Wavy Arm Guy Magic Trick Video

Yesterday I wrote about working on a trick with a wavy arm guy. I don’t have a routine written yet, I’m just seeing if it works.

Here’s a practice video.

One of the things is the explanation with the mic stand. While it shouldn’t be necessary, I’ve been in the audience where similar penetration tricks are performed and they fall flat because not everyone is really spatially aware.

A good example of this is Andrew Mayne’s Razorwire. Here’s the effect:

Andrew Mayne's Razorwire.

Unless you show the audience that you can’t simply walk around the barrier, the trick isn’t going to land. Not everyone will understand that you can’t just by looking.

With my trick, it works, the next step will be writing for it.

-Louie

Wavy Arm Guy Magic Trick

In my show, I use an inflatable wavy arm guy as part of a trick. Really, it’s there to add some umph to the ending. It’s a large prop to carry around, but worth it for the trick. It’s only used for like 10 seconds at the end of the trick, but it really makes a difference in audience reaction.

Since I’m already lugging this thing around, I should have something else to do with it, for a second show. I’ve written a lot of ideas down over the years, but never really taken action on them.

I finally started working on one of the ideas that I like the most. The premise is that my arms are handcuffed together with the wavy arm guy inside the circle created by my arms. I then pass through the wavy arm guy, so I’m standing next to him with my arms free from him.

wavy arm guy magic trick

It’s one of those tricks, like walking thru a sheet of steel, where I don’t think it initially hits the audience very hard. It’s a good trick, but it’s more of a thinker, than something visual like popping a balloon and having a wine bottle appear.

One of the challenges with this will be selling the effect. I’m not 100% sure how to do that yet.

-Louie

Card to Impossible Location

When it comes to the Object to Impossible Location type of tricks, I like them when the object never disappears. I don’t like how things like the next of boxes are typically presented. You borrow a watch, the watch disappears, and then you show the box. The audience knows the watch will be in the box. There’s no surprise there, it’s a puzzle at that point.

I’m working on a card to impossible location for my show. The thing about this is that I need to get the card from the person who signed it at the end of the trick, but I want the audience to think that the person who signed it gets to keep it. My solution to this is the card below:

card trick

I’m simply top changing the signed card for the thank you card. I hand it to them and say, “This is a thank you for helping me out,” and let them see the card’s face, but not the audience. I tell them they can put it into their pocket and keep it. What that does is make the audience think they walked away with the signed card, when in reality, I have it and can load it somewhere later.

I’ve done this once so far, and it worked. We’ll see how well it works long term.

-Louie

The Moisture Festival Podcast -Doug Martin

On this episode of the Moisture Festival Podcast we welcome in 1/3 of the Mud Bay Jugglers Doug Martin. We discuss how they got their name, how they developed their own style and the creative choices they made to continue to be so unique.

He tells us about the different incarnations throughout the years and the secrets to keeping a group together for over 40 years. A great conversation with a festival favorite. 

Magic Show Station

At a recent Halloween event, I was hired to perform at a close up magic station. This was simply a table that kids came by and I did close up magic for them.

This was a fun format to perform in, and with the table, I had more props with me than I would usually for a roving gig. When the crowd grew bigger, I did a couple of bigger tricks.

Another thing you can’t see in the picture is that I brought a speaker with me and used it to amplify my voice. The event was in a noisy gym, so a bit of audio support was nice!

-Louie

How to be a Good TV Guest

When I visit a television show, I try to be a good guest. Last week, I visited Everyday Northwest in the Portland, OR area to promote National Magic Week. Before the interview, they give out a sheet with the show’s timing and some of the questions that they’ll ask you.

Once I got the sheet and saw the questions, I started writing my answers in my notebook. The act of writing them down puts them in my head, and I fumble a little bit less when saying them. It’s like a mini rehearsal for me.

Also, when I see the questions, I try to write some jokes. In the interview, I’m asked “how magicians celebrate National Magic Week” and I have an answer with a joke. That’s part of the effort I put into these media spots: I try to be prepared and offer them more than just flat answers.

If you do a TV spot, make it a unique experience; don’t just rehash what you’ve done a million times.

-Louie

Five Minute Magic Show

Last week, I was at a booking conference and they had a “pitch and perform” event. In this event, each person had 5 minutes to introduce themself, tell what they did, and give a short sample of what they do.

Here’s what I took with me:

Magic show props

There are two routines, one I intended to do is my Stand Up Chop Cup (it’s in my 2025 lecture notes) and the back up routine is a rope routine. Both magic routines would run about three minutes and the other two minutes would be the pitch part. What’s important about these two routines is that there is no set up and no clean up and they have a lot of magic!

I always try to have a back up routine for things like this. It’s only five minutes, but sometimes I’ll see the room and decide my main trick isn’t right, or there will be another magician who may do something similar to what I had planned. That’s why the two tricks I brought were very different visually and in effect.

A little bit of planning can help a lot!

-Louie

Magician Dick Barry!

Recently I was doing a gig at a retirement community and one of the people that lived there was magician Dick Barry!

Dick is retired now; however, he has created many magic tricks that were sold. He was also a performer at the Magic Castle. I had a great time chatting with Dick before the show. This is one of the great things about performing at a retirement community, you never know who you’ll run into!

If you want to learn more about performing at retirement communities, check out my book How to Perform for Seniors.

-Louie

Outdoor Magic Show in the Rain

This month I’m doing a few dates at a Halloween festival that runs 5 weekends. One of the days that I was performing, it was raining, and this was an outdoor festival. The stage was covered, but the audience seating was not covered.

The act before me performed for a few people with umbrellas that were standing behind the wet seats. What I did was move a bunch of seats onto the stage and dry them off.

magic show in the rain

I managed to fill up the stage seating and had great shows!

When you arrive at a show and the scenario isn’t ideal, consider how to improve it. I’ll usually run the idea by my contact at the gig to ensure there’s no reason why I shouldn’t do that.

-Louie