close up magic – Page 16

Time To Wrap It Up…

Sometimes performing for some people can be a pain in the butt. I’m specifically thinking about a person (usually a kid) that thinks everything is a secret sleight of hand move, and feels the need to tell everyone. When they do this, it really breaks up the show and makes it a pain for everyone to watch.

Here’s an example:

I’m doing walk around magic and have a family stopped and ready for a magic trick. The kid excitedly points out that I’m hiding a deck of cards in my hand. I then tell the kid, “I’m not hiding, I’m going to do a card trick, and they are required to do a card trick”. The a moment later after someone has signed the card he tells every that he, “sees that”. I ask what he sees and he replies, “you put that in your pocket”. I ask what and he say he saw me sneak the marker into my pocket. He tells me the marker, I explain that it was no longer needed and I was putting it away. It continues like this until I leave.

I finished the card trick and wrapped it up and started to leave. When I did he mother told me, “they’re a rough crowd”. I wanted to tell them they weren’t a rough crowd, her child was simply an idiot, or an a-hole. I’m sure there was a larger issue at play with the kid, however it’s a teachable moment for the mother and child. She simply could have explained that’s he was interrupting the show and he needed to shut up

However she didn’t, and I finished the card trick and left.

More Thoughts On Shin Lim…

After having a day to think about the Shin Lim show I saw in Vancouver, I’ve got a few more thoughts. I’m still disappointed that the majority of the show wasn’t him, Colin Cloud (who did the majority of the show) is great and I think he’ll end up with his own big show out of this. However I was buying a Shin Lim ticket, not a Colin Cloud ticket.

First of all, I think one of the amazing things that he did was do close up and actually perform for the camera! Previously magicians had simply done their act, and it just happened to be on camera. While a small shift, what Shin did was perform to the camera, not the audience or people sitting at the table. This makes it soo much more fun to watch.

Playing to the camera is a subtle shift, but will change how magic is done on projection. Just like how David Blaine changed how magic on TV is performed. Blaine turned the camera to the audience and made it about their reaction, this also made it more fun to watch.

Shin performing to the camera feels like he’s performing for you, not that you are watching a performance for other people. I like this, and something that I need to consider as I thing more about putting together a formal close up set.

Gaffed Cards…

One of the things that I want to play with this summer are gaffed cards. More specifically, I want to use flap cards to do some changes. I’ve got a few ideas for what I want to do with the flap cards. Ideally I want to put together a close up set that’s 5 mins that can be projected onto a screen.

This is one of the places where a flap card will shine, because people can’t reach for the cards, and it allows you to more easily ditch things. The formal close up allows you to do some fun magic that’s highly visual…and doesn’t require a lot of space in the luggage.

Last night I was playing with more traditional “dental dam” flaps. They work great, however they have seams in them that the more modern “Hondo” style flap cards don’t have. Hondo has really solved a lot of problems with the dental dam flap cards. However, the Hondo flap cards do have their own disadvantage, and that’s that you can potentially see the elastic as it’s on the outside of the card.

All in all, I think both gimmicks have a place where one is better than the other. Now to figure out what I want to do in my card set….

Modern Manipulation Act

The other day I was taking a shower and it hit me that with the success of Shin Lim on America’s Got Talent the traditional “manipulation act has changed. It’s no longer split fans and billiard balls, it’s at a table, with a video camera and projection to a screen. The new stage manipulator won’t … Continue reading “Modern Manipulation Act”

The new stage manipulator won’t be loading up a jacket with doves, they’ll be loading up a table. I think this a step forward for magic. The last time I saw a manipulation act was on the Illusionists tour and he was good, but producing cards really felt dated. We’ve done this before, and the audience has seen it before.

While I personally don’t do a traditional stage manipulation act (I did do a manip act when I was younger), this still does affect me. Every magician needs to be aware of the changing times. If you choose to not keep up with the times, you need to be aware of that you aren’t.

Also being aware of the how magic is changing even if you choose to not change with it, keeps it in your head. From a creativity standpoint you may see something a year from now that will spark an idea for a modern manipulation act.

Ripping a Deck of Cards…

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine. Here’s the … Continue reading “Ripping a Deck of Cards…”

A few days ago I wrote a post about figuring out trying out my little routine for ripping a deck of cards in half. Now that I’ve done it once and confirmed that people like the bare bones of the trick, I can start to expand up it and work on a routine.

Here’s the bare bones (the deck ripping trick starts about halfway through):

First thing with a routine is what is it going to reveal about “me”. I used the word me in quotes, because it doesn’t have to be the literal me, it can be what I want to portray on stage as “me”. It’s going to reveal that I hang out with some unusual people. My idea for the opening/hook is:

“When I was younger one of my roomates was a circus strongman. He could do things like rip a phone book in half, take a cast iron frying pan and roll it up like a burrito, open a pickle jar on the first try.
While I lived with him, he helped train me to rip a deck of cards in half”

Another idea for an opening/hook would be:

“I’m always amazed at how many people come up to me to show me a trick they can do. What other profession does this happen in? Imagine after open heart surgery, you wake up and ask the doctor if you can borrow his scalpel to show him that you do a mean amateur appendectomy.”

Both are decent approaches to the presentation of the trick. I think I prefer the first one. I think learning stuff from an old roommate is more relatable than people wanting to show you a card trick. If working at a magic convention, then the second one is probably good.

Ok, so we’ve got the hook, now where to go from there? Tomorrow we’ll start to build the meat of the routine.

Close Up Music?

Recently I was talking to a magician who wanted to use music in a close up set. Lots of magicians have done this. It’s usually done in more formal close up or really a small parlor show and not in a roving magic context. For me one of the early example of this was Jean … Continue reading “Close Up Music?”

More recently this has gained popularity with Shin Lim’s performances on America’s Got Talent. One thing about Shin’s performance is that it’s really not a “Close Up” act, it’s a parlor act and I think a lot of magicians don’t realize that because it feels more intimate on TV. I’m not saying it can’t be done close up, but it’s bigger than most close up.

Back to using music in close up. One of the great things about close up is that you can quickly and easily connect with people, and with music you are staring out with a wall. It’s a “I’m the performer, you are the audience” scenario. There’s nothing wrong with that, but it does make it harder to connect.

Personally I prefer a “we’re in this together” vibe to my show. That is easier to accomplish by talking with people. However, that’s just me, and if we all did everything the same way, the world would be boring.

Do It Right!

Over the weekend I got to watch many performers showcase their acts to a room full of people who book entertainment. I got to watch one magician, who I’ve known for years and he did everything right when doing the cups and balls on stage!

Here’s the problem with the cups and balls, it’s not a stage trick. It’s a close up trick that takes up a lot of space. This makes a lot of performers think they can do it on a stage. Unfortunately, you cannot just put it on stage and have it work for 300 people without solving a couple of problems.

The first problem is the table top. If you are on a raised stage, the audience’s vision of the table top can be blocked because they have to look up at this. Years ago when I used to do the cups and balls in my show, I solved this by having my table sit at an angle, this is the same solution that I saw over the weekend. As a bonus it puts motion into the balls when you lift the cups and they roll, making the trick play a little bit larger.

The second problem with doing cups on stage is the balls most magicians use are very small, and usually a dull color. The ones with the crocheted covers don’t reflect light, this makes them appear smaller onstage. If they were glossy, they’d appear slightly larger as they reflect light. The magician I saw used glossy, bright red balls that were very big, at least an inch in diameter. You could see them from the back of the large banquet hall.

Take a look at your show, how can you make it play bigger, especially if you are moving from close up to stage.