ProMystic Color Match FTW!

About a week ago I was able to switch back to using the ProMystic Color Match and I’ve been using it with 100% success! I’m glad to be able to not Anverdi Color Match set where I was constantly getting a missed signal. That doesn’t mean that the Anverdi set is bad, it just doesn’t work for how I work.

The ProMystic set is the set I’ve used for years, and that may be why I prefer it. I know why it works, and when it doesn’t, I know why it’s not working. I feel like I definitely committed giving the Anverdi set a chance. I know tons of people that prefer the Anverdi set over the ProMystic. I think ultimately your performing style will dictate which works better for you.

-Louie

The Long Walk…

Last week the fair I was at had a very long walk from the audience to the stage. This made bringing someone up from the audience a bit of a speed bump in the show. The general format in my magic show is every other trick has someone from the audience onstage. Figuring out how to deal with the time that it takes to bring someone onstage was a challenge.

The first thing to fill the time was simply writing jokes to address the issue and fill the dead space. I wrote lines like, “The walk to the stage is longer than the line at the DMV“.

One of the emergency props that I have in my case is a thumb tip with a silk. I can do a solid 5 minute routine with that that’s full of laughs. That routine uses two people from the audience.

Obviously, bringing two people onstage wasn’t he solution to the long walk to the stage, but the silk was. I started simply vanish the silk while the person walked to the stage. It filled the dead space, but needed more. Then during my morning writing I came up with the idea of doing silk in balloon. That gave some sort of a payout to the vanishing silk. However, the breakthrough was the next day during my morning writing I had the idea of silk in selected balloon.

silk in balloon magic trick

I had a line of balloons tied to string from my case to the microphone stand. The silk vanishes while they are coming onto the stage. Then a balloon is selected and when popped the silk appears inside that balloon.

What I ended up with is a routine for when there is a long walk to the stage (or any show), but not a solution to fill that time for existing routines that I do.

I’m not disappointed that I didn’t come up with a solution for the long walk, as a routine that fills the stage and packs very small is still a win!

-Louie

Anverdi Color Match – A Good Day

Yesterday was a good day for the Anverdi Color Match set. I did three shows without an issue. This is a good development and really helping with my confidence with this prop!

The challenge is figuring out why it’s not sending the signal when it doesn’t. The closest thing I can guess is that someone isn’t moving the pen enough, however it appear from reviewing video that the pens have plenty of movement. Unfortunately if not enough movement is the problem, I can’t think of a good solution to get the person to move the pen more. I can’t say, “pick up the pen and shake it like it’s 1987 and it’s a can of Aquanet“.

I did have the thought of buying a second set of the Anverdi color match and put two gimmicks into each pen. That would give me a redundant system and allow me to have two receivers.

I’m going to see how the success/fail rates play out over the next few weeks before I buy another set.

-Louie

Using the Flic Button

Someone asked me about how the Flic Button works for controlling music. It’s pretty simple, the button has three things is can do which are triggered by a click, double click and press and hold. For me I use those as Play/Pause, Next Track, and Previous Track.

You can use multiple buttons, so I may use a second one for volume and up and down, but for now one is working.

For a simple and cheap audio device for smaller shows, I’m really liking the Flic Button!

-Louie

Simple Audio Set Up

In my attempt to have all of my different shows as self contained units, I’m working on having separate sets of audio equipment for some of the shows. My kid show that I’m doing for summer camps has just gotten it’s own sound set up.

MAGIC SHOW audio

The only thing not dedicated to this show is the speaker. Here’s the gear list:

Virtual Shows Are Still Happening…

Last week I think I did my final virtual show…well at least the last one with all the technical bells and whistles. This was lower tech, I didn’t use my ATEM mini, or any production software, just Zoom and a stream deck.

This was a fun show because I did it with Roberto the Magnificent and Dennis Forel at an airBnB while we were performing at a different event.

It’s been a year since a did a virtual show and it’s not worth keeping up with how to run the technology if I’m only doing one virtual show a year. However it’s easy to use Zoom as a camera switcher, and simply play music in the room instead of playing it through a virtual cable on my computer. It’s not as slick as using production software, but doable.

-Louie

Super Short Show Description

About a week ago I ran into a magician and said they had the best children’s show in town. Unfortunately I was unable to make it to their upcoming show, however when I looked up their show, it reminded me of how important it is to have a good short description of your show.

Here’s how their show was described on the event website:

magic show

It’s entirely possible that the performer sent them a better show description and that event went rogue and used something other than what was provided.

Personally I don’t think that one sentence description is going to put any butts in seats. I think there’s a lot of wasted space in that, specifically the “solid and fast moving” part. I don’t think that tells me about the show. I’m not sure what “solid” means to people outside of the industry. I think a better line would have been, “Dan’s magic show has amazing magic, and hilarious family friendly comedy“. I’m sure there’s something better than that.

-Louie

Never Take a Seat…

When I travel I try to do shows for senior groups. This is a great way to fill a day when I get into a city the day before a bigger contract. I recently did one, and when I arrived the lady at the desk told me to have a seat in the lobby and someone will be there to get me soon.

Personally I never sit down, especially if it’s out of view of the person at the desk. I always stand near the desk.

how to perform for seniors
louie foxx

The reason for not sitting is simple, I frequently get “forgotten” about when I sit out of view. I don’t know why, I guess whoever is supposed to get me gets side tracked, or whatever. When I stand in view, it’s a constant reminder that I’m still waiting. Usually after a few minutes if I’m still there, the person at the desk will follow up with whoever is supposed to get me. When I’m out of view and sitting, there person at the desk won’t know you’re still there and after about 5 mins I have to ask again. That’s time that I could be setting up.

-Louie
PS if you’re interested in performing at Senior Centers and Retirement Communities, check out my book How To Perform For Seniors!

ChronoForce Pro

Last week I was in the Bay Area and swung by Misdirections Magic Shop to visit Joe. One of the things I picked up was ChronoForce Pro.

I haven’t put it on my phone yet, however I like the idea of using it to force the fractions of a second. I have an idea for it…I want to have a breath holding contest with person from the audience and ultimately the game tied down to the fraction of seconds. This would be revealed by a prediction that is revealed in stages.

I haven’t gotten to play with the app yet, so my opinion may change once I actually use it.

-Louie

Seven Things I’ve Learned…

Last week my wife and I had a tourist day in Seattle and part of it we went to see Ira Glass‘s talk called Seven Things I’ve Learned.

Seven Things I've Learned an Evening with Ira Glass

At the beginning of it he talks about the title and it’s really just a frame to write a talk around. That was interesting to hear him say that, because essentially that’s what every school assembly magician is doing when they put together a themed show.

At one point during the show, there was an interruption. Someone got up and started yelling that we shouldn’t be laughing when there were people dying in Sudan. I’m not going to call this person a heckler, because it wasn’t really related to what was happening onstage or the performer, it was someone shouting their message. It was unclear whether the person bought a ticket or somehow snuck in.

Ira handled this interruption in an amazing manner! The whole thing felt like it took 5 minutes, but in reality it was probably closer to 90 – 120 seconds. What Ira did was say that the guy is right, that people dying in Sudan was important and that it doesn’t get as much news coverage as it should. He was diffusing the situation. At one point people in the the audiences started booing the guy that interrupted, however Ira kinda shut that down. That’s the right tact, by encouraging the audience to boo, the guy would have gotten louder and louder. Towards the end of the interaction Ira said something like, “I agree with you, the media needs to do better…” and eventually the guy was escorted out.

Then to get the audience back, he did said “I’ve done stories about that…but didn’t feel it was appropriate for a saturday night crowd” and that got a laugh and tension started to leave the room. Then someone in the crowd yelled, “Welcome to Seattle” and Ira replied, “Thanks, so all of your shows have a guy yelling about Sudan…” this got a HUGE laugh and really got the rest of the tension out of the room.

That’s the thing with someone who is interrupting the show with an unrelated matter, no amount of heckler stoppers will do anything. Ira was right by diffusing the situation and not escalating it. Magicians are really bad about escalating their interactions with hecklers or interactions instead of deescalating it. It’s really the better choice in most scenarios, give it a try!

-Louie