Mentalism and the Misses…

One of the things that armchair mentalists say is that having “misses” in your show makes what you do feel real. I get what they are going for, however I’m not sure if they mean complete misses, or close enough to kinda be a hit on a technicality misses. Here’s the example people use to … Continue reading “Mentalism and the Misses…”

One of the things that armchair mentalists say is that having “misses” in your show makes what you do feel real. I get what they are going for, however I’m not sure if they mean complete misses, or close enough to kinda be a hit on a technicality misses.


Here’s the example people use to describe why it you need misses. Let’s say you go see on of the TV mediums who talk to dead people’s spirits. They throw out stuff all the time and that doesn’t land. However if they did a full program without only a couple of hits, I think you’d probably never buy a ticket to see them again. Also they are doing a different type of show than a mentalist show and the audience expectation is very different.


Back to a mentalism show. If you miss the word someone is thinking of completely it’s a loss for your show. Typically this happens when your method for the trick fails, like you don’t get a good peek at the word. This is bad.


A good miss that, while still a miss, but is a hit goes like this. They are thinking of the word and the word is “submarine”. You ask them to visualize the word. You say, “There’s a “U” in it? Great. Is there an “A” in it?” You continue, “visualize not the letters, but what you are thinking of, like in a scene from a movie…” You then write down and reveal the word Underwater, which is wrong. However you can then show that essentially they mean the same thing. The word sub means below, and the marine means water, or however you want to connect the two. this is a good hit, because you’ve planned it out and it’s not really a miss.


TLDR: Script your misses, so they aren’t really misses.

Introductions…

Last night I went out and saw a show that a magician friend of mine from Ireland performed in. He’s in Seattle working on some new material. From a performing style point of view, we are very different, however we do some similar stuff. What I found interesting was the way the audience reacted to … Continue reading “Introductions…”

Last night I went out and saw a show that a magician friend of mine from Ireland performed in. He’s in Seattle working on some new material. From a performing style point of view, we are very different, however we do some similar stuff. What I found interesting was the way the audience reacted to things he did.


He was introduced as a “mindreader” where I’m introduced as a magician. Right off the bat, the mindset of the audience is very different. Also the “mind reading” stuff that I do is deeper into the show. My friend being initially presented as a mindreader gets bigger impact out of his material than I do.


It’s all context, and in your introduction it sets the mood for your show. A magician that tells you what you are thinking is fun and trick. When a mindreader does that, it’s more, he’s reading your mind!

How does your intro set the initial tone for your show?

Plan B Set List…

Yesterday’s blog post had a back up show set list that I would easily fit in my carry on luggage on an airplane. The next step is going to be to put those tricks into a set list for the show. There are a couple of tricks that are similar in effect, so I’ll have … Continue reading “Plan B Set List…”

Yesterday’s blog post had a back up show set list that I would easily fit in my carry on luggage on an airplane. The next step is going to be to put those tricks into a set list for the show. There are a couple of tricks that are similar in effect, so I’ll have to make sure I don’t put those back to back.


Here’s the list of the tricks from yesterday:


-ACAAN
-Card to Pocket
-Card Memorization
-Blindfold drawing duplication
-Book Test
-Cue Card Confabulation
-Coin Under Watch
-Mismade bill
-Color Changing Hank
-Rubik’s Cube trick
-Torn and Restored Newspaper


Right now I know by looking at this list, I’m going to open with ACAAN and close with Torn and Restored Newspaper. ACAAN is an amazing trick, and there’s a decent amount of action right out of the gate, and it uses person, but they don’t have to be on stage…they could be, but don’t have to. I’ve used the Torn and Restored Newspaper as a closer in the past, so I know it will work there.


Right after ACAAN I’m going to do the Book Test, followed by the Rubik’s Cube Trick. These are both tricks I’ve done in that order in the past as warm up for my show at Fairs, and they are a great combo back to back.


Next I’m going to do Coin Under Watch. It uses a person from the audience, and while I coin trick, I can make it play big. After that I’ll do a solo piece, which will be the Color Changing Hank. This has a lot of action, and a lot of jokes.


Now we’re going to get into a mentalism block. I’m going to do the Blindfold followed by my Cue Card Confabulation. The Blindfold routine I do let’s me play with the person from the audience and it’s a longer piece that hits hard! The Cue Card Confabulation is my own creation and it’s just me on stage talking to people in the audience, and it’s joke will build off the strength of the Blindfold routine. The confabulation routine ends with a great surprise!


Next up I’ll do Card to Pocket, the set up to the Card Memorization, the Mismade Bill and then the final part of the Card Memorization. I’m going to use the time during the Mismade Bill for the two people who will help me with the Card Memorization to sort the cards. That will eliminate some dead time.


I’ll play the Card Memorization as the end of the show, and do the Torn and Restored Newspaper as the forced encore with a, “you want to see one more” line. Here’s the set list:


ACAAN
Book Test
Rubik’s Cube
Coin Under Watch
Color Changing Handkerchief
Blindfold
Cue Card Confabulation
Card To Pocket
Card Memorization part 1
Mismade Bill
Card Memorization part 2
Torn and Restored Newspaper


It’s a decent show, not the show I want to do, but it does look solid for an emergency show.

What’s Your Plan B?

Recently I worked with an act and the airline lost his luggage, and he had to perform for two days without gear. He’s a pro, and was really flustered, I think more at how the airline handled the situation than specifically about his missing gear. His shows were great, but it got me thinking about … Continue reading “What’s Your Plan B?”

Recently I worked with an act and the airline lost his luggage, and he had to perform for two days without gear. He’s a pro, and was really flustered, I think more at how the airline handled the situation than specifically about his missing gear. His shows were great, but it got me thinking about what my backup plan is.


Sure we all can go to the Walmart and put together a show, and I hear performers say that’s their back up plan all time. That’s all good, but whatever is in your “Walmart Show” is material you really need to practice. It should be your “B” show, meaning you do it every now and then. You have jokes and bits, not just do tricks.


This made me think of what I can carry onto a plane, that’s will play big. I’m putting together a list of things so I’m prepared for when this does happen. I also want to do it on my terms, meaning, I have a plan and I’m not scrounging.


The easy starting point is to figure out what card tricks would play big on stage.

1: ACAAN
2: Card to Pocket
3: Card Memorization


These are tricks that have already been in my stage show in the past, so I have good routines for them. These also are very different in texture, they don’t feel like the same trick. Those three tricks are about 12-15 mins. Right away I’m 1/3 of the way to a 45 mins show.


Now to build upon the card tricks to fill in the show. I could add some mentalism:

1: Blindfold drawing duplication
2: Impromptu Book Test
3: Cue Card Confabulation


These three tricks also have different textures and will bring the show to about 30 mins. I can make the the cue cards with the pad of paper from the drawing duplication and I will have the coins from the blindfold, I can use them for a coin trick:

1: Coin Under Watch


I’m going to have to be careful to space out coin under watch and card to pocket as they are both “transportation” tricks. This is not a big deal, I just need to be aware of it. This is going to bring the show to about 33 mins.


There will be room for some small gimmicks, so I can add these tricks:

1: Thumb Tip with mismade bill
2: Dye Tube

Now that I’ve added these two tricks, that puts my show length at about 39 mins. That’s almost a show. Let’s add a couple of small props to the carry on bag:

1: Rubik’s Cube trick
2: Torn and Restored Newspaper

That’s going to bring the whole show to 45 mins.

This show’s carry on list would be:
1: Jumbo deck of cards
2: Regular deck of cards
3: 2 pads of paper
4: Roll of duct tape
5: 2 Coins
6: Book
7: Thumb Tip
8: Mismade bill
9: Dye Tube
10: 2 handkerchiefs
11: Newspaper
12: 2 Rubik’s Cubes



The pack list isn’t very long, and all the props when put together don’t take up much space, and would play well on a stage. All of these are things that have been in my show in the past, so I know the material and have routines for them.


Is this my dream show to do? Nope, but it’ll work in a pinch, and I think it’s a better option than buying some junk at the hardware store and trying to figure out what to do with it!

Do It Backwards!

When I was about 15 years old, I saw John Carney lecture in Minneapolis. One of the things he talked about was doing the pass. He said the best way to create a new pass was to do an existing one backwards. For example a Herman Pass is essentially a Classic Pass Backwards. Occasionally when … Continue reading “Do It Backwards!”

When I was about 15 years old, I saw John Carney lecture in Minneapolis. One of the things he talked about was doing the pass. He said the best way to create a new pass was to do an existing one backwards. For example a Herman Pass is essentially a Classic Pass Backwards.



Occasionally when I’m jamming with magicians I’ll start to play with a move or an idea backwards and it will yield interesting results. Recently I was talking to a mentalist and the subject of spoon bending came up. I asked him if anyone had done it backwards. What I mean by that is bending the spoon towards the bowl, instead of away from it.


He mentioned that a lot of the optical illusion parts of bends may not work. He then demonstrated the spoon bends that he does, and he was right about them not working with the bend going the opposite direction. However, this playing around with flipping the bend backwards led me to come up with what I think is a new spoon bend!

TLDR: Try doing it backwards!

Another Presentation for the License Plate Prediction…

A couple of days ago I wrote about a post about the License Plate Prediction trick (you can read it here).  I was thinking about it some more and came up with another, probably better presentation.  The idea is that in high school you named your car.   You have a list of the top baby names … Continue reading “Another Presentation for the License Plate Prediction…”

A couple of days ago I wrote about a post about the License Plate Prediction trick (you can read it here).  I was thinking about it some more and came up with another, probably better presentation.  The idea is that in high school you named your car.   You have a list of the top baby names from the year you bought your car. You run scissors down the list and they saw stop whenever they want.  You cut the list at that point. They read the first name from where the list was cut and end up matching your license plate.

 

Mind reading magic trick

 

This would simply be the trick where you have the list of names printed upside down.  So when you cut the list, the name at the top where they think you cut it is actually the last name on your list.  That’s a simple and effective force for a trick like this that is list bases.

 

I think there’s tons of room for fun in this trick. “I named my car “Carl” and would tell my mom that carl and I are going out. It was month before she realized that Carl wasn’t real.”  

 

Now that I’ve got the hook and the method, it’s just a matter of writing the script and testing it out. 

 

Louie

Be Content Creator, Not a Content Consumer

Right now we live in a world that needs content.  With YouTube, Facebook, etc the amount of content that gets consumed is amazing.   Sure you can go on Instagram and do the snapchange and do alright, but that’s all it will be in just alright.  We’ve all seen it…   So the trick is to … Continue reading “Be Content Creator, Not a Content Consumer”

Right now we live in a world that needs content.  With YouTube, Facebook, etc the amount of content that gets consumed is amazing.   Sure you can go on Instagram and do the snapchange and do alright, but that’s all it will be in just alright.  We’ve all seen it…

 

So the trick is to create content, how do you do that? One easy way is to create around topical things like news, or a holiday.  For example the other day President Trump said the reason we’re having out of control wild fires is that we aren’t “raking the forest“.   That was my starting point for this quick trick:

 

I have less than an hour into the trick, and most of the time was spent driving to the hardware store and back to make the appearing rake and then walking to and from the park to record this.

 

Here’s an example of some content I created based on a holiday a couple years ago:

 

It’s not hard to create this way.  The downside is that when you do this stuff has a shelf life.  Material based on the news is a few days to a few weeks. If you create content based on a holiday, you’ve got a week, but you can recycle it every year or every few years.

So go out and think of a trick!