Last week I was doing a stage hosting gig, and I’m amazed at how many acts don’t know the difference between an introduction and a bio. I was frequently handed introductions that were a half of page, or more!
Here’s an example of something I was handed to read:
I had to do some editing to the intro, and it was still a lot longer than it needed to be!
An introduction should be a few bullet points, the idea is to put a little bit of context into what people are about to see…not tell the whole story. You’re going to tell the full story onstage with whatever your act is.
A simple formula for writing an intro is three bullet points:
Where you’re from
Cool sounding accomplishment(s)
What you do
That is then followed by your name. It’s pretty simple. Sure there are reasons to do longer introductions, or more complex ones, however the majority of shows don’t need those.
Also giving tips on how to say uncommon names is super handy for the host/MC.
Last week I think I did my final virtual show…well at least the last one with all the technical bells and whistles. This was lower tech, I didn’t use my ATEM mini, or any production software, just Zoom and a stream deck.
This was a fun show because I did it with Roberto the Magnificent and Dennis Forel at an airBnB while we were performing at a different event.
It’s been a year since a did a virtual show and it’s not worth keeping up with how to run the technology if I’m only doing one virtual show a year. However it’s easy to use Zoom as a camera switcher, and simply play music in the room instead of playing it through a virtual cable on my computer. It’s not as slick as using production software, but doable.
About a week ago I ran into a magician and said they had the best children’s show in town. Unfortunately I was unable to make it to their upcoming show, however when I looked up their show, it reminded me of how important it is to have a good short description of your show.
Here’s how their show was described on the event website:
It’s entirely possible that the performer sent them a better show description and that event went rogue and used something other than what was provided.
Personally I don’t think that one sentence description is going to put any butts in seats. I think there’s a lot of wasted space in that, specifically the “solid and fast moving” part. I don’t think that tells me about the show. I’m not sure what “solid” means to people outside of the industry. I think a better line would have been, “Dan’s magic show has amazing magic, and hilarious family friendly comedy“. I’m sure there’s something better than that.
This week I’ve started reading Ben Harris‘s new book Bend It Like Geller. This book is about Uri Geller and spoon/metal bending.
I’m not very far into it, but I didn’t know that according to Ben that Uri Geller was the first person to really bend spoons. That kinda suprised me, Ben mentions that there were spoon bends before Uri Geller, but they were mostly gags, and not bent with your brain power.
This book also goes into routines and methods for different bends. I picked up a few packs of spoons and forks from Costco, so I can work through the book.
I’m enjoying this book so far, and Ben Harris always does a good job with how he lays out the book, and it looks super slick! -Louie
When I travel I try to do shows for senior groups. This is a great way to fill a day when I get into a city the day before a bigger contract. I recently did one, and when I arrived the lady at the desk told me to have a seat in the lobby and someone will be there to get me soon.
Personally I never sit down, especially if it’s out of view of the person at the desk. I always stand near the desk.
The reason for not sitting is simple, I frequently get “forgotten” about when I sit out of view. I don’t know why, I guess whoever is supposed to get me gets side tracked, or whatever. When I stand in view, it’s a constant reminder that I’m still waiting. Usually after a few minutes if I’m still there, the person at the desk will follow up with whoever is supposed to get me. When I’m out of view and sitting, there person at the desk won’t know you’re still there and after about 5 mins I have to ask again. That’s time that I could be setting up.
-Louie PS if you’re interested in performing at Senior Centers and Retirement Communities, check out my book How To Perform For Seniors!
For some reason I’ve never really liked the Assistant’s Revenge Illusion. I think that from a method standpoint, it works exactly how anyone would think it does. If you’re not familiar with the trick, here’s what it looks like:
What the trick has going for it is that it has a nice surprise, where the audience is expecting the magician to escape, but it’s a substitution. I’m going to imagine it packs pretty flat and it plays big. I’m not knocking anyone that does the trick, I just think the trick is just “meh”.
Recently this one popped up for sale:
This pic is what got me thinking about why I don’t like the trick. The chains end up soo loose on usually the female “assistant” that there’s really no reason why the person couldn’t just slip out. If you watch the video above, you can see how loose they are at the end. I do understand that at the beginning they are tight, but that’s not the final image the audience is left with.
The trick would be greatly improved with some sort of handcuff type restraint, but I also think that would make the switch much slower.
One thing I love it how other magicians have their props onstage. Not what the audience sees, but the magician’s view. A couple of weeks ago when I was doing my Incredible Idiom show, this is what the inside of my prop case looks like.
All of my props are easily grabbed and put away. There’s no fumbling, I’ve cut out all the dead time of bringing props into view.
I’m still amazed at how many magic shows I see where the performer ducks out of view behind their case looking for a prop. This is usually done by magicians who don’t have a firm set list, and simply chose the next trick on the fly and their show’s flow is different every time.
Having a set list will make your show better! You can see mine on the inside of the case!
A couple of months ago I wrote a blog post about a gig that I did that had a PA with only one input, where my show ideally would use three channels. Shortly after that gig I bought a small Maker Hart audio mixer that is designed for people to use on computers. I finally got a chance to try it out at a gig where they had a PA, but had a hand held mic and only one input.
The little mixer worked fine, it had a little bit of hiss, but I suspect I was probably the only one that noticed it. Given the choice of using my normal audio set up with a little hiss or using one (or two) less channels, I’ll take the hiss every time.
Sure I could get a better mixer, however this is an emergency mixer for me, as a mixer isn’t something that I normally provide for the venue. If they read my tech sheet, they’d know that I need three channels.
I’m going to give the Maker Hart Audio Mixer a solid rating as it does what I need it to do and doesn’t take up much space for something I hope I never need to use again…but know I will need in the future.
Sometimes a prop just looks cool and I want to figure out a way to use it. One of those props is the brass plates for the trick Collectors Workshop’s Jaks or Better. The prop consists of two brass plates that are screwed together and dangle from a chain.
Personally I’m not a fan of the trick that the brass plates come with. The Jaks or Better effect is basically a drawing duplication. Someone picks a card and puts it between the two plates. You then draw the picture that they put in between the two brass plates. The effect is fine, I’m not a fan of the method.
The original props looked like this:
About a year ago I bought a set and unfortunately they had changed the brass plates to a powder coated set of red plates. The red plates lack the character that the brass plates have. According to the Viking Magic (who owns Collector’s Workshop) website they switched to the powder coated plates because the brass tarnished.
Personally I think that the tarnished brass is what makes it look cool and interesting.
I’ve had the red set of plates kicking around on my desk for a while and I hadn’t come up with something to do with it. Then as I was heading out to a week or so ago to do a roving magic gig, I had an idea. What if a signed card came out from between the plates?
The method would simply be a double backed card. All I had was a red/blue double backed card, but I grabbed it anyway and put it between the plates.
After arriving early to the gig, I was playing around with the plates in my dressing room and realized I really didn’t need the chain, so I took that off. I also noticed the ring that served as the hinge was too big for what I wanted and didn’t hold the plates tight enough. Luckily I had a small key ring that I could put on it.
Here’s the altered plates:
It really doesn’t look like much difference, but the small ring for the hinge makes a huge difference!
I use blue decks, so the card coming out of the plates out have to be red.
The routine was simple. During my close up set I took the plates out and set them on the table. Then later during my ambitious card routine, after the card has some out of my wallet, I say, “You can keep the card or trade it for what’s in between the metal plates“. 100% of people took the metal plates. What’s fun, is someone every time also said they bet it was the card.
When the plates were unscrewed and a red card came out, it was a great moment to release tension as it clearly wasn’t there card. Then the card is turned over and it is the signed card, and the reveal had a huge impact.
initially my plan was to simply put the card back in between the plates and move on. On the second group I tried it on I handed them the card face up, and was surprised I got a bonus trick when they turned the card over and noticed it now had a blue back!
I thought the color changing back would signal that something fishy was going on, but to my surprise it was interpreted as a trick and it had a great impact!
I don’t know if I’m going to keep using the red powder coated plates, or try to find a brass set, but I do know I’m going to keep doing this bit!
Last week my wife and I had a tourist day in Seattle and part of it we went to see Ira Glass‘s talk called Seven Things I’ve Learned.
At the beginning of it he talks about the title and it’s really just a frame to write a talk around. That was interesting to hear him say that, because essentially that’s what every school assembly magician is doing when they put together a themed show.
At one point during the show, there was an interruption. Someone got up and started yelling that we shouldn’t be laughing when there were people dying in Sudan. I’m not going to call this person a heckler, because it wasn’t really related to what was happening onstage or the performer, it was someone shouting their message. It was unclear whether the person bought a ticket or somehow snuck in.
Ira handled this interruption in an amazing manner! The whole thing felt like it took 5 minutes, but in reality it was probably closer to 90 – 120 seconds. What Ira did was say that the guy is right, that people dying in Sudan was important and that it doesn’t get as much news coverage as it should. He was diffusing the situation. At one point people in the the audiences started booing the guy that interrupted, however Ira kinda shut that down. That’s the right tact, by encouraging the audience to boo, the guy would have gotten louder and louder. Towards the end of the interaction Ira said something like, “I agree with you, the media needs to do better…” and eventually the guy was escorted out.
Then to get the audience back, he did said “I’ve done stories about that…but didn’t feel it was appropriate for a saturday night crowd” and that got a laugh and tension started to leave the room. Then someone in the crowd yelled, “Welcome to Seattle” and Ira replied, “Thanks, so all of your shows have a guy yelling about Sudan…” this got a HUGE laugh and really got the rest of the tension out of the room.
That’s the thing with someone who is interrupting the show with an unrelated matter, no amount of heckler stoppers will do anything. Ira was right by diffusing the situation and not escalating it. Magicians are really bad about escalating their interactions with hecklers or interactions instead of deescalating it. It’s really the better choice in most scenarios, give it a try!
