3d Printing a Vintage Magic Trick

Sometimes I see a picture of a magic trick and try to figure out what it does. Someone posted this picture of a box in a magic group on social media:

It’s a trick where you push the pins though a coin. I thought that this looked like a fun little 3d printing project, so I made a simple version of it. My version had a nested lid instead of a hinged lid.

And if you want to see it work, here’s a demo of it:

@louiefoxx What does it do? #mysterybox #coin #magic #cointrick #magictrick #3dprint #louiefoxx #nails #spike #figureitout #reveal ♬ original sound – Louie Foxx

This is an easy 3d print as it’s only two parts. You just need the coin and four nails. If you’d like a copy of the .stl file to make your own, contact me and ask for it!

-Louie

Recording Your Show for Promo?

A little while ago I was helping a friend with her promo video and all of the videos she sent me were wide shots. They had the whole stage, including unusable parts where speakers were. That wide shot makes cropping in the video to get clear footage of what you’re doing or more importantly your face almost impossible, even when recorded in 4k!

Here’s an example of the framing of the video:

magician promotional video

The video could have been zoomed into the blue line and that would have gotten all of her props adn set pieces. However it really could have been framed to the red line and that would have gotten 95% of the action in her show and if I needed to crop it, it would still be nice and crisp!

When you’re recording your show on a tripod in the back, record it at 4K as that allows some cropping and you can still end up with a high definition video. Also starting with a tighter shot helps a lot with the cropping!

-Louie

Levitations!

There’s a levitation illusion going around, and there’s something I don’t like about it. Before I go any further, the illusion is fine, there’s just a visual thing that I don’t like. If you can get past this, than it’s a great trick.

Here’s the style of levitation, I think the two pics below are different makers.

What I dislike is the cloth wrapped around the person floating. Specifically how it dangles on the end. This is also my issue with most chair suspension routines. The cloth really serves no purpose, aside from hiding the method.

I get that you can justify the cloth as it’s a magic cloth that makes people float…but then why isn’t all of the cloth floating and some of it dangling?

Yes, most levitations of a human have do deal with gravity. In my opinion the dangling of the hair and dress make the illusion look better visually. Where the cloth wrap doesn’t look anywhere are good as the person uncovered.

I understand that it’s not real magic, and you have to make concessions to hide the method. That’s a valid artistic choice, to have a purpose in your show for a levitation and due to venue limitations you need to use a method that you might not like to move the show forward.

Personally for me, I’d save the levitation for a theater where it can be done without the trade off of having to wrap the person with a cloth.

-Louie

Shutting Down a Distraction…

Over the summer I did something in a show I regretted. I was performing at a fair and there was a kid that kept coming to the show and was being a distraction. I can handle the 4H kids that come to the show everyday, but this kid would walk up to the front of the stage and block the audience and say things to me. Not things that were remotely relevant, but like, “use my pen” as he tried to hand me one of the novelty shocking pens that a booth at the fair was selling.

After numerous times telling him to “No” and to step away from the stage, it was being a huge distraction for the audiences over multiple shows. One show I took the clock that I use for a trick out of my case as asked him if he could read a clock like this. He said “yes”, and I asked him what time it showed. He told me and I said, “No, it’s time to sit down and shut up”! It got a huge laugh, and worked, the kid sat down and didn’t talk the rest of the show.

The laugh told me that the audience was on my side, but I didn’t feel good about it. The laugh didn’t move the show forward, sure it eliminated a speed bump. On stage that’s not my character, sure I’m edgy and snarky, but not mean. I honestly felt bad about it. However the kid showed up to my shows the rest of the week and sat through them quietly and enjoyed them.

I’m sure there would be a better way to get the kid to behave and in the moment I had to make a choice. I’m not sure what I would do in the future. If I waited till after the show and talked to the kid, the whole audience suffers for that show. The kid was making the show unwatchable.

Maybe that was the only solution? I don’t know. I still feel bad.

-Louie

3d Printing Vintage Magic Parts!

A couple of months ago I got a Leon’s Improved Glass Penetration by Merv Taylor.

Great Leon Glass Penetration by Merv Taylor

It appears it should have a dozen spikes, plus two hooked spikes, and mine only came with six. Five regular spikes and one of the hooked spikes. These are something that was custom made for the trick, so it’s not something I can just go to the hardware store and buy.

This is where my 3D printer comes in handy. I designed a replica of the spike and printed it out!

Great Leon Glass Penetration by Merv Taylor

The test one came out great, now my next step it to print out a full set of them! I do still need to try to create the hooked spike. I’d like the set to match.

-Louie

Late Season Library Shows

Last week I did a run of library shows for an area where the kids were off school for conferences. Here’s my 50 minute show in 64 seconds:

@louiefoxx What a Magic Show at a library looks like! #magicshow #library #magician #wallawalla #LouieFoxx #magic #sizzlereel ♬ original sound – Louie Foxx

My whole library shows (aside from the nest of boxes and speaker) fits inside of a “carry on” sized case. For me a pack small show is something that just happened, not a requirement. While it’s nice that the show fits in a small case, I don’t mind travelling with a larger one.

I’ve mentioned it before, but I think the key to a show that packs small is using props that give you show visual textures. The idea is to not have a show that looks like everything was selected because its flat or small. A couple of good example of things that I do that take up little space, but are visually large are the troublewit and the lasso. Both of them when I do the routine take up a lot of psychical space in the performing area.

If one of your goals is a suitcase show or a packs small show, try to avoid everything being a flat card. I’ve seen many suitcase shows where it looks like everything was selected because it was flat!

-Louie

Vintage Magic Trick: Blaisdell’s SKP

This vintage magic trick is Blaisdell’s S-K-P, and I can’t find any reference to it online. Here’s what it looks like:

@louiefoxx What were you thinking? #magictrick #rubberband #vintage #whatwereyouthinking #magic #rubberband #louiefoxx #vintagemagictrick ♬ original sound – Louie Foxx

The problem with the trick is there’s soo many props and soo much process to make a rubber band go through a shoelace. There had to be ring on string techniques that could accomplish the same effect in a much clearer manner. One of the challenges of the trick is the audience needs to understand how the line segments that the rubber band make work. If they don’t understand that, the trick will fall flat.

I will say the move that accomplishes the trick is kinda interesting, but not enough to put out a physical trick. I think this trick would be a good magazine item, but not a full release.

-Louie

Production Totes

When making deliveries, Amazon uses these totes to haul packages:

I don’t know if they’re common enough for people to recognize what they are. They collapse flat and I think they could be converted to a magic prop. It wouldn’t be hard to make one into a tip over trunk. You would also simply put a panel that flips up on the bottom and put it on a mirror base and you’re good to go.

The challenge is that I don’t think they’re quite super common knowledge like a milk crate was. Maybe in a couple of years…

-Louie

Finished Ginosko!

I finally finished reading Ginosko. This is a fantastic magic book, what I like about it is that it’s not just tricks. The whole back half is advice from other magicians and people in David’s life.

Ginosko magic book

For me the routine from the book that’s worth the price of the book is “Asking the 8 Ball”. It’s a transposition of a selected card with the 8 of the same suit. One of the things that makes this great is how the end of the trick where the actual transposition happens, the audience kinda figures it out on their own. What I mean by that is when we get to the point where I reveal the selected card isn’t where it should be, the audience member automatically reaches down and reveals the transposition with any guidance from me.

It’s really a great moment.

There’s tons of other great material and advice in it. There’s a fun vanishing bottle routine in it, I won’t do the routine, but got me thinking about an idea for the vanishing bottle. The book helping me make a connection to something else is always valuable to me!

Another trick that hits really hard is “Post-it Crane”. This is a cool trick, but I don’t think it’ll really ever end up in my main close up magic set because I don’t have the pocket space for a post it pad and the “gimmick”. When I have done it, it’s been for small groups of about 4 people and it absolutely amazes!

This book is cheap at like $25 and totally worth picking up! I got mine at Misdirections Magic Shop.

-Louie

The Moisture Festival Podcast – MP Letourneau

On this episode we talk to dancer and aerial extraordinaire Mary Pat Letourneau. We discuss her upbringing and how dance got her into aerial arts.

She also tells us what wall dancing is and how it paved the way for a career in the performing arts. She also discusses what she does not and tells us about her workshops that she offers people interested in becoming more flexible. A great interview with a very flexible performer.