Dealing With The Wind…

This week I’m an a conference for the fair industry. A good friend of mine, who is a great magician was also there and we were chatting magic and the subject of the Torn And Restored Newspaper came up. We were chatting about doing the trick outdoors, and the challenges of doing it in the … Continue reading “Dealing With The Wind…”

This week I’m an a conference for the fair industry. A good friend of mine, who is a great magician was also there and we were chatting magic and the subject of the Torn And Restored Newspaper came up. We were chatting about doing the trick outdoors, and the challenges of doing it in the wind.


He doesn’t do it outdoors, where I do. There’s one difference that allows me to do it outdoors (usually) and that’s the style of newspaper tear we do. He does the Gene Anderson Newspaper Tear and I use Nick Lewin’s Slow Motion Newspaper Tear. The Newspaper Tear that I do has less pages to it, so that means less changes for the wind mess it up.


The routine that most people use with the Gene Anderson Tear, is the one that I think was popularized by Doug Henning:

In this routine the newspaper is held open and flat a lot. Also all of the tears happen from the newspaper in an position where it’s flat. In Nick Lewin’s version, the newspaper is tear is started from a folded position and that helps a lot with wind.



Magic Videos…

A month or two ago Nick Lewin wrote an article about Magic Flix (you can read it here), which is a streaming magic video website. Nick’s article go me interested in check in it out. I found a free month trial code and checked it out. What I’m really enjoying watching on MagicFlix is the … Continue reading “Magic Videos…”

A month or two ago Nick Lewin wrote an article about Magic Flix (you can read it here), which is a streaming magic video website. Nick’s article go me interested in check in it out. I found a free month trial code and checked it out.


What I’m really enjoying watching on MagicFlix is the Stevens Magic Emporium Greater Magic Video Series. These were put out in the early 1990’s and feature a lot of the older magicians, so the up and coming ones, like Micheal Ammar, Daryl, and John Carney. When I was a kid I couldn’t afford these, and it’s very interesting to watch them now.


My goal is to make it through the whole series. There’s a clear point where close up magic changes, with the style of routines that guys Ammar or Carney were doing. That’s the style that’s existed until Blaine came on the scene. Then there’s been another change with Shin Lim and the close up manipulation act style of magic.


From a magic history standpoint watching these videos is amazing!

Make it Yours…

One of the new tricks I added to my kid show this summer was the Gypsy Yarn (this is Nick Lewin’s version of the Gypsy Thread). I’m using his method for the set up / handling, and string/yarn. Whenever there’s a trick I want to do, if Nick Lewin has a routine for it, I’ll … Continue reading “Make it Yours…”

One of the new tricks I added to my kid show this summer was the Gypsy Yarn (this is Nick Lewin’s version of the Gypsy Thread). I’m using his method for the set up / handling, and string/yarn. Whenever there’s a trick I want to do, if Nick Lewin has a routine for it, I’ll always use his as my starting point.


Here’s my final routine:

In the video I should have paused a bit longer at the end of the trick showing the string restored.


If you are familiar with Nick Lewin’s routine, you’ll see that while I use the foundation of his, the routine is 100% different. I think the only thing the same is we both reference a spit ball. This is a good example of taking an existing routine and making it yours. It takes more than simply filtering someone else’s script through your mouth.


You need to actually put yourself into the routine. In the video above while you don’t learn “facts” about me, you get a peek into my personality with how I interact with the kid.


You’ll also notice there are no standard “kid show” bits. It doesn’t feel like a “kid show” magic routine. Yes it’s silly with the counting bit, but there’s no Look, but don’t see, or sucker magic. It’s a fun original routine for a standard trick…and the trick is good!

Gypsy Thread…

I posted a while ago about the Gypsy Thread trick and trying to figure out how to make it work in my library shows. The problem I was having was kids had two ridiculous explanations of how the trick worked. Either magnets or trick string that just goes back together. I heard both enough that … Continue reading “Gypsy Thread…”

I posted a while ago about the Gypsy Thread trick and trying to figure out how to make it work in my library shows. The problem I was having was kids had two ridiculous explanations of how the trick worked. Either magnets or trick string that just goes back together. I heard both enough that it’s something I need to address.


Here’s my solution, I bring a kid on stage to help with the trick. This is good and makes the trick play bigger. The kid tries to put half of the pieces of string together and they can’t on the first try. This effectively cancels out the theory of magnets or trick string. Then the kid ends up holding all of the string and it restores while they hold it. After making this little change, it’s playing a lot better.


However there is a change I want to make to the trick. I just need to find time to work out the handling. I want the kid to hold all of the strings at the first failed restoration attempt. There are two ways to accomplish this. The first way is that I could add in the length of string with the ball of string on it after they’ve handled the string the first time. This wouldn’t be hard to do. The second method would be much bolder and have them hold all of the strings including the one with the ball of string. I’d just shove it into their fist and have them hold it.


Either way I think would make the trick stronger from someone trying to back track it. I know it’s a trick I’m doing in a kid show, but what makes art is going a step further.


P.S. I think Nick Lewin sells the best thread for the Gypsy Thread trick…at least for how I do the trick.

Advice from Billy McComb

Frequently I end up driving several hours to gigs. Last night I had a gig at a casino that was only 90 minutes away, but quickly ended up being a 3 hour drive due to unusually bad traffic for the time of the day that I was travelling. I always give myself plenty of time … Continue reading “Advice from Billy McComb”

Frequently I end up driving several hours to gigs. Last night I had a gig at a casino that was only 90 minutes away, but quickly ended up being a 3 hour drive due to unusually bad traffic for the time of the day that I was travelling. I always give myself plenty of time to get to the gig, so this wan’t really a problem. Once I notice I was going to have some time, I listened to a CD set where Nick Lewin interviews Billy McComb.

casino magician

This CD set is amazing, there are three CD’s and every few minutes there’s great advice. One of the things that Billy McComb talks about is the advice that is giving to magicians to have a “flash” opening. A quick, visual trick you can do right off the bat to establish yourself as a magician. Billy doesn’t agree with this.


Billy thinks you need to establish YOU first and that he starts his show with a monologue. He bases this on the theory that if they like you, they’ll like your magic. I agree with this theory.


Last night at the casino I started started my show with jokes that I normally do elsewhere in the show and front loaded my show with jokes. My opening was just a series of jokes about me and my life. The audience was very receptive to that and I’m glad I made the change!



Fantastic Information!

If you know me, you know I’m a huge fan of comedy magician Nick Lewin. He was one of the magicians that I saw as a teenager and his style shaped how I perform. He’s someone that had pretty much done it all as a magician. Recently he was on the The Variety Artist Podcast … Continue reading “Fantastic Information!”

If you know me, you know I’m a huge fan of comedy magician Nick Lewin. He was one of the magicians that I saw as a teenager and his style shaped how I perform. He’s someone that had pretty much done it all as a magician.

Recently he was on the The Variety Artist Podcast and it’s a great interview!

He gives a ton of great advice on all aspects of your show. One of the things that I really liked is he mentioned that comedians and comedy magicians have a different definition of what performing “comedy” means.



Most comedy magicians thing performing comedy in a comedy club means being dirty. That’s couldn’t be further from the truth. Performing comedy in a comedy club should mean you have original material. Jokes that move a plot forward. Yes, you can have limited success doing store bought tricks, but at some point to really progress you need to write material!


TLDR: Listen to Nick Lewin’s interveiw

Ambitious Card…

A couple weeks I performed at Wonderground in Las Vegas.  This is a monthly magic/variety show put on by Jeff McBride.  It’s a very fun show and if you get the chance, I highly recommend doing it!   The one thing that stresses me out about this show is the close up, I’m fine with … Continue reading “Ambitious Card…”

A couple weeks I performed at Wonderground in Las Vegas.  This is a monthly magic/variety show put on by Jeff McBride.  It’s a very fun show and if you get the chance, I highly recommend doing it!

 

The one thing that stresses me out about this show is the close up, I’m fine with the stage show.   It stresses me out because there aren’t a lot of original plots in my close up set, sure I have my own twists on things, but at it’s core it’s Ambitious Card.

 

About a week before  I performed at Wondgeround I was visiting with Nick Lewin and we chatted about the close up stressing me out.

My concern was that the Ambitious Card was too common of a trick for the audience there.  Not all of the audience there are magicians, however they are magic fans, so they’ve seen it.    Nick commented that it’s the “greatest card trick” and I agree…that’s why it’s so common.  The plot is simple and when done right it’s impossible!

 

I ended up doing a trick where someone feeds me marshmallows.  It played well!
Louie Foxx at Wonderground in Las Vegas

Personally I think there is one trick when done correctly that might be better than the Ambitious Card, and that is Any Card at Any Number. It’s got a simple plot:

Name a card, name a number, count down to that number and the card is there.

The problem with ACAAN is that is gets mucked up when people try to make it easier.  They limit selections or use convoluted processes to make the trick work.  Also what I think most of people who do this for a non-magician audience misses is repeating it.  You need to do it twice.

 

So that’s my thoughts on the best and close second for card tricks.