Do It Right!

Over the weekend I got to watch many performers showcase their acts to a room full of people who book entertainment. I got to watch one magician, who I’ve known for years and he did everything right when doing the cups and balls on stage! Here’s the problem with the cups and balls, it’s not … Continue reading “Do It Right!”

Over the weekend I got to watch many performers showcase their acts to a room full of people who book entertainment. I got to watch one magician, who I’ve known for years and he did everything right when doing the cups and balls on stage!


Here’s the problem with the cups and balls, it’s not a stage trick. It’s a close up trick that takes up a lot of space. This makes a lot of performers think they can do it on a stage. Unfortunately, you cannot just put it on stage and have it work for 300 people without solving a couple of problems.


The first problem is the table top. If you are on a raised stage, the audience’s vision of the table top can be blocked because they have to look up at this. Years ago when I used to do the cups and balls in my show, I solved this by having my table sit at an angle, this is the same solution that I saw over the weekend. As a bonus it puts motion into the balls when you lift the cups and they roll, making the trick play a little bit larger.


The second problem with doing cups on stage is the balls most magicians use are very small, and usually a dull color. The ones with the crocheted covers don’t reflect light, this makes them appear smaller onstage. If they were glossy, they’d appear slightly larger as they reflect light. The magician I saw used glossy, bright red balls that were very big, at least an inch in diameter. You could see them from the back of the large banquet hall.


Take a look at your show, how can you make it play bigger, especially if you are moving from close up to stage.

Your Tricks Gotta Be Seen!

I’m frequently asked about why the Evaporation’s standard version is orange liquid. The reason for this is simple, it’s easy to be seen. Rarely will you have an orange background that you are performing in front of, so the color won’t disappear into whatever is behind you.   Using things like cola, which is a … Continue reading “Your Tricks Gotta Be Seen!”

I’m frequently asked about why the Evaporation’s standard version is orange liquid. The reason for this is simple, it’s easy to be seen. Rarely will you have an orange background that you are performing in front of, so the color won’t disappear into whatever is behind you.

 

Using things like cola, which is a dark brown be hard to see with a dark background, or using milk in an elementary school gym against a white wall make seeing the trick difficult. That’s why I settled on Orange.

 

You need to think about this stuff with all of your magic.  For example I love the idea of cups and balls, more specifically cup and ball(s).  So a chop cup would fall in this category.  My marketed trick Cee-Lo (Available from www.hocus-pocus.com) which uses 3 dice and a cup has some clever work on the final loads.

 

Here’s a video of Cee-Lo:
The problem is that the action happens on the table top, and if you are are a raised stage the audience is looking up at the bottom of the table and can’t see what’s happening.

 

There are a couple of solutions to this:

  1. Build your table at an angle, so the front edge is lower than the back.
  2. Use video projection onto a screen.
  3. Create a routine where none of the action happens on a table top.

The first two are pretty simple solutions, however how practical they are will depend on the venues you perform in.  The third one is the one that interests me.  You are now walking into fairly uncharted waters.  Aside from Ball and Cone, the only other cup and ball type trick that happens in the hands is Axel Hecklau’s Just a Cup.

 

Axel’s routine is great, but I want to come up with my own take on an in the hands cup and ball routine.  So my starting point was a baseball cap, which hand a brim that I can hold on to and a large ball, that’s an inch and a half in diameter.  All of the action now happens at chest level and it plays much larger due to the bigger props.

 

This routine is still in its early phases, hopefully it’ll work out.  Once it’s closer to being finished, I’ll start sharing some video of it.

 

The point of this post is simple:  Look at the tricks you do and think you about what the audience can actually see!

 

Louie