Yesterday I finished my first attempt at making a clear coin for the Silver Extraction magic trick. I made the mold in silicone and cast it in a clear resin. The clear coin ended up having a lot more air bubbles in it than I would like it to have. At the end of the … Continue reading “First Attempt…”
Yesterday I finished my first attempt at making a clear coin for the Silver Extraction magic trick. I made the mold in silicone and cast it in a clear resin. The clear coin ended up having a lot more air bubbles in it than I would like it to have. At the end of the day, it’s a clear coin and would work for the trick.
After doing some research on the causes of the air bubbles, what it will take to remove them from future castings is something I’m not really set up right now to handle. I learned a lot from making this, mostly that clear castings are going to be a pain in the butt!!
One thing I like to do when I’m learning to new things is to do them whenever I can for projects that I won’t necessarily use, but someone will. Right now I’m learning more about making silicone molds and casting things in resin. My current project is making some coins that will be clear. This … Continue reading “Making Magic”
One thing I like to do when I’m learning to new things is to do them whenever I can for projects that I won’t necessarily use, but someone will. Right now I’m learning more about making silicone molds and casting things in resin.
My current project is making some coins that will be clear. This will be for the a trick similar to the Silver Extraction Coin trick.
Above is the mold for the coins. After making the mold, I think there are a few changes I would make to it. We’ll see if these turn out.
Yesterday I was at a class on making silicone molds and using them to cast things in resin. Personally, besides learning the skill, I’m always watching for ideas that I can use during my performance. I noticed a couple of things that confirm my current thoughts on audio and video during a show. The first … Continue reading “Keep Learning…”
Yesterday I was at a class on making silicone molds and using them to cast things in resin. Personally, besides learning the skill, I’m always watching for ideas that I can use during my performance. I noticed a couple of things that confirm my current thoughts on audio and video during a show.
The first thing that while we were in a fairly small and quiet room and there were only 25 of us, it was hard to hear the presenter. They should have been mic’d up. This goes for pretty much anything that’s not a close up gig, you need to wear a mic!
The second thing was their use of video. They had a straight down show from directly above the table with the screen directly behind the presenter.
This is the way to do it. In all of the shows I’ve seen when the action is on a sidewall, your attention is torn between the screen and the presenter. With the action on the screen behind you, it really lets you watch both the same time as both are in your field of vision. This is the way to got for projection.
As a bonus to confirming my theories on audio and video during a show, I also learned to make molds and cast things in resin!
Recently I added the Silk in Light Bulb trick to my show. Essentially a silk that has disappeared reappears inside a light bulb. To do this or similar “in light bulb” type of tricks I’ve always used glass light bulbs. I hollowed out real glass light bulbs and used those. These look great and work … Continue reading “Economy of Motion…”
Recently I added the Silk in Light Bulb trick to my show. Essentially a silk that has disappeared reappears inside a light bulb. To do this or similar “in light bulb” type of tricks I’ve always used glass light bulbs. I hollowed out real glass light bulbs and used those. These look great and work great, but travelling with them is a pain as they are fragile.
About a week ago I was talking to another magician and he mentioned he started using plastic light bulbs. These have the metal base that unscrews giving you access to the inside. I ordered some and they showed up a couple days later. They look great, and I’m glad I ordered them, it’s going to make travelling much easier.
One problem with this style light bulb is how long it takes to unscrew it. There’s too much threading on the base:
I took my Dremel and sanded off some of the threading:
Now it unscrews in less than one twist. That speeds up the moment from when the audience realizes it’s the silk in the light bulb to when you are displaying it.
Look at your show and figure out where there’s wasted procedural motion. Once you find that, try to figure out ways to eliminate it. That will tighten up your show.
It’s fun playing around with magic tricks. A couple days ago I wrote about tweaking the card trick A Case For Premonition by Roberto Giobbi. This is a card trick where someone names a card, it disappears and it’s in your pocket. I jammed the card trick with a buddy and showed him another way … Continue reading “Keep Tweaking…”
It’s fun playing around with magic tricks. A couple days ago I wrote about tweaking the card trick A Case For Premonition by Roberto Giobbi. This is a card trick where someone names a card, it disappears and it’s in your pocket. I jammed the card trick with a buddy and showed him another way of doing it that I had thought of, which I like a bit more.
In the original method you need to count out 51 cards, it’s boring and time consuming. What I’m doing instead is using a deck that’s marked and in a memorized order. They call out a card and you spread the deck to about where the card is, locate it and get a pinkie break under it. I do this as I say, “You could have named any card…” then I square up the deck. I then side jog the card, and ribbon spread the deck face up on the table. This will hide the selection. Be sure to not be selfish and ribbon spread the cards so that they indices aren’t upside down to the audience. I then run my finger across the cards looking for their card, and it’s gone! I finish by doing Bob Farmer’s Bammo Move as I pick up the deck, palm the card and produce it from my pocket.
It’s not a huge change, but I think it really streamlines the process of making the card disappear. It’s also technically a lot easier than Giobbi’s version that uses a Double Deal and a Cull Palm. If you used an edge marked deck, you’d eliminate the need for the estimation and spread, you could just look for the mark and get a break.
In the past I’ve written about my dislike for magic apps, and my fascination with them. I think they are interesting, but the main problem is that the majority of them either rely on an internet connection or using your phone. In my opinion there’s no way around having to use the internet for apps … Continue reading “App Free…”
In the past I’ve written about my dislike for magic apps, and my fascination with them. I think they are interesting, but the main problem is that the majority of them either rely on an internet connection or using your phone. In my opinion there’s no way around having to use the internet for apps that work that way, and that makes them not as reliable as I’d like. As for using your phone, well, you just need to justify it.
I just started playing with an idea that uses my phone to take a picture for a prediction. The idea of using a picture that you are taking in the moment makes more sense that a random pic in your gallery that’s been there for months.
Here’s what the rough idea looks like:
This is a trick that I don’t think really has a place in a formal show, but as an informal trick, I think it’s great. The nice thing about it is they can pick any of the items and they can pick up the phone to reveal the prediction. It’s pretty hands off once you take the pictures.
One of the card magic plots going around right now is a “Card To Pocket” that’s done in the style of Eddie Joeseph’s Premonition. Right now Max Maven’s Pocket Nightmare and the Other Brother’s Card To Pocket are just coming out. The trick is a card is selected, the cards are gone through and there … Continue reading “Premonition…”
One of the card magic plots going around right now is a “Card To Pocket” that’s done in the style of Eddie Joeseph’s Premonition. Right now Max Maven’s Pocket Nightmare and the Other Brother’s Card To Pocket are just coming out. The trick is a card is selected, the cards are gone through and there are only 51 cards, their card is missing. It’s then produced from your pocket.
Last night I was reading the book Concertos for Pasteboards and there’s a Card to Pocket by Roberto Giobbi called A Case For Premonition. This one uses one normal deck, which is a huge advantage for me than the two marketed ones. The disadvantage is that I need to deal the cards instead of letting a spectator go through the cards. Personally I think the condition of the audience dealing is a that impresses magicians more than non-magicians (in most cases).
After working through the one in the book, I did a couple of tweaks. There’s a moment where you need to spread through the cards to find selected card that had just disappeared. I didn’t like that, so in the dealing process I deal them a bit sloppy and side jog the card before the selected card, which lets me find it without spreading the cards. The other thing I changed was the need for a cull palm. Instead as I pick up the deck I do the pass that’s used in Bob Farmer’s Bammo Card Walloper to bring the card to the top and simply palm it.
I’m excited to try this out on real people to see how it plays. I think this will be one of the tricks that I do as part of an informal card set. I always like reading a trick and immediately know that if I change a couple of things it will work with my body vocabulary.
On social media yesterday a hoax about balancing a broom upright went around. Well the hoax was that “because planets were aligned” you could do it, besides the fact that you can do it anytime, you just need to try. If you keep your eye out for trends like this, they are a good way … Continue reading “Broom Balance…”
On social media yesterday a hoax about balancing a broom upright went around. Well the hoax was that “because planets were aligned” you could do it, besides the fact that you can do it anytime, you just need to try. If you keep your eye out for trends like this, they are a good way to pitch yourself to get on the local news or have a picture get shared a lot.
Here’s what I did:
Unfortunately, I was busy most of the day and unable to hustle this picture early in the day. I think that a video of someone doing the trick Balance or Stasis if presented properly would would go viral, or at least get someone some media attention.
Keep an eye out for things that are blowing up on social media and think about what you can do with that premise. Sure it’s probably something that you won’t be doing outside of that particular instance, but it’s a good for creativity and if something goes viral, then it’s good for you!
In the past I’ve mentioned that jamming with other magicians is an important part of the creative process. This has benefits beyond just coming up with ideas, you can also learn new techniques by hanging out with other magicians. Here’s a magic jam from yesterday: In the video you may have noticed the Coin in … Continue reading “Bouncing Ideas…”
In the past I’ve mentioned that jamming with other magicians is an important part of the creative process. This has benefits beyond just coming up with ideas, you can also learn new techniques by hanging out with other magicians.
Here’s a magic jam from yesterday:
In the video you may have noticed the Coin in Chapstick that I’ve been messing with. It’s an interesting idea, and it was fun two work out some of the finer details with these magicians. I think the trick got better after getting some good feedback!
The other night I finished up reading After The Force by Ron Frost. I think it’s important to keep learning. There are tons of magicians I know that don’t learn magic for fun. They only learn something when they have to, which I think is the wrong approach. I think that magicians need to keep … Continue reading “After The Force…”
The other night I finished up reading After The Force by Ron Frost. I think it’s important to keep learning. There are tons of magicians I know that don’t learn magic for fun. They only learn something when they have to, which I think is the wrong approach. I think that magicians need to keep on top of techniques and tricks.
This book’s title is a bit misleading, I expected just endings to card tricks. The first part of the book teaches you how to force cards in a variety of ways. I agree with Ron’s assertion that the Classic Force is the best force. Then he teaches you a lot of tricks that uses forces, but in the context of the whole tricks. It’s the trick start to finish. Not that it’s a bad thing, I just thought it’d be something a bit different.
I’m glad I read the book, and worked through the stuff in it, however I don’t think anything from it is moving into my working set. It’s not that the stuff is bad, it’s just not for my show. There is one move in the book that will move into my “toolbox” or moves that I use when a situation calls for it. The big thing is to keep educating yourself on techniques and grow as a magician.
