Category: Tricks

Capping the Kicker…

I’m really trying to clean up the sloppiness that has crept into my show over the last 18 months of not really performing it much. That’s my main goal this week at the fair. However I am adding some newer stuff to the show and also trying to figure that out.

One thing I’m working on in my version of Luca Volpe’s Key of Fate. It’s playing alright, but it was missing some punch at the end. I was trying to figure out what to do, as the trick has a kicker ending, so I can’t really add another kicker on top of the first one.

What I ended up trying was adding some “stinger” music. Music that’s upbeat that I play right after the kicker is revealed, and it worked great! It got a much more applause at the end. Now I’m not sure this is how I want to do it, but it is a definite improvement!

Small things…

I’ve been working on my show this week at the fair. One thing that I’m doing is trying to correct little things. Little things are easy to fix, and can add up to a much tighter show!

In my show I do object in ball of yarn. I have a bowl that’s on a stand and it’s been on stage right with me and someone from the audience standing center stage. In it I give the person from the audience a fishing pole to reel in the yarn. Because the fishing pole is right handed, the person is using their upstage arm to turn the reel. I think the picture would look better if you saw the person’s hand cracking the reel.

The super simple fix was to having the bowl placed at stage right. Now you can see the person’s upstage hand cranking the reel. It really didn’t take much effort to figure this out, other than paying attention to the show.

On it’s own, it’s not a huge leap for the show, but bundle this with a dozen other small changes and it starts to be noticable!

Magic Jam..

I’m cleaning out the computer and found a video of a magic jam from a while ago when my state was briefly open for people to hang out before closing again. Jamming in person is the way to go, you can creatively play off of each other a lot more efferently than over Zoom.

In the video there are a couple of cool tricks. The trick with the arrow drawn on a card and it makes the coin move was interesting to figure out. Then the ketchup packet to ketchup filled portion cup looked great!

If you don’t jam with other magicians, you are really missing out on fun, and working on your creativity!

Magic Collection…

Many years ago I used to buy magic collections of magicians who had passed. I would keep the books or props that I wanted and resell the rest. It’s been a while since I have done that for myself. Last year a did sell off a collection of magic that was a friend of mine who had passed and all the money went to his son.

The other day I was contacted about a magic collection and went out and picked it up. The person had one of my Evaporation tricks, and this was from the original run of 36 that I sold at a magic convention in Canada.

One thing that I think people don’t realize is that most of the stuff in a magic collection is worthless. Usually about half is unsellable because it’s damaged, counterfeit or shipping would cost more than the prop.

You should be realistic about what your collection is worth and to not really count things that have a used value of less than $20. Sure, they do add up, but they are hard as hell to sell!

Trying to Support…

Last week I while I was in the Bay Area, I went up to San Francisco with a bunch of other acts that were performing at a fair. We walked by a Houdini’s Magic Shop and one of my friends asked if I could help him find a good bar trick. I knew exactly what would be good for him.

When we got in the guy working the counter never looked up at us. He was doing trick for someone at the counter and despite us standing right there he never even glanced at us. He was soo focused on one person he lost out on a sale.

I ran a magic shop for a long time when I was a younger and the thing is whenever anyone walks in you greet them. You don’t need to do anything fancy, or stop in the middle of a demo. A simple “hi” really goes a long way.

Is the lack of the $20 sale going to hurt the shop in a high tourist area?

Probably not.

Over time it does add up, and pausing between demos to sell me something wouldn’t affect the sale he was working on with the customer in front of him.

Table Top View…

In my show I primarily work out of the little bin on the top of my table. It allows me access to my props without having to reach squat to reach down into a case that’s on the floor. It also lets me look into the case and see everything quickly and easily. This is what my table top looks like at the beginning of the show:

As some of the larger props get used they get moved to the trunk on the floor. This is a fairly efficient way for me, as a one man act to manage my props.

Many years ago, I used to work out of my show case that was on the floor. When I was younger I didn’t mind squatting down and grabbing props. As I’ve gotten older, I don’t like to do that, also, ducking behind a case visually doesn’t look good onstage.

Back in Time…

One thing in magic is that people get hung up on is who created what and that if they thought of it without outside influence, then no one else could have possibly had the same thought.

My Russian Shell Game routine was inspired by a magazine column that Gary Oulette wrote. His ending used stacks of cups as the final loads to a cups and balls routine. In the article he “reserved all manufacturing rights“, I’m assuming he did this thinking no one had thought of the idea before.

Recently I was looking for something else and came across Cups and Cups and Cups and balls by Geoffrey Robinson

It’s the exact same idea as Gary’s, but it Gary never had a set made. Geoffrey did and it appears he had to do some problem solving. If you notice the small holes in the top, they are there (I’m assuming) to keep them from sticking together from the suction created if they are too tightly nested.

At the end of the day, you can’t assume you are the first person to have an idea!

Don’t Do It…

One of the things that I hate as a reason for why people do certain magic tricks is that “it’s a classic for a reason” or “just because you know it doesn’t mean the audience has seen it before“. To me these are lame reasons to justify doing a magic trick.

I’m performing at a fair right now and the vendor at the back of the audience where I’m working has a magic coloring book that he’s using to entertain the kids of the people he’s trying to sell insurance to. He’s a nice guy and he’s using it for a solid reason. However if that was a trick I did in my show, no matter how great my routine was, if someone had been to his booth, my routine wouldn’t play as well.

This is one of the reasons why I try to do more unique tricks, so I don’t have to deal with situations like there…or being in variety shows because someone is doing something similar and that forces me to cut duplicate material.

Freedom of the Seize…

The other day my buddy Matt Disero posted on his Facebook about a Stewart James trick that he thought was overlooked by magicians. I’m a huge Stewart James fan, and dug out the book and read the trick. It’s on page 120 of Stewart James In Print: The First Fifty Years

In the introduction to the trick it says that it’s not a good trick for non-magicians, but a fooler for magicians. I think whoever wrote that intro was correct, well for how the trick was written up. It’s a very interesting principle, here’s the effect:

Someone picks a card and puts it face up on top of the deck. The cards are cut to bury the card. You then take the cards behind your back tell them the card above the face up card.

It’s very clever, and I think it has a use in a longer routine. As a stand alone, I’m not sure how I feel about it…

Another Alexa Trick…

Awhile ago on this blog I mentioned I was working on a trick that used an Amazon Alexa / Echo device. The goal of the trick was essentially a self working trick that someone could do without me, just following some instructions and having an Alexa in their room.

Here’s the final trick:

When I was putting this together, it I was pretty lucky. I put the hats above on note cards. I needed to force the party hat and the four hats I randomly wrote down and the order that I randomly laid them out worked for the math! I still needed to figure out the second count (hat), and once I realized I just needed an odd number, it was a piece of cake!

Have fun with this trick!