis. If you don’t know who he is, he’s the Major League Baseball pitcher that pitched a no hitter on LSD!

What doc was doing with drugs and alcohol was dealing with his fear of failure as a major league pitcher. I’m doing the same thing with speed. Moving from bit to bit and not giving them time to fail, but in the process they aren’t getting time to succeed!