fair magic show – Page 2

The Professional Magician Podcast

A couple of months ago I recorded an interview with Cris Johnson for The Professional Magician podcast. We were going to talk about more businessy stuff, but we ended up talking about how I work on my show.

When I was starting out, no one ever told me how to work on my show…and I bet if I asked a room full of magicians how they work on their show, the vast majority really won’t have an answer beyond some generic “I practice”.

I came up with a system to working on my show that I call the 6R’s. Each step begins with the letter R. I’ve presented this as a lecture that I’ve presented to groups of performers around the country. A couple of years ago I did one for the virtual KAX Convention and have a recording of it.

If you’d like to learn the 6R’s to working on your show, you can get access to video for $5! Simply use the Add To Cart button below

6R’s To Working On Your Show $5

Once you order, I’ll email you the download info withing 24 hours.

-Louie

Backstage at a Fair Gig

Frequently I get asked by magicians what it’s like to perform at a fair. One of the main questions is about where I keep my stuff and hang out between the shows. Usually there’s some sort of green room, which usually doubles at the storage room for your props.

Here’s the green/storage room from the fair last week.

You can see that every act has their own table and there’s an table for drinks and snacks.

Here’s my table:

I try to keep all of my props set up whenever possible, so that I’m not doing a full set up every morning and pack up every night. I simply move my gear to the green room at the end of the day.

Every fair gig is different, so sometimes your storage is simply a closet and sometimes you have more formal green rooms with couches, microwaves and fridges.

-Louie

Turing Rain into Lemonade

Sometimes where you perform outdoors you’ll have issues with the weather. One night it rained most of the day, and that killed attendance for the shows right after it stopped raining. There was literally no people on the fairgrounds to pull to make an audience, so we used the time as practice time.

The juggler at the fair and I used that down time to work on some lasso tricks:

And since we both had lassos, I was able to try doing two lassos at the same time!

We could have called the show and not performed, however we both got in some fun practice time! I always try to look for spots in my day when I can get in a little bit of practice and a rained out show was a great spot!

-Louie

Cleans Up Nice…

this is the beginning of my fair season and I was going through and fixing, cleaning and upgrading props. One of the props in my show is a bowl that holds a ball of yarn. I use a plastic bowl instead of glass because it travels better and is much lighter!

Over time the bowl has really gotten beaten up and it was time to replace it.

I probably hung onto the old bowl for too long, but I liked it because it’s half the height of any plastic bowl that I’ve been able to find. Sometimes you don’t realize how bad things look until you see them next to a new one!

-Louie

Beginning of Fair Season

This morning I’m heading out to AZ for my first fair gig of the year. When I do fairs, I try to work on new material. I’ll be doing something like 15 stage shows, plus I can do as much close up as I want in between shows.

One of the new tricks that I’m bringing down with me is Time Hacker. This is Pitata Magic’s version of Ceseral Magic’s Ultimate Time Prediction. The basic effect is someone thinks of a time and that’s the time showing on a clock.

The presentation is based on a old myth that was popular during the WWII era myth that Asians can tell time by looking at a cats eyes. I had some posters made of my cat and someone is going to try to guess the time and that’s the time on the clock.

I’m hoping the idea of having a cat and talking about my cat will suck people into the trick. I’m not sure how it’ll play, but I have five full days of shows to try to figure it out!!

-Louie

Unique Visuals!

Something I try to do in my show is have my show visually different from most other magic shows. Right now I’m closing my show with my Straight Suit comedy escape routine. The headline band at the fair was Midland and they were at my show yesterday.

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A post shared by Midland (@midland)

Doing an unconventional show like mine is a much harder way to go than simply taking a standard path with standard tricks like most magician. However I feel taking a nontraditional road is worth the extra effort.

Thanks Midland for checking out the show!

-Louie

What’s in a Name?

Not too long ago I wrote about simply having a description of your show on a schedule being more effective at putting butts in seats than your name. Here’s the daily sign on the stage that I’m performing at for a 12 day contract:

My show’s name is the only one that has any description of what it is. It’s the only one where if someone sees the sign, they are going to go out of their way to see (if they want to see a magic show). The other two acts with no description probably won’t make it on people’s mental schedules.

Sure having just your name is great for your ego, but it doesn’t help with crowds. I’d rather have “magic show” than “Louie Foxx”.

The name that I gave my show is, “Louie Foxx’s One Man Side Show“, however usually either Louie Foxx or One Man Side Show made it on the sign. It was my agent’s idea to call the show The Magic of Louie Foxx for the fair/festival industry. It’s really made a difference in my starting crowds!

-Louie

Changing Seats…

Somedays I get to a gig and see that it’s really set up for my show to struggle. Here’s the set up at a recent fair:

The hay bales are probably 35-40 feet way from the stage, and in full sun. Due to the direction the stage faced, there really wasn’t much I could do about the sun, but I could work on the hay bales. I drug most of them closer to the stage:

Closing the gap to the audience really helped me connect. It also stopped people from using the area in front of the stage as a walkway through the fairgrounds. I always do what I can to give my show the best possible conditions based on the situation.

-Louie

Full Face Peel!

After doing the peeling off the face of the face card, leaving only the index on the cards many, many times at the fair, I wondered how it would play with an index card. In Alan Wong’s Card Sticker pack, most of the cards are index cards, so I figured I should try to use them. I stuck one onto a blank face card

It took a few tries to get them lined up correctly, however the nice thing is the Card Sticker’s adhesive is very forgiving! The plan is to simply force this card and at the end, peel off the face.

I don’t think this is really a “trick”, just a fun after moment. I’ll give it a try today at the fair and see how it goes!
-Louie

Indoor and outdoor shows

Show business is funny. In less 24 hours you can go from performing outdoors in the full sun (I’m not complaining, I love outdoor gigs):

To performing indoors at a really cool theater!

While both shows are similar, there are things that I do indoors that I don’t do outdoors and things I do outdoors that I don’t do indoors. There are reasons for that, the audiences are different. Inside I can take a little bit of time with things, so I can do some slower tricks. Outdoors everything is a bit quicker and I’m a little more aggressive when I perform.

I enjoy indoors and outdoor performing, and both have their own sets of advantages and disadvantages. As a performer you need to learn what material of yours works in each situation.
-Louie