Every time I hear magicians complain that tricks are too hard, it drives me nuts. Why wouldn’t you try to learn something difficult? If you are an artist, you should be pushing yourself to learn to do difficult techniques. Here’s what Kennedy thinks about it: A great example is I’ve been working on a false … Continue reading “Not Everything Is Easy…”
Every time I hear magicians complain that tricks are too hard, it drives me nuts. Why wouldn’t you try to learn something difficult? If you are an artist, you should be pushing yourself to learn to do difficult techniques.
Here’s what Kennedy thinks about it:
A great example is I’ve been working on a false shuffle for about a year now. It’s not quite right, and I’m still practicing it. Should I give up?
No, and here’s why: It’s the best looking false shuffle I have ever seen. Sure I could stick to something that looks good enough, and that’s fine, but why wouldn’t I go all the way, make my art the best it can be? I do it because that’s what separates me from 80% of other magicians, and I do it because I take pride in my work.
Last night I put together an impromptu meet up for magicians and it was a lot of fun. There are a lot of magicians I know that say that they “don’t hang out with magicians“. If you choose to do that, that’s fine, and usually the reason they say they don’t is something stupid like … Continue reading “The Value of a Magic Jam…”
Last night I put together an impromptu meet up for magicians and it was a lot of fun. There are a lot of magicians I know that say that they “don’t hang out with magicians“. If you choose to do that, that’s fine, and usually the reason they say they don’t is something stupid like not wanting their material stolen. I’ve found that 90% of the people who are worried about their material being stolen, are the people who really shouldn’t worry about it.
When you get together with other magicians there is a lot of learning that can happen. It’s the “jamming” aspect of it that’s the greatest value. You see someone do something and you play off of it. Will the majority of stuff that comes out of these every see a real audience? Probably not. Flexing your creative muscles will help you out!
Here’s some video from last night:
Some interesting things happened, and most of all you are building a community of magicians!
A couple of nights ago I was hanging out with a couple of magicians and one of them asked if the rumor about Bicycle Cards that are sold are Costco was true. If you don’t know, the rumor is that the Bicycle Cards there are “seconds” and not as good as ones you’d buy elsewhere. … Continue reading “I Practice With Good Tools…”
A couple of nights ago I was hanging out with a couple of magicians and one of them asked if the rumor about Bicycle Cards that are sold are Costco was true. If you don’t know, the rumor is that the Bicycle Cards there are “seconds” and not as good as ones you’d buy elsewhere.
I think that the cards at Costco are the same ones you’d get elsewhere. I also think that Bicycle’s standard card has become junk over the last 15 or so years. I use them, but I only use them at gigs because a deck of cards at a gig lasts me about an hour. After an hour the deck is missing so many cards it’s not usable.
After a Bicycle deck is broken in, I don’t think they handle well. So personally I buy higher quality cards for my own non-show use. I find that I practice more frequently using better decks of cards. Here’s the current deck I’m using:
I know that 90% of the “higher quality” cards are printed at the USPCC, however I’m pretty sure they are not printed on the standard stock. Having better tools that last longer gets me to practice more. I’m learning moves I’ll never use, but it sure is fun!
If you’ve ever seen my magic lecture, there are a couple of main points to it. First is to take what you are doing a step further. The second is to put endings to things. This blog post covers both of them. I’ve always liked the Fifty Two on One gag card. If you don’t … Continue reading “An Ending to a Gag…”
If you’ve ever seen my magic lecture, there are a couple of main points to it. First is to take what you are doing a step further. The second is to put endings to things. This blog post covers both of them.
I’ve always liked the Fifty Two on One gag card. If you don’t know what this is, it’s a card with all the cards on its face.
How you use it, is you set it face down as your prediction. You ask someone to say any card, let’s say they name the King of Diamonds. You say, “your card is right here” as you turn over the card and point to the king of diamonds.
Funny gag, but it really needs a punch to it. How can we turn the gag into a trick? We could glue a king of diamonds onto the back of the card, and put our prediction in an envelope and force the king of diamonds. Now we get the gag, followed by turning the card over to show you knew their card.
That’s a good trick. It’s been done, but still a decent card revelation. Let’s take it up a notch:
By using a flap card we’ve added a magic trick to the revelation. Honestly I don’t know if this is better than just turning the card over, but it’s certainly a lot more magical!
Also by using the flap card for the change, we’ve added an ending to the trick AND taken it a step further. This is actually something I’ve wanted to make for a long time and just finally making one. I’ll try it out sometime soon and see how it plays.
I love magic, and I love supporting magic. I support magic wherever I go, by going to see shows, visiting magic clubs, visiting with magicians, and doing good magic. One thing that gets me about magic clubs is a lot of the “old guard” are so set in their ways they can’t see past their … Continue reading “Magic Clubs and Newer Magicians…”
I love magic, and I love supporting magic. I support magic wherever I go, by going to see shows, visiting magic clubs, visiting with magicians, and doing good magic.
One thing that gets me about magic clubs is a lot of the “old guard” are so set in their ways they can’t see past their own biases. This isn’t good for people newer into magic. Frequently at one of the magic clubs in my area (there are three) when someone does a card trick an older magician will say “oh god, another card trick…” outloud for every one to hear.
This isn’t good for magic. People get into magic for a lot of reasons, and to tell them their reason is wrong hurts magic. It makes it less welcoming for new people.
Also, the advice that is given to newer magicians is horrible. One of the worst pieces of advice when someone tries something new is, “stick to the classics, they are classics for a reason…” Whenever I hear that I want to ask them to take out their phone and tell me what kind of music is on it…is it classical? Do they use a Acomputer…or stone a chisel (the classic method)?
This book should be required reading for all leadership and pretty much anyone giving advice about magic at a magic club. They should also read Joshua Jay’s article from Magic Magazine called What Do Audiences Really Think.
Jim and Joshua’s writings confirm and back up with data why 90% of advice given at most magic clubs is wrong. Magicians need to be out there doing what they love, and innovating, not living in the 1970’s. We also need to be positive to newer magicians and tell them what they are doing right, not what we like or don’t like.
I love tricks that have unusual visuals. Here’s one of my favorite “novelty” card tricks that I do: The problem with it is the recent batch of gimmicks that have come in have had a very short lifespan compared to the ones I was using a year or two ago. I bought a bunch … Continue reading “Be Self Sustaining…”
I love tricks that have unusual visuals. Here’s one of my favorite “novelty” card tricks that I do:
The problem with it is the recent batch of gimmicks that have come in have had a very short lifespan compared to the ones I was using a year or two ago. I bought a bunch of them over a year ago and down to my last one. I have a feeling that the glue that was used had degraded over time and that’s why they gimmicks aren’t lasting as long.
Luckily I know how to make this style of gimmicked card. I started playing with them when I was a teenager when I got the book Gaffed to the Hilt. If you’ve never made your own gaff cards, the DVD Gimmicked by Andost is a great resource.
I have some time today and am going to make up some of the cards for the hole punch trick. The main reason I’m making instead of buying is simple, I have one left and they’ve been lasting me 1-2 shows, I won’t have time to order more and have them by when I’d need them.
Making my own makes me be able to operate without being a slave to shipping times. I’d still rather order them than make them myself, however that’s not an option if I want to do the trick at my gig today and tomorrow.
The moral of the story is that if you are going to have a prop that you use a lot of, have a back up, or if it’s like this card that has a limited life buy a bunch of back ups. Better yet learn to make and repair them!
A couple weeks I performed at Wonderground in Las Vegas. This is a monthly magic/variety show put on by Jeff McBride. It’s a very fun show and if you get the chance, I highly recommend doing it! The one thing that stresses me out about this show is the close up, I’m fine with … Continue reading “Ambitious Card…”
A couple weeks I performed at Wonderground in Las Vegas. This is a monthly magic/variety show put on by Jeff McBride. It’s a very fun show and if you get the chance, I highly recommend doing it!
The one thing that stresses me out about this show is the close up, I’m fine with the stage show. It stresses me out because there aren’t a lot of original plots in my close up set, sure I have my own twists on things, but at it’s core it’s Ambitious Card.
About a week before I performed at Wondgeround I was visiting with Nick Lewin and we chatted about the close up stressing me out.
My concern was that the Ambitious Card was too common of a trick for the audience there. Not all of the audience there are magicians, however they are magic fans, so they’ve seen it. Nick commented that it’s the “greatest card trick” and I agree…that’s why it’s so common. The plot is simple and when done right it’s impossible!
I ended up doing a trick where someone feeds me marshmallows. It played well!
Personally I think there is one trick when done correctly that might be better than the Ambitious Card, and that is Any Card at Any Number. It’s got a simple plot:
Name a card, name a number, count down to that number and the card is there.
The problem with ACAAN is that is gets mucked up when people try to make it easier. They limit selections or use convoluted processes to make the trick work. Also what I think most of people who do this for a non-magician audience misses is repeating it. You need to do it twice.
So that’s my thoughts on the best and close second for card tricks.
When I’m out performing mingling magic (aka roving close up) I frequently throw something into my pocket that’s not part of my normal set. It could be a full trick, gimmick, prop, or whatever. A couple of nights ago I put a pair of blank dice in my pocket. Years ago I published a … Continue reading “Play Around…”
When I’m out performing mingling magic (aka roving close up) I frequently throw something into my pocket that’s not part of my normal set. It could be a full trick, gimmick, prop, or whatever.
A couple of nights ago I put a pair of blank dice in my pocket. Years ago I published a trick with blank dice in the Linking Ring Magazine. Basically the gist of it was someone selected a card. They rolled the blank dice, told you the number they rolled, and you dealt down the number they rolled. The selected card was at the number. This is based on an Eddie Fields trick that uses a name.
Here’s video from the first table I did it at the other night…it’s been years since I did the trick:
After I did the trick in the video above, I realized it needed another phase. For the next phase I added this trick that’s part of my normal card set, but using the “rolled” numbers instead of any number:
Now I’ve got a little routine…but it needed an ending. So I’m ending it with a third phase where they shuffle the cards, roll again and deal down to that number. This time the card is not there. It’s folded up in my wallet.
I like that in this routine, each time the card is found it’s in a different state. First it’s face down, next it’s face up and finally it’s folded up. By the end of the night it went from OK to pretty good!
So the moral of the story is don’t be afraid to play around!
One thing that I often hear magicians say is that they never perform for people unless they are paid. That’s bunk. Personally I usually have a deck of cards in my pocket, not because I want to show people tricks, but it allows me to practice when I have unexpected downtime. Stuck in the … Continue reading “Always Have a Trick in Your Pocket…”
One thing that I often hear magicians say is that they never perform for people unless they are paid. That’s bunk. Personally I usually have a deck of cards in my pocket, not because I want to show people tricks, but it allows me to practice when I have unexpected downtime.
Stuck in the drive thru line at the bank…I can bang out a few practice false shuffles.
Recently I was picking my agent up at the airport in Billings, MT and her checked luggage as well as about 30 other people’s luggage were left behind in Seattle. That meant a long wait (over 2 hours!) to file their baggage claims.
She had taken my banner as “carry on” to the plane. So I popped up the banner and did a show for the people waiting!
It really made a difference in the people’s day! Also the trick that I’m doing in the above video was published in an issue of Vanish Magazine from a couple of months ago.
In addition to a deck of cards that’s usually in my pocket, I have an impromptu show that lives in my wallet. This show is short at about 15 mins, but it’s got a beginning, middle and end. This isn’t just a series of tricks, it’s a show. I highly recommend you have show you can do from you wallet. It doesn’t need to play for 500 people, but a good, solid 10-15 mins of close up. The book The Impromptu Mystifier is what got me to put this show together and in it the author gives a great frame work for how to structure the show.
I’m not saying you should force your magic on anyone, but you also never know when you’ll be in a position to perform.
I’ve been fascinated by the Any Card at Any Number trick since I was a teenager. I’ve developed and published several methods of doing it. I was going through an old notebook and found this version that I was doing in the early 2000’s This version has a few interesting things going for it, … Continue reading “Dusting Off Tricks”
I’ve been fascinated by the Any Card at Any Number trick since I was a teenager. I’ve developed and published several methods of doing it. I was going through an old notebook and found this version that I was doing in the early 2000’s
This version has a few interesting things going for it, like the imaginary deck premise and that’s it’s pretty easy to do. It also have a few things not going for it, like having to use the “magician’s choice” force for the suit selection, the deck can’t be handled by the spectator and it’s uses for another trick and very limited (but not impossible).
This version I call the Imaginary Card at Any Number and will be published in an upcoming issue of Vanish Magazine. Hopefully someone will use the trick as a jumping off point for their version of the trick. For me the method for this trick had me work to eliminate the weaknesses and come up with a better versions. My current version doesn’t have the weaknesses of this trick.
