Pictures – Page 100 – MagicShow.Tips

Freedom of the Seize…

The other day my buddy Matt Disero posted on his Facebook about a Stewart James trick that he thought was overlooked by magicians. I’m a huge Stewart James fan, and dug out the book and read the trick. It’s on page 120 of Stewart James In Print: The First Fifty Years

In the introduction to the trick it says that it’s not a good trick for non-magicians, but a fooler for magicians. I think whoever wrote that intro was correct, well for how the trick was written up. It’s a very interesting principle, here’s the effect:

Someone picks a card and puts it face up on top of the deck. The cards are cut to bury the card. You then take the cards behind your back tell them the card above the face up card.

It’s very clever, and I think it has a use in a longer routine. As a stand alone, I’m not sure how I feel about it…

Another Alexa Trick…

Awhile ago on this blog I mentioned I was working on a trick that used an Amazon Alexa / Echo device. The goal of the trick was essentially a self working trick that someone could do without me, just following some instructions and having an Alexa in their room.

Here’s the final trick:

When I was putting this together, it I was pretty lucky. I put the hats above on note cards. I needed to force the party hat and the four hats I randomly wrote down and the order that I randomly laid them out worked for the math! I still needed to figure out the second count (hat), and once I realized I just needed an odd number, it was a piece of cake!

Have fun with this trick!

Summer Costume…

When I perform at fairs outdoors, I don’t wear pants, I wear shorts. They are part of my “costume” and look that I’m going for. The shorts that I wear are actually pants that I’ve cut into shorts. There are a couple reasons I do this, the main one is that they fit differently and hang on my body differently than most shorts do.

In the past I’ve always taken them to my local tailor and had them do the conversion. However their shop closed about six month ago, so I couldn’t take them to my normal person. I decided to try to remember what I learned in 8th grade home economics class and do it myself. I spent about 45 mins cutting and hemming two pairs of pants and they turned out pretty well, but hemming pants isn’t a very difficult project.

Many magicians are surprised when they hear I wear shorts in my show. They think it’s not part of a costume, or what a magician should look like. They are entitled to their opinion, but they are part of a coordinated look, I’m not just throwing on shorts. They may not like that look, but it fits with what I want the audience to see when they see me onstage.

Mr Smiley gets a hat

With COVID restrictions loosening up, we were able to get in a little magic jam session!

One of the things that we were playing with was some little hats that I found that are being sold as novelty thumb warmers. We combined it with Jonathan Friedman’s Mr Smiley Face trick and here’s the result:

It’s a fun little trick. It’s not the best trick in the world, but a fun little thing.

In Person and Virtual Shows This Week…

This week I’ll be doing some virtual bits for the Kids’ Entertainer Fest! I think you still can register, and this is a solid line up.

During the day this week I’ll also be performing at the San Mateo County Fair in San Mateo, CA. If you’re in the area, swing by and say hi!

Reimagining The Key of Fate…

This week I’m heading down to California to perform for 8 days at a fair. It’s been over a year since I’ve done a fair gig, and that’s my core market. I’m working on something new, that’s a variation of Luca Volpe’s Key of Fate routine. I’ve made some major changes to stream line it for how I perform. The big change is that I can’t have the audience write their prizes. For me, that takes too much time, and logistically doesn’t really work out.

In lieu of this, I’m going to use SvenPads to force the prizes. I bought three of notebook SvenPad‘s that look like this:

For the routine I needed three notebooks with different covers. I bought three notebooks and swapped out the covers.

The picture above shows the process of switching the cover. Below is the final product of the three covers:

I think that using these three notebooks to force the three prizes streamlines the process. We’ll see how it ends up playing…

Filling the Stage…

I love how people can look at the COVID restrictions and figure things out. A while ago I did a birthday party magic show in a small theater. The thing about this is that at the time, the show would have been against COVID restrictions to do in the family’s backyard. But if they did it indoors, in a theater, we could do the show. It doesn’t really make sense why this was OK, but outdoors wasn’t. I’m not going to get into that debate. When COVID first hit, I said I was going to follow whatever the local health code said, and this was allowed.

One switch I’ve made is I’m trying to have more props onstage at the beginning of the show. Normally it’s just my prop case and table. In 2019 I added the bowl on a stand to hold a ball of yarn and now in 2021 I’ve brought back my Applause Please trick (applause sign).

Visually that puts some stuff on the stage. While my show is still primarily hand held magic props, having something onstage for the audience to look at before the show makes it feel like something more. David Hira talks about this in his penguin magic lecture, I and really agree with him. Having something for the audience to look at and wonder what it does helps build excitement (in most instances).

Picking a Vanishing Birdcage

I’ve posting in the past that I’ve been thrust into role of expert with the Vanishing Birdcage. There are definitely people who know a lot more than me, but I’ve spent some time with several different style of cages and know a little bit about what helps make the trick successful.

One thing is having a decent quality cage. You don’t need to spend thousands of dollars on a cage, but you will have to spend a few buck. What you are looking for in a cage is something that’s smooth when collapsed. Tommy Wonder in his book mentions running a loop of string around the cage to look for snags and Billy McComb in his DVDs mentions rubbing it with a silk to look for snags. Since brick and mortar magic shops are becoming less and less common, something you can look for in an online picture is how streamlined it looks. Does it have a lot of bumps when collapsed? If you think it does, look for one that has less.

The cage that I use when collapsed is very streamlined and doesn’t have much bulk. It will easily fit through my wedding ring with the bird inside the cage! While having less bulk is important, the cage having less snag points is more important!

People always ask me what kind of vanishing birdcage do I use, and unfortunately I don’t know. It was given to me when I was a teenager by a magician because it had some broken bars. Some things to consider when picking is cage is how you are going to use it and how you need it to be on your body after the vanish. Blackstone Jr used that small Abbott’s cage because he needed to wear it for half of the show up his sleeve.

The main thing you are looking for is something that won’t get caught on your sleeve. Once you figure that out, you’re good to go!

Socially Distant Street shows…

Last weekend I was in Raleigh, NC and went for a walk. One of the things that I came across was a little street festival. It was a little bit of a return to getting back to normal. There was a street performer, and she was signer ad had a pretty decent sized crowd (also her PA was crazy loud!).

One of the interesting thing was how the crowd with now instructions, socially distanced themselves by group. This is a good sign for my summer performing at fairs. One of the things that I was worried about was how I was going to handle the crowds, and keep them socially distant. I was curious how much of that would be on me to do. It’s looking good that the audience will do it themselves. However, I think a lot of this will have to do with the local culture.

Whatever your personal beliefs on masks or social distancing, the reality is that if you want to work, you are going to have to follow whatever procedures the venue imposes. That may be nothing, or that may me a lot. Sure, as a magician whose job it is to entertain a crowd, you can’t force anyone to follow and rules or regulations. Just thinking about how you would manage a crowd now, will help you in the future if you ever need to.

JOHN MARTIN: The Master Magical Mechanic, A Genius at Work

I finished reading the book JOHN MARTIN. The Master Magical Mechanic. A Genius at Work. It was an interesting book, full of history. Personally I would have liked a little bit more details about the props that John Martin made. There was a lot about what would be the “dealer description” but a lot less about how it actually functioned or what little touches he added.

The book was written by Granville Taylor and it talks a lot about him and how he used Martin’s props (still not much technical detail). I’m glad I read it, it gave me a much more solid background on John Martin and his contributions to the vanishing birdcage!

Here’s what’s in the book:

JOHN MARTIN. The Master Magical Mechanic. A Genius at Work.

Book written and published by Granville Taylor (Faust the Magician).

New. A limited edition of 250 copies, each one numbered and signed by the author. 105 pages, including 24 pages in full colour, with over 100 colour photographs, plus 10 detailed workshop plans of some of the Martin replicas made by Granville Taylor. Preface by Peter Diamond. Introduction by Professor Edwin A.Dawes. The book, A4 size, is stapled and bound with red Rexine cardboard covers.

Chapters: Martin’s Early Days, Magical Equipment Made by Martin, My Introduction to Martin, My Turn to Shake Hands with a Legend, More Visits to Martin, Touring the World, Taylor-Made Magic & Martin Replicas, My Martin Equipment, Is it a Martin?, Granville Taylor assisted by Martin, Memories of Jan Martin Recalled by Prof.Guy Higgins, Leo Burns, Photographs of My Martin Equipment, Photographs of Taylor-Made Replicas of some of Martin’s Equipment, Photographs of Martin Equipment from the John & Anne Davenport Collection, Photographs of some Martin Equipment from the Peter Nicol Collection. Plus 10 Workshop Plans for Taylor-Made Martin Replicas: Poker size Rising Cards, The Coin Shooter, Release Clip for Lines for Coin Shooter and Holdout, Vanishing Birdcage Clip, The Martin “Butterfly” & Improvements, Small Butterfly Production, The Handkerchief Vanisher, Lit Cigarette Vanisher, Gadget for Cutting Rope Ends, The Cigarette Dropper.

Granville Taylor (Faust the Magician) knew Martin in the last few years of Martin’s life, watched him at work, and ordered several items for his show. He owned and presented the only illusion Martin ever built (The Aerial Suspension), and, over the years he has bought more rare Martin equipment, which he has used in his shows around the world. This book is a fitting tribute to The World’s Master Magical Mechanic.