The trick “Stirring Silver” by Jay Sankey has always fascinated me. I can do the trick, but really only do it in impromptu situations when I need to bang out something quick. I’m not sure what I don’t like about it, I think that ring spends way too much time on the handle of the spoon in the first phase. I do understand that it needs to be there for how the trick works.
Here’s a version of it that I came up with and I posted a video of it on Tik Tok a bit ago:
The method is different from Jay’s routine, but the effect is visually the same. The challenge with a key is with the shaft soo much shorter than a spoon you have less room to hide things, which is why I had to go in a different direction with the method.
I think the trick came out well, but it’s something I’ll probably never do in my actual work. -Louie
One of the easiest ways to create things is to put conditions onto what you want to do. For example, I’ve always loved the Three Ball Routine or Balls in Net. What I didn’t like is having to bring two people onto the stage to hold the net. I felt it added blocking issues and … Continue reading “Simple Step To Creativity”
One of the easiest ways to create things is to put conditions onto what you want to do. For example, I’ve always loved the Three Ball Routine or Balls in Net. What I didn’t like is having to bring two people onto the stage to hold the net. I felt it added blocking issues and a lot of wasted time bringing the people onto the stage.
The condition I added to the Three Ball Routine was that it needed to be done with just me onstage. With that condition in place, it created a lot of challenges, like where to put the balls. John Rogers has an interesting solution to this in his The Walrus Three Ball Routine, however that wasn’t what I was going for. Some options were having the net hung between two mic stands like a hammock or simply setting them halfway into your top jacket pocket.
I wanted the whole routine being done in the hand as the cleanest way to do it. It got me thinking of Coins Across routines that are done entirely in the hands, specifically Jay Sankey’s Mexican Jumping Coins. With Jay’s routine in mind, I got to work on putting together my routine with balls.
Here’s what I came up with:
By putting in the condition of having no one from the audience onstage, it made the routine much easier to build. I think if I had initially added a “no net” condition I may have gotten to the solution much faster. Honestly I want the net from the beginning, but figured I may need it to hold the balls.
Look at the tricks that you do, and figure out what you don’t like about them. Add removing that as a condition and you’ll be on your way to creating something new!