August 2025 – Page 3 – MagicShow.Tips

Move The Monitors!

When I show up to set up my show on a stage, there’s normally monitors at the front of the stage. If I’m doing a solo show (not in a show with multiple performers), I will ask the sound tech to move the monitors. I think it’s important for the audience to see my whole body, but more than that, I do a couple of low things and with monitors, that stuff is invisible to the audience.

Recently on a travel day while I was looking for lunch in a town I stumbled up on a festival. One of the acts on their stage was an Irish Stepdance group.

Look at the picture above, you really can’t see their feet! I understand that’s unfortunate placement of the gray power box in the middle, but there’s no reason that the monitors couldn’t be moved to the sides of the stage and turned so they face the middle. That would not affect the dancer’s ability to hear the music.

In a magic show, we don’t normally need monitors like a band does, so don’t let the sound tech set up your show like a band! It’s OK to ask the sound tech to move monitors, they’re easy to move and it’s not a big deal.

Here’s a post I wrote almost a year ago with some good comparison pictures:
http://www.magicshow.tips/magic-show-tips/move-the-monitors/

Now be assertive and visually clean up your stage!

-Louie

Evaporation – Milk!

In my show the Evaporation gimmick that I use in a milk bottle. Really it’s a Sunny D bottle that has a milk label that I printed out on it. Recently while I was performing in Wyoming I found this milk bottle:

This is my dream bottle for a milk bottle for my Evaporation trick. The only problem is that it’s a unicorn. What makes this bottle perfect for milk is that it’s smooth, which makes it easy to clean and it’s clear, so the liquid is very visible. Unfortunately I’ve spend too much time trying to track down more of these bottles and all the ones I can find are frosted and not clear. With a frosted bottle it’s hard to see the liquid inside.

Normally milk is in a frosted or opaque bottle as light isn’t good for milk. That convinces me that these were an error at the place that makes the bottles. Unfortunately I won’t be able to offer these for sale to magicians as there’s only two and I’m going to be using them. However if you want my standard Evaporation that’s gimmicked for milk, shoot me a note and I can make you one.

-Louie

It’s a Wrap on Library Shows for 2025

Well, I’m doing doing library shows for the summer. When I was putting together the show, one of the goals was that it was one trip in and one trip out of the library. I also wanted that to be only one thing in each hand. Here’s what the show looked liked when packed up.

What’s pictured above is everything for the show. The show was was expandable from it’s most basic form which was the prop box on the table to set up that filled a larger space.

The other goal was for the show was that is played big. It didn’t feel like a suitcase magic show where everything is flat. The show had a lot of textures and I really liked doing this show.

I’m proud of this show and I think I may keep it to cycle back into the rotation for kid shows in the future. The more important thing was that I used this show to learn to do things that will have a life outside of this show. I learned to use and get confident with the iQpro app to run video for my show and I using ankle switches for my show.

One of the goals for my summer library show is that I work on something that I can use outside of that specific show. Whether it’s a routine that I can use in another show or in this case, production stuff.

Always look for a second life for things!

-Louie

Comedy Mentalism Routines!

Last week has been a HUGE week for me creatively. I’ve come up with three ideas for stage routines. One of them I actually had what I needed to try out and got to do about eight times onstage!

All three of them are comedy mentalism. Two of the three of them focus on the process of what the audience perceives is happening and the other is fairly generic mentalism.

You can read a little bit about one of them here:
https://www.magicshow.tips/magic-show-tips/showing-process-for-mentalism/

The second one is a lock trick where someone picks a key and that’s the only one out of six keys that opens the lock. Fairly standard, but and some process to it and it’s more of a stand out trick.

The premise of the trick is luck.

I get someone who says they’re lucky onstage. The try out all of the keys and confirm that only one will unlock a lock. What’s cool about the lock I’m using is that I don’t need to touch any of this!

They are now locked by their beltloop to a folding chair with short piece of chain.

Now to test their luck, I’ll flip a coin and for every correct flip they get a key to try to free themself. For each flip, they get it wrong…However on the last flip, when the call it and it’s wrong, I openly flip the coin to what they called to so that the get one key.

They select the key, it opens the lock and it frees them!

I’m going to try this out later this week to see how it plays. When I am trying new things, I want to get them onstage as quick as possible. I want to get a sense for how it actually plays with my personality. If it feels right, I’ll start working on writing up a more complete script for it. If it doesn’t, I need to reevaluate whether I should try a different angle, or stop doing it.

Louie

Visiting the P3 Theater!

Last week when I was in Columbus, OH my bubby Chris Hanowell visited the fair and caught my show!

The next day Chris and David gave me and Billy Kidd (who was also working at the fair) a tour of the P3 Magic Theater / Magic Shop.

The p3 Magic Theater is a really cool space and looks like a great venue for magic! I mean, it should be since it was designed for that!

-Louie

Final Summer Library Show of 2025!

Well, I’m now done with my summer reading shows at libraries for the season. Here’s my case before the final packing of it.

I really liked my show this year and it was a ton of fun to do it. My show was themed around the colors of the rainbow and the show worked for libraries and summer camps. I think this is a show that I may keep around and for kids events. The rainbow themes is a great segue between tricks and a good frame for the show.

The show also got me to use iQpro for visual elements on a screen in the show. The show was mostly images on the screen, but it also had some video elements. I’m really liking this program for the video projection, however I’m struggling with it for audio. Ideally using one program to run the show would be best, however I’m thinking there may be some advantages to using two. Primarily if something happens to one, like the app freezes, I still have the other running. That means I might not have music, but I’ll still have video or vice versa. Having one is better than none!

The other routine that has come out of this that’s a keeper is my expanding card trick warm up. This is a multiphase card trick for kids. It’s probably doubled in time and effects from how I used to do it!

-Louie

Using Fire in Your Show?

The amount of magicians that give other magicians bad advice about using fire in their shows. The big thing is about getting permission or correct permitting to use fire. Many magicians repeat the old saying: “it’s easier to ask for forgiveness than permission”.

That is totally wrong!

There are many gigs where you absolutely cannot use fire. I worked a gig at a museum where an act got fired (no pun intended) for using a flaming wallet. The gig I was at last week had this sign in all the dressing rooms:

If you showed up to this gig and fire was a part of your show, like burning a dollar bill, you wouldn’t be able to do that routine. If you did fire at this gig, which is two weeks, you wouldn’t last long!

This is why doing fire correctly by asking for permission is KEY! You’d come into this gig knowing you couldn’t use it OR getting the correct permits, etc to be able to do it.

-Louie

Sign Language Interpreter For Magic Shows

All of my shows at the Ohio State Fair had a sign language interpreter. It’s a really cool thing to have and there were a lot of deaf people in my audience because of this. It was great to have my show, which is very verbal to reach people who probably wouldn’t normally watch it.

There were 4 or 5 interpreters who cycled through the 24 shows that I did over 12 days and they got to know my show pretty well. At one point my show got off track and I was trying to bring the routine back so we could wrap up and I totally forgot where I was in the show. I asked the interpreter and she told me what the next part of the routine was!

Everyone from the Opportunities for Ohioans with Disabilities did a great job, and I even learned to tell a joke in sign language, and I have the sign language interpreter verbally tell it on the mic while I signed it. Not only that, but I learned a lot about sign language!

I really wish more events would offer this, and it does open the show up to more people!

-Louie

Magic Show Review

It’s always great to see what other magicians think of my show. A magician (who I had never met before) was at one of my shows last week. He texted about my show to another performer who I did know and that performer shared a screen of of the text.

It’s always great when magicians like my show. While they’re not my target audience, they are a group that I try to have something in the show for. My show is fairly non-standard, or at least if something is sorta standard, it has a twist on it. I don’t do this specifically for magician audiences, it’s for me. I honestly couldn’t do an “off the shelf” magic show. It’s the difference between a cover band and a band that does originals. A cover band will have much easier early success, but there’s a limit to the level of success they will have. However a band that does originals will have a harder time at first, but the potential level of success is much higher.

Doing standards IS a part of the learning process. You do need to know standard techniques. I did linking rings for a long time, and if you handed me a set I bet I could still flawlessly do my old routine.

-Louie

Developing a Unique Show

Right now I’m performing at the Ohio State Fair and there are three magicians AND a hypnotist that does a mentalism show. Technically that make four magicians all working at the same fair on the same dates! This is a large fair, so two of us are on one stage and two are on another stage.

None of the magicians working here do standard acts. None of us are “stick to the classics” sort of people. We all have unique shows that don’t use common material. That’s an important thing, sure an act of standard tricks can get booked, however having an act full of unique tricks definitely makes you more bookable.

Yes, bookers do know what a generic magic show looks like. A birthday party parent may not, but someone that their job is to book acts can tell the difference. This is one of the secrets to my success, being able to work with other magicians at the same event.

One of the things that I did to build a unique show was to write down the tricks I did in the show. I labelled them as: common, uncommon or unique.

The goal was to get rid of all of the common tricks, then eventually get rid of all of the uncommon tricks.

-Louie