Yesterday I wrote about the biggest problem with most magician’s promo video is the audio. Last night I was playing with the idea of adding subtitles to a promo video to help with bad audio. Here’s what I made: I think that using captions works when used sparingly. I don’t think I’d want to watch … Continue reading “Make it Easy…”
Yesterday I wrote about the biggest problem with most magician’s promo video is the audio. Last night I was playing with the idea of adding subtitles to a promo video to help with bad audio. Here’s what I made:
I think that using captions works when used sparingly. I don’t think I’d want to watch a whole video with bad audio that was captioned. That’d be a bit much, as a booker, I’d be worried that the performer would be unable to understand in a live show.
Keep at upping your audio game as much as you up your sleight of hand game and you’ll do great!
Whenever I work with an act I always try to watch their promo video. I also do this whenever someone posts their “new” promo video on social media. I do my best to watch them all the way through, but I would say I bail on about 60% of them halfway through. Why don’t I … Continue reading “Good Audio…”
Whenever I work with an act I always try to watch their promo video. I also do this whenever someone posts their “new” promo video on social media. I do my best to watch them all the way through, but I would say I bail on about 60% of them halfway through.
Why don’t I watch them all the way through?
It’s simple, they are really bad. For me the make or break thing for a promo video is good audio, with video quality coming is second. With all the HD cameras now and how cheap they are, there’s no reason you video should have the resolution of a 1980’s sitcom.
Let’s get back to the audio, which is the big one. If the audio isn’t clear, you are better off not having any audio. There are tons of promo videos I’ve seen from comedy magicians, and you can’t understand what they are saying…what’s the point?
I was guilty of having bad audio, until I figured out how to do it. I now record my audio with a voice recorder.
There are two ways to do it, directly off the soundboard, or off of a mic that plugs into the voice recorder. Personally I prefer the mic as it gets my voice clearly (most of the time) and it also picks up the person on stage and audience reactions. I can then mix this with the audio that the camera takes and have audio that’s easy to understand on my promo.
The other night I did a corporate gig and before the stage show I did some roving during the cocktail hour. Personally I prefer to do this than not do it at a corporate event, as it basically lets me be my own “opening act”. People start to warm up to me before the show. … Continue reading “Solid Background Helps…”
The other night I did a corporate gig and before the stage show I did some roving during the cocktail hour. Personally I prefer to do this than not do it at a corporate event, as it basically lets me be my own “opening act”. People start to warm up to me before the show.
When doing roving magic, I’m always looking for miracles to make happen. Things that aren’t part of my normal close up set. Typically these use things that are in the performing environment. The round tables in this room had a table cloth with a square cloth napkin in the middle. I’m assuming a center piece was on the napkin at some point. That led to a miracle!
I was performing for a group. I asked a guy to name any card. He said 10 of Diamonds. I handed him the deck, he shuffled them tossed them in the air so they landed on the table, and his named card ended up under the middle of the napkin!
How did I do it? I remember watching Eugene Burger’s video on Matt Schulien’s Fabulous Card Discoveries.
On that VHS tape he did Matt’s Card Under Tablecloth and that’s basically what I did. I did have to adjust it a little bit for the situation. That’s where having a solid background in different tricks and sleight of hand moves comes in very handy! This trick was the talk of my roving set and was totally worth the risk of trying something I’d never done before.
Several years ago I went and saw Kreskin perform a the Pantages Theater in Tacoma, WA. He’s an amazing performer and I highly recommend checking out his show if you get a chance. At the end of the show he got a standing ovation from the audience! He deserved the standing ovation, and he worked … Continue reading “Last Night I Pulled a Kreskin…”
Several years ago I went and saw Kreskin perform a the Pantages Theater in Tacoma, WA. He’s an amazing performer and I highly recommend checking out his show if you get a chance. At the end of the show he got a standing ovation from the audience!
He deserved the standing ovation, and he worked for it. By worked for it, at the end of the show, he stood, arms outstretched and waited. People clapped, eventually some stood. Kreskin didn’t move. Eventually everyone was standing clapping!
That’s something very important I learned from watching Kreskin. You have to wait for them to stand up. They aren’t going to instantly leap to their feet like other performers bragging will make it sound like. Go see virtually any show that gets a standing ovation, it’s a slow burn. Some stand, then others, it’s a wave that takes a few moments. My advice is that if you feel a standing ovation coming, wait for it!
Earlier today someone in a Facebook group asked “What’s a good opener for kids that I can buy…” There are a few things wrong with this question. I also think this type of question shows what’s wrong with magic, no one wants to think or work, yes they all want to be thought of as … Continue reading “Opener?”
Earlier today someone in a Facebook group asked “What’s a good opener for kids that I can buy...” There are a few things wrong with this question. I also think this type of question shows what’s wrong with magic, no one wants to think or work, yes they all want to be thought of as “artists”.
My first problem with the post is that they are asking for advice about their show without offering us any information about their show. The opener sets the one for your show, if you do a more serious show, your opener will be a lot different from the opener of a comedy act. Just because someone says something is a good opener, doesn’t mean it’s a good one for YOU.
The next issue is that they should be learning their craft. Why aren’t they making a list of what they want to accomplish with their opener? Then do some research and find a trick that fits it, instead of asking a bunch of strangers to feed it to you.
My final problem is they are asking what to buy. I could be wrong, but that’s implying they want something that’s fully formed, and easy to do. They don’t want to work. They don’t want to write the script, or learn some sleight of hand.
My advice is to do the work when you’re a beginner, it makes doing the work later much easier!
One of the things that frustrates me is when people say that they aren’t creative, or that all the good ideas have been had (for a specific trick). Those are both excuses for being lazy. Creativity takes work, it’s not something that magically pops into your head. Here’s a good example of something new within … Continue reading “Nothing New Under The Sun…”
One of the things that frustrates me is when people say that they aren’t creative, or that all the good ideas have been had (for a specific trick). Those are both excuses for being lazy. Creativity takes work, it’s not something that magically pops into your head.
Here’s a good example of something new within something old. Bob Sheets has a great move he uses in the Three Shell Game. That’s a trick that’s virtually unchanged since it was created. However, Bob created the “Sheets Aquitment” which I think is revolutionary.
Many years ago I came up with a move for the shell game that uses a finger ring:
While not as earthshaking as Bob’s move, it is still something new for the shell game. My advice is to keep plugging away with whatever trick you love and you’ll eventually leave your mark on it!
Last night at the Seattle Magic Club, I got talking about “improvised” card magic. What that means is magic where you don’t have a formal plan and kinda figure it out while you are going. I got into doing this style of trick through some books by Justin Higham. It’s an interesting style, and it … Continue reading “Improvised Card Magic”
Last night at the Seattle Magic Club, I got talking about “improvised” card magic. What that means is magic where you don’t have a formal plan and kinda figure it out while you are going. I got into doing this style of trick through some books by Justin Higham.
It’s an interesting style, and it works out your brain while you perform. In a nutshell, what you are doing it looking for things you can do while you are doing other tricks. Let’s say you are doing Triumph and when you spread the cards at the end, you notice 3 kings together in the deck, that’s something you may be able to use later in an improvised trick.
The key to this is that you don’t always do something. For example, let’s say I have the three kings at the bottom of the deck, but the 4th never comes up, then I don’t do the trick.
While talking to some of the magicians about this style of performing, one commented that it’s probably hard to think that quick. It is, but the more you do it, the easier it is. Also when you remember that no trick is an acceptable outcome, then you can’t lose!
I recommend you check out Justin Higham’s books on this and try it out!
Tonight is my local magic club’s monthly meeting, and I’ll be there. In the USA club attendance is down for pretty much any type of club, not just magic. I think the internet and all of it’s groups have created a sense of community, without ever actually meeting someone. For me as a kid learning … Continue reading “Magic Clubs…”
Tonight is my local magic club’s monthly meeting, and I’ll be there. In the USA club attendance is down for pretty much any type of club, not just magic. I think the internet and all of it’s groups have created a sense of community, without ever actually meeting someone.
For me as a kid learning magic, my local magic club helped me out a lot…mostly. It gave me a place to see people who were better than me, and learn from them. I know, you can do it on the internet, however I don’t think the same. Maybe from a technical level, but not a human level.
Magic clubs in retrospect also have given me a lot of bad advice…but so does learning from the internet. I think that’s part of the learning process, learning that some people love to tell you how to do it, when they don’t know. You need to realize who they are and unfortunately you don’t really realize it until you grow beyond them.
Personally I try to go to the magic club because I love magic. I also try to give back to a system that helped me a lot!
Last week I was hanging out with some magicians and while we were jamming we stumbled upon an idea. What we were doing with this idea at the restaurant wasn’t very sophisticated, but we got the general idea down. The next morning I got up and made a quick 3D model of what we wanted … Continue reading “From an Idea to a Physical Trick in Under 18 Hours”
Last week I was hanging out with some magicians and while we were jamming we stumbled upon an idea. What we were doing with this idea at the restaurant wasn’t very sophisticated, but we got the general idea down.
The next morning I got up and made a quick 3D model of what we wanted the trick to look like. I printed it, and it wasn’t quite right. I banged out a Version 2 and it still needed a little bit of tweaking. Within 18 hours of having the idea, and me sleeping about half of that time, I had an ideal working model!
In their current form, they look like a Tenyo Magic product and the next step will be to have them made in metal.
Being able to produce these in a physical form tells me a lot about the idea and how it will actually work. Versus it basically dying in a notebook. Knowing how to use a 3D printer is a game changer for magicians!
Recently I was talking to a magician who wanted to use music in a close up set. Lots of magicians have done this. It’s usually done in more formal close up or really a small parlor show and not in a roving magic context. For me one of the early example of this was Jean … Continue reading “Close Up Music?”
Recently I was talking to a magician who wanted to use music in a close up set. Lots of magicians have done this. It’s usually done in more formal close up or really a small parlor show and not in a roving magic context. For me one of the early example of this was Jean Pierre Vallarino on the World’s Greatest Magic in the 1990’s.
More recently this has gained popularity with Shin Lim’s performances on America’s Got Talent. One thing about Shin’s performance is that it’s really not a “Close Up” act, it’s a parlor act and I think a lot of magicians don’t realize that because it feels more intimate on TV. I’m not saying it can’t be done close up, but it’s bigger than most close up.
Back to using music in close up. One of the great things about close up is that you can quickly and easily connect with people, and with music you are staring out with a wall. It’s a “I’m the performer, you are the audience” scenario. There’s nothing wrong with that, but it does make it harder to connect.
Personally I prefer a “we’re in this together” vibe to my show. That is easier to accomplish by talking with people. However, that’s just me, and if we all did everything the same way, the world would be boring.
