Using a Gimmick…

Yesterday I wrote a post about the Linking Pins. Today I’m going to write a bit about one of my favorite things about the routine. My routine uses a gimmick, but only for a small part of it. The rest of it uses ungimmicked pins, but by the time the gimmick is in play, I’ve … Continue reading “Using a Gimmick…”

Yesterday I wrote a post about the Linking Pins. Today I’m going to write a bit about one of my favorite things about the routine. My routine uses a gimmick, but only for a small part of it. The rest of it uses ungimmicked pins, but by the time the gimmick is in play, I’ve totally negated the idea that I could be using what I’m using.



In the first three phases of the routine that don’t use the gimmick, they look just like I’m using the gimmick. Also they get the audience to check out the pins, when there’s nothing to find, so when they is something to find, no one is looking!


Here’s the final phase with the gimmick:

In the video you see how I put a lot of “tension” into what’s going to happen. The guy can see and feel them together. I’m building tension with that. Once they go through each other, he has to relax. That release of tension gives me a natural moment to get rid of the gimmick.