Lately I’ve been popping into virtual open mics and there’s something that drives me crazy. It’s when performers say, “If you were here I’d have you ____” and usually fill in the blank with something like, “shuffle the cards” or whatever. It’s been almost two years since we’ve moved to virtual, you don’t need to say that. If you haven’t figured out how to do the trick without someone in the room yet, virtual performing may not be for you.
HOWEVER, I do think there is a place to mention that “if it was an in person show, I’d have you _____” and that’s to cover a method. More specifically to rule out a method. A good example of this in an in person show is when Kreskin does the linking finger rings and he exposes the gimmick and says he doesn’t use that.
In a virtual show context, you could say, “If you were here I’d have you shuffle the cards, but you’re not, so I’ll shuffle them…” then you do a false shuffle. The key would be to put a little bit of distance between the false shuffle and a crazy revelation that would only be possible with a deck that was in a special order. Doing a false shuffle and then doing something like Any Card At Any Number would probably be fine without putting in any time misdirection.
To sum it up, don’t tell the audience how you would do things if conditions were different…they aren’t attending an in person show and they know that.
-Louie
Tag: magic show
Virtual Magic Conventions…
I had a blast at the KAX conference that just ended yesterday. Lot’s of great info was shared and it was great to be a presenter and be able to share with other performers!
This event was a virtual event and I know a lot of people prefer in person conventions, there are some advantages to them being online. The first is you can get other things done while you are attending the convention. This week I’m packing up and getting ready to move, so while I was watching lectures I was also boxing things up. It’s also a lot cheaper to attend, as you don’t have hotel and I could eat my breakfast during the conference!

I was also able to do some shows during the convention, so I was able to earn money during it, where if I had to travel to it, I’d just be spending money the whole week. Virtual conventions will never replace (I hope) in person conventions, they do have their advantages!
-Louie
Sneaking into a Show with Shimada!
We’re getting ready to move and I found this picture of me with Shimada! It made remember the fun adventure that let to me hanging out with him.

Way back in the mid 1990’s I went to Vegas for the first time. I was a teenager and went to the Desert Magic Seminar by myself. One of the shows that I wanted to see was Lance Burton‘s show at the Hacienda. I walked over there from the Tropicana and was turned away at the box office because the show was sold out.
As I was walking away, legendary magician Shimada was walking in with a big group of people, who were all Asian. Just as they all went into the showroom, and Peter Reveen (who I think was Lance’s manager) stopped me and asked why I was leaving. I was totally confused, and he told me I should go in with Shimada’s group to get seated. He then brought me into the showroom and seated me with Shimada and his group!
Lance Burton’s show was amazing and it was a lot of fun to watch a legendary show with a legendary magician!
Money Magic with a Bill…
I’ve had an idea in my head for a while to do something with the “In God We Trust” on the back of a dollar bill. I went out and made a bill that doesn’t have it, normally it’s printed just above the giant ONE on the back of a dollar bill.

This one turned out great and it’s got a nice texture and doesn’t feel altered. The next thing was to figure out what to do with it, here’s what I came up with:
Ideally I want to borrow their dollar bill, call attention to a lot of the “hidden” things on a bill, and also call attention to the “in god we trust”. Then I’d do some sort of trick with one of the parts of the bill and during that trick I’d switch the bill for the one that didn’t have “in god we trust” and I’d do the bible production.
The next challenge is going to be figuring out what the first phase would be…
-Louie
Early Bird Gets the Sound Check
One of the biggest tips that I’ve learned about performing is being early to the gig. This is even more important when you are working with other acts in a stage show. Your “tech rehearsal” is soo much easier when you’re not the last person.
When you’re the first one to do their tech, you get the crew’s full attention and your full time slot. As more performers show up, the tech rehearsal always ends up running long and if you’re the last person to do tech, you will probably get an incomplete or rushed tech run through.
The tech needs for my show is pretty simple and when I’m on variety shows the producers like to have me tech last because my needs are simple. I suggest to have me first, to get me out of the way, and since I probably won’t use my full time slot, they’ll get ahead early on, instead of being behind schedule right out of the gate.
Even in situations where I have a later scheduled tech time, I try to show up first and try to be ready to do the tech rehearsal first. That allows me to slip in if an act isn’t ready to go at the start of their time.
Here’s a good example, recently I was in a show and the other act I was sharing the stage with was a band. The event had both of our tech times at the same time. I was there an hour before the shared tech time. I loaded in, got my show set up ran my tech and was done before the shared tech time. The band showed up at the beginning of the tech time. Oh, I should mention the tech time was an hour before showtime, so with doors 15 mins before showtime, the shared tech time was really only 45 mins. By the time the band had loaded in and set up their gear, it was 10 mins to showtime, meaning they were already 5 mins behind schedule. They ended up getting no sound check, and their show suffered.
I realize it’s not always possible to show up early, or get your tech done earlier than your scheduled time and that’s just how life is. For me, getting there early ensures that my show gets what it needs or at least it gives me a good reason for them to hold the doors while I finish my tech!
-Louie
Four Ace Production…
Last night I was playing with a deck of cards while I watched the final couple of episodes of Dexter New Blood and came up with a little pop out of a card from the deck. It’s pretty easy to do:
- Hold the deck in your right hand in biddle grip.
- Swing cut the top half into your left hand into mechanic’s grip
- Your left thumb side jogs the top card about half an inch to the right
- As your righthand approaches the left hand, the back of the right hand’s middle fingertip contacts the side jogged card. The right hand continues moving forward and slightly up. That will cause the side jogged card to flip face up. When that happens, your right hand moves down to put the two halves of the pack together.
That’s it.
It’s not much, and it feels really familiar. I think it’s a mix of a lot of thing that I already know and that’s what makes it feel like it’s something I already know.
After playing with it with one card, I started thinking about producing a second card. That ended up being a four card production:
While not the greatest or flashiest four ace production, it was fun to come up with last night!
-Louie
Fun Lecture!!
Last night’s lecture was a blast, it looks like we had 119 magicians attend the zoom meeting! Thanks to Drew Cardella to letting me talk to the group that he hosts every Wednesday.

One of the more fun things about the lecture was towards the end I showed something that was new that I’m working on. It was my Take Out Box production and you can read my previous posts about it by clicking here. That turned into an impromptu jam session with some great ideas. And some ideas that I had thought of and discarded for one reason or another that I’m going to revisit.
During that jam session on the take out production box a well known magician said I should release it soon “before it gets out there and someone else does“. While I agree with why I should release it soon, honestly I don’t like the idea of putting out things before they are ready. It’s a sad state of magic where someone would hear about the idea and rush to beat me to market, however that’s the nature of the business world. I’ve always said magicians need to play business like it’s a real business, that means protecting things with patents, copyright, etc. So it’s really my fault if someone gets ahead of me on putting the Take Out Box Production on the market.
-Louie
Old School Road Act Tip…
Every year I spend most of the summer out on the road performing around the united states. Like most people I use my cell phone as my GPS (my car doesn’t have a built in GPS) and because of that, I keep 15 year old Garmin GPS unit in the glove compartment of my car.

It’s been years since I needed to use it, however it can be a life saver if you’re in the middle of nowhere and have no cell signal. Sometimes where the gig is has no cell service or sometimes you’ve accidently done something with your phone and reset your maps apps.
You can get these used for about $20 on eBay, and it’s a handy thing to keep in the car. The few times I’ve needed it, really helped me out! Stay safe out there!
-Louie
A Special Card Trick Moment…

One thing I love is seeing people do unusual things. A couple days ago I got to see my friend Terry Godfrey do the Al Goshman’s Cards Thru Newspaper. It’s a great trick and it’s also a fun, special moment when he gets on the floor with the cards. It’s a break from what Terry normally does and when he does it, it feels like he’s showing you something special, and he is!

Seeing him do that trick in early 2020 is what inspired me to come up with this trick:
My trick is essentially Cards Thru Newspaper, however it’s changed a lot. Goshman’s trick used a simple gimmick, mine is a little more complex and of course I eliminated the big sheet of newspaper and changed all of the props!
-Louie
Informal Virtual Performing…
I’m trying to be more proactive about performing when I don’t have shows on the schedule. The last couple of weeks I’ve popped into some virtual magic open mics. When I do these open mics my set up is a lot simpler than when I do a more formal show.
The nice thing about performing in my kitchen is that I can put Post It Notes on the fridge to remind me of lines or things to do.

When I do more formal shows with the virtual studio set up, I have notes taped to my lights and camera. This is a great way to remember new lines, or names of people to thank. For in-person shows I put notes behind monitor speakers or inside my case.
Trying new material is something I live for, so it’s nice to have little things I can do to make it easier!
-Louie
