Unusual Challenges…

If you are a professional performer, you will run it to all sorts of unanticipated challenge in your career.  For 10 days this month I’m performing at the airport in Seattle.  One of the unusual challenges is getting my props past security, and since I’m there to 10 days, being able to do any repairs … Continue reading “Unusual Challenges…”

If you are a professional performer, you will run it to all sorts of unanticipated challenge in your career.  For 10 days this month I’m performing at the airport in Seattle. 



One of the unusual challenges is getting my props past security, and since I’m there to 10 days, being able to do any repairs on the spot.  The big challenge is that I can’t really bring tools or anything sharp past the security check points…and all of my props needed to be approved and cleared by security. 





Once my gear goes past security, it lives there for the whole run.   That means I can’t use any of the props for shows outside of the airport.  That was an important consideration when pitching what material I was going to do.  If my main show was stuck at the airport, I’d need a back up set of props to use.  I do have a back up set of my main show (mostly), and it has come in handy many times.  


Be ready and most importantly, be flexible with the challenges that come with performing in different venues!  

Great Minds Think Alike…

Last week I was watching Death by Magic on Netflix.  It’s a decent magic show, a lot of the old school magicians probably won’t like how it’s shot.  It’s done in the “Post David Blaine Style” with a lot more camera cuts.  I’ve got nothing against that, however some people (usually older magicians) do.  On one … Continue reading “Great Minds Think Alike…”

Last week I was watching Death by Magic on Netflix.  It’s a decent magic show, a lot of the old school magicians probably won’t like how it’s shot.  It’s done in the “Post David Blaine Style” with a lot more camera cuts.  I’ve got nothing against that, however some people (usually older magicians) do. 

On one episode he doe a trick where he talks about naming your first car.  Then he ends up producing a license plate with that name on it.  Sounds like a routine I wrote about in a blog post a  few weeks ago.  You can read the blog post here.  

Obviously the team at Death by Magic didn’t read my post and quickly put the trick into the show.  The show’s first episode was four days after my blog post.  Someone at the Death by Magic team thought of it, it’s not a huge leap to get from the idea of a license plate prediction to the presentational hook of the name of your first car.  

Many magicians think that if they have an idea, no one else could possibly have that idea.  That’s 100% false.  It’s totally possible and happens all the time.  I’ve seen many magicians accuse other magicians of stealing ideas, when their idea was something that you’d think of if you spent any time playing with that idea. 

Cases where someone is doing complete act is an entirely different thing.  Once you add up all the bits and the order they take place the idea of them thinking the of all of that and ending up at the exact same place is very unlikely.  

How I view it, is if someone has the same idea as me and it’s not a blatant case of them ripping me off, I’m fine with that. 

TLDR: Don’t get upset if someone has the same idea as you. 

I Practice With Good Tools…

A couple of nights ago I was hanging out with a couple of magicians and one of them asked if the rumor about Bicycle Cards that are sold are Costco was true.  If you don’t know,  the rumor is that the Bicycle Cards there are “seconds” and not as good as ones you’d buy elsewhere.  … Continue reading “I Practice With Good Tools…”

A couple of nights ago I was hanging out with a couple of magicians and one of them asked if the rumor about Bicycle Cards that are sold are Costco was true.  If you don’t know,  the rumor is that the Bicycle Cards there are “seconds” and not as good as ones you’d buy elsewhere. 

I think that the cards at Costco are the same ones you’d get elsewhere.  I also think that Bicycle’s standard card has become junk over the last 15 or so years. I use them, but I only use them at gigs because a deck of cards at a gig lasts me about an hour.  After an hour the deck is missing so many cards it’s not usable.  

After a Bicycle deck is broken in, I don’t think they handle well.  So personally I buy higher quality cards for my own non-show use.  I find that I practice more frequently using better decks of cards.   Here’s the current deck I’m using:

I know that 90% of the “higher quality” cards are printed at the USPCC, however I’m pretty sure they are not printed on the standard stock.  Having better tools that last longer gets me to practice more.  I’m learning moves I’ll never use, but it sure is fun!

Local Magicians…

Last night I was at a comedy show and one of the comedians asked me if I knew a local magician. I said yes, and they had mentioned they were chatting with them earlier today.  One thing that came up was the magician said they had a hard time with the local magic crowd.  Right … Continue reading “Local Magicians…”

Last night I was at a comedy show and one of the comedians asked me if I knew a local magician. I said yes, and they had mentioned they were chatting with them earlier today.  One thing that came up was the magician said they had a hard time with the local magic crowd. 

Right now in the Seattle area we have a pretty active magic scene.  There are three national magic clubs, then a weekly magic meet up that’s not affiliated with any club.  In addition to that there are a couple of monthly “magic open mic” type shows.  

The magician that thinks the local crowd doesn’t support them, doesn’t go to any of these magic clubs or hangouts.  This magician frequently tries to get other magicians to hang out, HOWEVER it’s done in this way, “Let’s hang out.  Come to my show on Thursday, and we’ll hang out afterward“, and then there’s a link to buy tickets. 

If you want to meet the other local magicians, why not come out to one of the eight magic events that happen each month.  The whole “buy a ticket to my show to hang out with me” thing makes me not want to hang out with this magician. 


There are a lot of local magicians who have worked hard at building a magic community in Seattle, one that doesn’t require buying a ticket to a show.  In fact all of them have a component that’s free (i.e. you could attend and never pay a dime).  


The moral of the story is when you support the magic community, it will support you.  

Are You Working Hard Enough??

Some magicians take pride in not breaking a sweat while they perform.  I used to be very physical in my show, then slowly over time I stopped moving around in my show.  I stood there and did what I needed to do, and I didn’t break a sweat.  This year I performed at GrapeFest in … Continue reading “Are You Working Hard Enough??”

Some magicians take pride in not breaking a sweat while they perform.  I used to be very physical in my show, then slowly over time I stopped moving around in my show.  I stood there and did what I needed to do, and I didn’t break a sweat. 

This year I performed at GrapeFest in Texas and saw an act that changed my mind and made me move around a bit more when I perform. The act played saxophone and while he didn’t move much, he was dripping with sweat.  As an audience member watching him, I got the feeling that for the 50 minute set, he put his entire life into that saxophone!  

So how does one do card tricks or tell stupid jokes with energy?  I think something that Tony Clark said in a lecture 25 years ago is the secret to doing this: 

“When you move, you move with purpose”

That’s something that has stuck with me ever since I heard him say it.  Don’t pace the stage, but when you move you put energy into it.  And it’s directed, so it has purpose.  

I also remember hearing an interview with Jerry Seinfeld where he would hear comedians tell  each other to “go on stage and have fun”.   Jerry’s position was that you shouldn’t be having fun on stage, you should be working your ass off.   

So your homework is to work harder when you are performing. 

An Ending to a Gag…

If you’ve ever seen my magic lecture, there are a couple of main points to it. First is to take what you are doing a step further.  The second is to put endings to things. This blog post covers both of them.  I’ve always liked the Fifty Two on One gag card.   If you don’t … Continue reading “An Ending to a Gag…”

If you’ve ever seen my magic lecture, there are a couple of main points to it. First is to take what you are doing a step further.  The second is to put endings to things. This blog post covers both of them. 

I’ve always liked the Fifty Two on One gag card.   If you don’t know what this is, it’s a card with all the cards on its face.  

How you use it, is you set it face down as your prediction.  You ask someone to say any card, let’s say they name the King of Diamonds.  You say, “your card is right here” as you turn over the card and point to the king of diamonds.  

Funny gag, but it really needs a punch to it.  How can we turn the gag into a trick?   We could glue a king of diamonds onto the back of the card, and put our prediction in an envelope and force the king of diamonds.  Now we get the gag, followed by turning the card over to show you knew their card. 

That’s a good trick.  It’s been done, but still a decent card revelation.   Let’s take it up a notch:

By using a flap card we’ve added a magic trick to the revelation.  Honestly I don’t know if this is better than just turning the card over, but it’s certainly a lot more magical!  

Also by using the flap card for the change, we’ve added an ending to the trick AND taken it a step further.  This is actually something I’ve wanted to make for a long time and just finally making one.  I’ll try it out sometime soon and see how it plays.  



Louie

Impromptu Show…

I’m still reading John Carney’s book Magic by Design.  I wrote about in previously in this blog post.   I’m really enjoying this book and I like his approach.  In the beginning John say’s that these are his theories and whether you follow them or not, at least they made you think about why you do … Continue reading “Impromptu Show…”

I’m still reading John Carney’s book Magic by Design.  I wrote about in previously in this blog post.  

Magic by Design by John Carney

I’m really enjoying this book and I like his approach.  In the beginning John say’s that these are his theories and whether you follow them or not, at least they made you think about why you do the stuff you do. 

In the book he mentions having an impromptu show you can do.  Not just a few impromptu tricks, but tricks that you’ve practiced and know inside and out.  Material that’s you treat like the stuff that’s in your show, you know the script, you can do the sleight of hand under fire.  

If you’ve hung around me, you know I have a 3 trick show on me at all times.   These are three tricks that live in my wallet and are good go.  I started doing this after I had read Ken Dyne’s book The Impromptu Mystifier.  

You don’t have to do the three tricks just because someone asks,  like some sort of trained monkey.  However when you need them, you’ll be good to go.  My impromptu set will play close up or in a cabaret setting.  


The moral of the story is: you are a magician, you should be able to amaze anytime!

Magic Clubs and Newer Magicians…

I love magic, and I love supporting magic.  I support magic wherever I go, by going to see shows, visiting magic clubs, visiting with magicians, and doing good magic.  One thing that gets me about magic clubs is a lot of the “old guard” are so set in their ways they can’t see past their … Continue reading “Magic Clubs and Newer Magicians…”

I love magic, and I love supporting magic.  I support magic wherever I go, by going to see shows, visiting magic clubs, visiting with magicians, and doing good magic. 

One thing that gets me about magic clubs is a lot of the “old guard” are so set in their ways they can’t see past their own biases.  This isn’t good for people newer into magic.  Frequently at one of the magic clubs in my area (there are three) when someone does a card trick an older magician will say “oh god, another card trick…” outloud for every one to hear. 


This isn’t good for magic.  People get into magic for a lot of reasons, and to tell them their reason is wrong hurts magic. It makes it less welcoming for new people.  

Also, the advice that is given to newer magicians is horrible.  One of the worst pieces of advice when someone tries something new is, “stick to the classics, they are classics for a reason…”   Whenever I hear that I want to ask them to take out their phone and tell me what kind of music is on it…is it classical?  Do they use a Acomputer…or stone a chisel (the classic method)?   

Jim Steinmeyer wrote an awesome book called, Allow Me To Give You Some Really Awful Advice.  


 This book should be required reading for all leadership and pretty much anyone giving advice about magic at a magic club.  They should also read Joshua Jay’s article from Magic Magazine called What Do Audiences Really Think.    

Jim and Joshua’s writings confirm and back up with data why 90% of advice given at most magic clubs is wrong.  Magicians need to be out there doing what they love, and innovating, not living in the 1970’s.  We also need to be positive to newer magicians and tell them what they are doing right, not what we like or don’t like.  

How to Be a Professional Magician…

Right now we’re deep into the corporate holiday party performing season. Tomorrow being the second Saturday of December which is the most requested day for holiday parties.   That means if you aren’t working tomorrow you should be.  The number one question I get from magicians starting out  is, “How do I get shows?”  The answer … Continue reading “How to Be a Professional Magician…”

Right now we’re deep into the corporate holiday party performing season. Tomorrow being the second Saturday of December which is the most requested day for holiday parties.   That means if you aren’t working tomorrow you should be. 

The number one question I get from magicians starting out  is, “How do I get shows?”  The answer for me was giving to me when I saw Rudy Coby lecture in the late 1990’s was to constantly be working. 

So how do you do that if you don’t have any work?  Simple, look for it and then take it.  Don’t worry about the money, just take the gig.  

I know this flies in the face of what every magician in facebook groups tell you when they say things like, “you must charge at least $xxx.xx”. You need stage time to get good before you can charge money.  

For me when I was about 19 or 20 I started performing in these late night “after hours” shows.  These would be after the bars closed.  You would work for maybe 10 bucks, however I was honing my craft, developing my style, and most importantly failing!

As a performing, especially when starting out, you need to take risks, you need to push some boundries and you need to fall flat on your face.  This is really hard to do at a $2,000 gig, but it’s easy to do for ten bucks.  

Another venue I started performing at when I was first starting out was retirement communities.  I learned that they had a monthly budget for entertainment.  These shows didn’t pay a ton, but there were a lot of them!  

I eventually wrote a book on doing shows at retirement communities. This book covers how to contact them, how to book them and even some tips on doing the gig. You can get more info on this at www.perform4seniors.com.

The key is to simply get out and perform.  When I was starting out the internet didn’t really exist.  Now it’s easier than ever to find an open mic.  A quick search on Craigslist shows several listings looking for performers.  

Go out and do perform!

Louie

Be Self Sustaining…

I love tricks that have unusual visuals.  Here’s one of my favorite “novelty” card tricks that I do:   The problem with it is the recent batch of gimmicks that have come in have had a very short lifespan compared to the ones I was using a year or two ago.  I bought a bunch … Continue reading “Be Self Sustaining…”

I love tricks that have unusual visuals.  Here’s one of my favorite “novelty” card tricks that I do:

 

The problem with it is the recent batch of gimmicks that have come in have had a very short lifespan compared to the ones I was using a year or two ago.  I bought a bunch of them over a year ago and down to my last one.  I have a feeling that the glue that was used had degraded over time and that’s why they gimmicks aren’t lasting as long.

 

Luckily I know how to make this style of gimmicked card.  I started playing with them when I was a teenager when I got the book Gaffed to the Hilt.  If you’ve never made your own gaff cards, the DVD Gimmicked by Andost is a great resource.

I have some time today and am going to make up some of the cards for the hole punch trick.  The main reason I’m making instead of buying is simple, I have one left and they’ve been lasting me 1-2 shows, I won’t have time to order more and have them by when I’d need them.

Making my own makes me be able to operate without being a slave to shipping times.  I’d still rather order them than make them myself, however that’s not an option if I want to do the trick at my gig today and tomorrow.

 

The moral of the story is that if you are going to have a prop that you use a lot of, have a back up, or if it’s like this card that has a limited life buy a bunch of back ups.  Better yet learn to make and repair them!

Louie