In a facebook magic group someone asked this question:
The problem the person has is really a non-issue. Who really cares if a video editor knows how a trick works? They are someone you have hired to help you. It’s like having a topit sewn into your jacket, if the person doing the sewing knows you have a secret pocket, does it matter?
No it doesn’t.
Another when hiring someone to work on a video for you or for when you work on TV, let them know what to not record or what to be aware of. I was lucky my first local TV show that I was on, the director worked on one of Siegfried and Roy‘s videos and he asked me if there were any bad angles or things he should be aware of to not show. That taught me it’s better to be proactive and tell them what not to show than try to figure it out in the moment when you know the camera is in the wrong spot.
One thing you should do if you haven’t already is set up a Google Alert for your name or the name of your show. In theory whenever Google indexes something new with your alert terms, it will email you. I just got this alert:
So it looks like I’ll be on Masters of Illusion next week on Saturday 7/16/22. It’s a new episode and I haven’t seen the official press release, so I don’t know what routine I’m doing on the show. Hopefully I’ll get the official press release later today and can better promote it. -Louie
I looks like tonight on The CW the 2021 Masters of Illusion Holiday Special will be airing at 8pm. Back in March I did a trick for this special, but don’t know if I’m in it or not.
That’s the crazy thing about doing TV, you don’t know what will make it or not. Of the stuff that I submitted for the next season of Masters of Illusion, I probably put the most work into the holiday trick as it was something that was totally new to me. Where the other stuff for the normal episodes were things that I had done before.
When doing the full show it’s easier for me to be set up confidently than it is when doing bits of the show out of the full show context. Last week I was recording some bits for a TV show and it was really stressful making sure that I had all that I needed for each routine.
Unlike a live show, you don’t have the freedom to make a joke and then rummage through your case. Sure on TV you can do reshoots, but doing them because you forgot to set a prop is pretty unprofessional.
I only forgot to set one prop for one routine. It was a dry erase marker, and luckily I had a sharpie in my pocket. I used the sharpie and ruined the prop (or at least made it harder to reuse) but the only person who would know is me!
I’m home now from a taping of a TV show in Burbank and sometimes there are moments when I reflect on where my dopy little show has taken me. The picture below was taken as I was about to leave my dressing room at the studio at the end of the day.
After having not really done the show in a year, to having done a few cool shows right out of the gate as things open up. It’s amazing where my stupid little ideas packed into that Pelican 1615 case have taken me. I think it’s important to look at what you’ve done with your art and why you do it. I do it to show people my ideas, and to see cool places. As a kid who never went anywhere, my show has taken me all across North America!
It’s kinda nice that my material was spread out during the season, I was on episode #2 and now episode #18. That’s about four months apart, which is better than two back to back episodes, then nothing for the the rest of the season.
I’ll post more about this appearance this when I have more info.
Several months ago I hinted that I was putting together some material for a TV show. I always assume that I’ll have my bit cut and end up no being on the show. I recently got an email of the list of acts that will on the show, and I’m on the list!