magic show tips – Page 130

My First Virtual Show

I’ve now gotten my first live virtual show completed and it was a huge learning experience. First of all, it wasn’t a full of show of me, it was a variety show that I co-hosted. Pulling together all of the technical things to make it work was a huge challenge for me. There’s a huge learning curve.

In the show we did, the format was Matt Baker and I hosted live acts. Bringing in those acts was a bit of work after reviewing the video I’ve learned to make the transitions much smoother.

I think the key to doing virtual shows is to actually go back and watch them and see what you could do better. Treat not just the show as something that can be improved, but the medium it’s delivered in. Would the show be better if it had title cards, or a canned video as a transition? Things like that, you’re not doing a magic show, you’re doing a live TV show!

Rethinking LIVE Close Up

Lately I’ve been thinking about how live magic is going to change after shows start up again. I’m thinking mostly about material selection and what people will be willing (or not willing) to do in the context of a show. Before COVID you could get people to do just about anything, however I’m not sure what the future holds.

One thing I know is that if your “Go To” trick is sponge balls, you probably need to come up with another trick. I think they’ve passed their prime. Most who magicians rely on a trick like sponge balls don’t have much going for them. If you can’t crush a close up set without them, then you’re doing something wrong.

For close up, I’m lucky that I stopped doing sponge balls a long time ago. However I do the a card that appears in held in my lips as a phase of my ambitious card. I’m going to need to rethink that phase, and come up with something else to do, or just eliminate it.

Make It Easy To Watch!

This morning a buddy of mine sent me a video of a magician doing a card trick and wanted to know my thoughts on it. The thing that stood out to me, and is something that I should have realized before is that most of us are doing card tricks for social media incorrectly.

Many videos of just the hands have them coming down from the top of the screen, or are from the spectators point of view showing more of the magician. If you are doing any card tricks that require you to spread the cards, the indexes are upside down.

If you are someone that frequently handles cards, it’s pretty easy to tell what is what. However, most people are not. If you asked someone to memorize a card and they saw it upside down there’s a great chance they will struggle with it. It’s also visually unappealing to look at. Here’s my suggestion, use a left handed deck of cards.

This cards spread this was a so much easier to identify for someone that’s not familiar with cards. If you don’t spread the cards, like in an ambitious card routine then it’s not really a issue.

Progressive Anagram Routine…

Recently, I’ve been writing a bit about progressive anagrams and their use in virtual shows over the internet. I’ve come up with a bit of a routine, here’s what my idea looks like:

You put display a coin envelope in your left hand and hold your empty right hand palm up.

“Imagine I have some coins here…nothing crazy, just a penny, nickel, dime, quarter, half dollar and a silver dollar. I want you to look at the coins and since you can’t actually grab one through the screen, pretend to take one.”

You can now lower your right hand.

“Look at it, on the back you’ll notice I wrote the name of the coin on the back. If it’s a quarter, I wrote quarter. On the half dollar I wrote half dollar. Look at the word I wrote, visualize it in your head”

Now we’re going to get into the progressive anagram. How it works is: If you say a letter you move down to the next letter. If that say no, you move to the right. If you get all “yes” answers you end up on the fifty cent piece.

E – Half Dollar
I – A (No: Penny Yes: Quarter)
C – A (No: Dime Yes: Silver Dollar )
F- Nickel
Fifty Cent Piece

You’ll notice in the script I didn’t give fifty cent piece as an option, but I’m trying to foresee someone not listening to me. I have the list above written out where the camera can’t see it. You now know the word, in this example they are thinking of the nickel and they don’t know you know it. Direct attention to the envelope.

“I’ve got a coin in this envelope”

Rip the top off the envelope. Oh, I forgot to mention you have an index of coins in thumb tips out of the camera’s view. For the quarter or larger coins you have folding coins in the thumb tips so that they fit. Once you know the coin, you put on the correct thumb tip. As you rip the top off, you load the thumb tip inside.

“I’m guessing you’re thinking of the nickel!”

They confirm this and then you dump the nickel out of the thumb tip that’s inside the envelope onto your palm and display it. You can now steal the thumb tip as your rip up the envelope to show there are no other coins and then get rid of the thumb tip as you throw way the envelope pieces.

There you go, an easy routine using a progressive anagram and with slight adjustments you could do it in a show with a live audience.

Taking It Further…

In yesterday’s blog post about progressive anagrams, I mentioned a good way to use them for internet shows without any memory work. That doesn’t solve the problem of people not knowing how to spell words. The easy way is to use simple, common words, and not things like astrological signs like, “Sagittarius” which took me 4 tries to correctly spell it before I did a web search to figure it out just now.

The next problem and what I think is the biggest weakness is when you get the letters wrong. There are some instances where you will get no letters wrong, but you can’t count on that. There are also some where you’ll only get one wrong and immediately know the word, which is the problem. It feels like you are doing exactly what you are doing, figuring out the word by the letters.

To remove the idea that you’re just guess based on the letters, you need a prediction. Something physical to show that you knew it all along. This could be a written prediction, or whatever. A simple solution (depending on your words) would be a nail writer. Another easy way would be an index of the words, or multiple out set up.

What the prediction does is makes it harder to backtrack the method. If people talk after the show it ends up being, “If he was just guessing, then how did the prediction match what I was thinking of?” Taking it a step further makes it a more solid trick!

Progressive Anagrams…

Soon after I got seriously into magic I picked up a copy of the book Thabbatical by Phil Goldstein (Max Maven). It’s got several progressive anagram tricks in the book. If you don’t know what a progressive anagram is, it’s a way of figuring out a word that someone is thinking of by asking them if certain letters are in the word. Everytime you get a “NO”, you move to a new list. In a good list, by the time you get to the second “NO” you know the word.

The huge problem with using a progressive anagram is the person needs to be able to spell the word correctly in their head. Sure you can have them take the word off of a list, but I think that takes ways what makes this type of trick work, and that’s that you don’t need any props.

The other challenge is that you need to memorize a flow chart of letters and words. It’s not super hard, but it does take work and you need to keep in practice. However, right now with use all stuck at home and doing magic over the internet, you can easily do progressive anagrams without memorizing anything! The way to do it is to simply print it out and put it someone outside your camera’s field of view. No memory work, it’s plug and play!

The Penny Solution…

In yesterday’s blog post, I mentioned it took a bit of work figuring out what to do with the penny in the trick where a penny changes into two silver dollars. The challenge was that the coin change happens immediately, however I need to keep the coin hidden for the whole routine. Based on the conditions I posted I can’t just ditch it as my hands need to remain in the frame. Adding to the problem is that I also have two coins finger palmed the entire routine (until the end).

The solution I came up with, which should have been pretty obvious was to attach attach a magnet to the penny as the silver dollars already have magnet in them. I took the penny shell from a Dime and Penny set and used teflon tape to hold the magnet.

I figured using a shell would allow the penny to sit flat on on the silver dollar. The flatter it sat, the less chance there would be for me to accidentally knock it off, and it won’t rattle as the coin moved.

The “penny solution” brings me back to something Nick Lewin always says, I love how elaborate this 30 second coin routine has become!

Conditions on a Coin Routine…

The last couple of days I created and refined a coin routine. Here are the two routines and the conditions:

Initially the conditions were:

Viewed from the front
Done for the camera
No table
Face must be framed

I will say that I initially fudged the face must be framed because I put the coin in my pocket, however there’s still action by my face as that’s where my right hand stays holding a coin.

After coming up the first version, I added a couple more conditions:

Hands stay in frame
Usable in a LIVE show with video projection
Able to set up quickly

With the second set of conditions, I’m thinking about actually using the routine. In the second version, I’m playing the the camera for the two times the coin disappears from one hand and reappears in the other, but it will still work live. The set up quickly condition is huge, I need to be able to reach into my case, grab the coins and be good to go.

Then there’s a small challenge with the condition of my hands not leaving the frame. I have the stupid penny to keep hidden after it changes into the two silver dollars. It sounds simple, but was a pain to figure out how…until I came up with a very simple and obvious solution to holding out the penny for almost the whole routine.

The next step would be to start to work on a verbal routine, or at least intro, to get more than 30ish seconds out of the routine.

Continuing Creating a Coin Routine…

The coin routine that I started yesterday started with a penny turning into two silver dollars. One silver dollar repeated traveled from the pocket to the hand and for a finish one of the silver dollars turned clear. It’s a decent routine, however after playing with it, I added a couple more conditions (I’ll write about the conditions tomorrow) and here’s what the routine changed into:

The first big difference is the routine is about 17 seconds shorter. I took the coin going from the pocket to the hand, that I felt was pretty redundant after I did it more than twice. It doesn’t feel as impossible with a coin as it does with a ball. It’s interesting that the routine started with a billiard ball manipulation premise, however moved away from that.

The ending with both coins turning clear makes more sense than just one of them doing and the final display of one in each hand is better.

Working On A Coin Routine…

A bit ago I noticed some coins on my desk, and figured I’d start playing with putting together a quick coin routine. To start the routine I gave myself a few conditions that it had to adhere to and I’ll get to those in a future blog post. Here’s what I put together:

When I started playing with the coins one thing that I quickly realized is that I could almost do a billiard ball manipulation routine with them. Once you have the initial change from a penny to two silver dollars, the routine is essentially Percy Abbott’s Perpetual Ball routine.

Next up the routine needed an ending. I don’t think that producing 4 or 5 silver dollars would have the same impact as producing 5 billiard balls. Luckily a clear coin caught my eye and I threw that into the mix. I think it gives it an ending.