Right now I’m performing in Coeur d’Alene Idaho, and about 20 minutes away is Spokane, Washington. Spokane has a magic club and I know most of the people there. I swung by an did a mini lecture with Adam The Great and Cecil Lewis. We talked about working the fair circuit and taught some tricks.
This is a three phase routine where the silk goes through a coat hanger. Each time the penetration is a little bit different. The first two phased are pretty standard silk and ring moves, but the third is a move that’s unique to using a coat hanger.
This was fun to finally teach! I’m glad I’ve now put it out there into the world. Honestly, I’m not sure how many people will ever do it, as it’s a pain to do and the reel is expensive!
At the fair I was performing and at the end of the show I looked down and my giant spoon had broken in two pieces!
The spoon act was something that I had taken out of my show a while ago, but started doing for a gig this summer. It’s been in the show all summer since!
I do have more spoons at home, the issue is that the spoon is big and heavy. My car won’t be home until November, so if I want to grab another one, I’ll have to fly with it. Luckily, my friend Elliott Hunter understands metal and gave me some advice to try to get it through the summer. The simple crutch is some JW Weld and hopefully that will hold.
I’m going to have to be careful with it, but with a bit of luck, I won’t have try to fly with one of these!
Here’s another packet trick that I got from a collection of magic that I’m revising. Today it’s Five Card Surprise, and there was not creator listed on the packaging. It’s sort of like an illogical princess card trick.
Here’s the video of me doing it the original way as written, then doing a revised version for a real audience:
This trick suffers from trying to make it easy to do. What I mean by that is the card selection is you simply telling them what card to take. I think it not being a choice weakens the trick a lot. The simple addition of a force of the card (any force) greatly improves the trick.
This week I’m performing in Minot, North Dakota. I’ve worked out here many times over the years. When getting into town, I drove by a Menards hardware store.
Normally this isn’t a huge deal, but this is the hardware store where I bought all the stuff to create my Evaporation trick! It’s also the store where I bought a lot of the parts for all the previous unsuccessful versions of the trick.
Many magicians think that finished ideas just pop out of people’s heads, and while that does happen, it’s rarely the case. Usually it’s a idea, that eventually after a lot of work gets to the final idea.
The key is to trying to create a new method for a trick is to not give up. I tired many, many bad (in retrospect) ideas for how to make the trick bottle. However each bad idea taught me something, and they all moved me closer and closer to the final goal!
Last week while performing at the fair, I was doing a trick I thought of about six months ago, but do to the pandemic, I didn’t really get a chance to do in person. The trick uses a gag card that I thought of. The gag is you offer them a “free pitcher of beer” but it’s really a “free picture of beer”.
You can read a bit more about the gag at: http://www.magicshow.tips/magic-show-tips/free-beer/ and http://www.magicshow.tips/magic-show-tips/adding-a-line/
There’s really nothing new to the this aside from the gag. It’s the old out to lunch principle. For a very old method, it still works really well and is very deceptive!
I had a blast doing it last week, and look forward to doing it more in the future!
Awhile ago I wrote about a card trick I was working on that used an Amazon Alexa for the reveal (you can read the blog posts here and here). Here’s some video of it in action:
It’s a good novelty reveal, the weak spot for me is that I have to briefly see the aces at the beginning. I wanted a trick that would work start to finish without me having to see anything. I came up with the solution. It’s a 100% self working, you wouldn’t need to be in the room for the trick to work. I’ll write about it another time.
For a while I’ve been dinking around with a coins to glass routine. Here’s an early version of it:
The problem with the early version of the trick is that it needs some specific lighting. That’s not a problem for virtual venues, but I’m hoping this is something that could transition to my in person shows via video projection or in a some specific cabaret settings.
A couple of weeks ago I did it at the Mostly Magicians Virtual Open Mic and got some great feedback that had me start to explore ways to do the trick that relied a lot less on the lighting. I remembered going to a Tom Stone lecture a few years ago and some of the things he talked about helped me solve the problem.
Here’s what I the current version of the trick looks like:
Would this version hold up to repeated viewings as a stand alone social media video?
Probably not, but that’s not the intention. It’s for live performances, whether it’s in person or virtual and I think it fits the bill. The nice thing is that now I’m working on a trick that has a bigger life than just a virtual show!
People love to crowd source information on the internet. The problem is that you don’t know the quality of the information you are getting back. Recently someone posted a picture of a prop they had acquired, but didn’t know what it did. It was a dice cup with a hole in the back, four dice and a jumbo die.
The misinformation starts when people don’t know what they are talking about start it tell the person what the cup is for. Here’s the first couple of responses:
Then a couple of people took the dice stacking suggesting a bit further and said you could look through the hole to see the number on the top die. Let’s start with that idea of using it to see the number on the top of the top die. Learning to stack the dice is hard…once you can do that, knowing what number is on top of the stack without a gimmicked cup is VERY EASY. It makes no sense to make the stacking aspect harder without make knowing the number uppermost easier.
Now let’s look at the props. You have regular game dice, where any marketed dice stacking set would come with casino dice which are the standard for people who stack dice. In the picture below, the casino die is on the right.
Yes, I’m aware you can stack game dice, however it’s much harder than on casino dice due to their size, rounded edges, and lack of consistent 90 degree angles. I learned to dice stack with a drinking glass and game dice, so I know it can be done, I also know who much easier it got when I had proper tools.
Next if you look at the cup, it tapers and is not straight sided. Some people stack with dice like this, however most people use straight sided dice cups. On it’s own the tapered cup wouldn’t say it’s not for dice stacking, but then you look at the height of the cup in relation to the dice. Once you get them in the up and ready to stack, they have a long way to fall, which is where you will give you trouble.
Looking at the whole picture, the style of dice and style of cup, I’m 99% sure it’s not for dice stacking. I’m leaving 1% as it’s some strange homemade prop that was never marketed.
I made a quick replica of the props shown and here’s the style of routine that I think the props are for:
The internet is a great way to crowd source answers, but the problem is that it’s hard know the quality of those answers.
For years I’ve wanted a Himber Pail. I think it’s one of the coolest props. If you don’t know what it is, here’s a video:
I’ve missed them at auctions due to internet or time issues on multiple occasions. The prop has been just out of my reach for years. Recently Stevens Magic Emporium had some made and I jumped at the chance to get one.
Here’s the problem, I don’t know what I’m going to do with it. How am I going to frame it from a presentation stand point. I could just play some music and do it, but I think it needs more than that. Once I figure out the hook, everything else gets easier.
About five years ago I started contributing magic tricks and routines to Vanish Magazine. In that time I’ve published over 60 items in that magazine! Only once (that I’m aware of) that I recreated something that already had been done. The exception to this would be the new routines I published for standard magic tricks.
A new trick was just put out called Impress by Kevin Li and Hanson Chien which is very similar to something I published over a year ago (you can read a blog post about it here). Here’s the trailer for it:
The trick referenced in that blog post from Feb 2019 ended up being published in the September 2019 issue of Vanish Magazine under the title of Second Impression. Here’s the write up of my trick as a .pdf:
I’m curious if they were aware of what I published and gave me a credit?
The idea of making a blister change isn’t a huge leap from making the blister appear. I honestly don’t think my idea was soo novel that no one else could possibly think of it. I do think I was the first person to actually make a working gimmick for it.
Am I upset if I’m not credited?
Nope.
If they legitimately were unaware of my trick, then it’s all good. However if there were aware, then a credit should be given. There are soo many outlets for people to publish magic, many behind a paywall (in something that you have to purchase like a book, membership to a website, etc) that it’s impossible to know everything that’s out there.
I will 100% say that moving the impression to the person’s palm versus the fingertip big step forward that I couldn’t do with a key. It allows you to hide the altered impression on their hand better than on the finger tip. So it is a step further than what I was doing.
