Take Out Boxes!

I’m getting ready to offer my Take Out Box to magicians. This is a Chinese style take out box that you can use to produce, vanish or change items. There’s a lot that goes into making thing for sale, and one of them is shipping. I made a batch in a slightly larger size but decided to go with the smaller size for the main marketed version. This was mostly due to packing/shipping concerns.

Here’s the Take Out Box in action:

I had 3d printed about a dozen gimmicks in the slightly larger size and instead of throwing them away, I’m offering them at a discount.

With the Take Out Box you’ll get a fully assembled box with 3d printed gimmick installed, a template to use when moving the gimmick to a new box, video instructions and two ungimmicked take out boxes.

These will be available through Hocus-Pocus.com and and here on my daily magic blog at www.magicshow.tips in a few weeks and will be $40.

Save $10 and get FREE USA SHIPPING!

I was playing around with making them in a slightly larger size, but decided to keep the size that I use. This choice was based on packaging them for retail sale. I made about a dozen of the larger size and if you want one of the larger ones you can get them for $30 with free shipping in the USA!

International shipping is a flat rate of just $10!

Click Here to Order the Take Out Box!

These are ready to ship out and there are a very limited quantity of the larger Take Out Box available and once they’re gone there won’t be anymore at this size available, so order now and save!

Magic in Focus for NOLA

Yesterday I wrote about doing magic trick where a picture of famous art starts blurry, the magically becomes in focus. In the example I used yesterday it was the Mona Lisa, however it just hit me this morning and I’m getting ready to pack for a trip to New Orleans for the Sideshow Hootenanny was that I should make the trick themed to New Orleans.

I remembered that on my first trip to New Orleans that I randomly came across Banksy’s Nola (Rain or Umbrella Girl) on a street corner. Using Nola for the trick makes more sense as it’s local to where I’ll be.

There’s not much to the trick, it’ll simply be a flap card that changes from a blurred image to an in focus image.

A quick Google search shows that the art has been moved to a hotel, so no longer on a street corner. I could do the trick from where the art was…

This is a good example of trying to give a trick some context, more than just check out this ace of hearts that changes to a two of club. Sometimes there’s nothing wrong with just having eye candy, but some sort of context is always nice!

-Louie

Magic in Focus!

As I get older, my up close vision has started to go. Reading had gotten difficult and when I realized that during my morning writing, I couldn’t read what I had just written I knew it was time to go to the eye doctor. He prescribed me glasses for reading and what a difference it makes!

Having a new view on the world…as long as it’s about 12 inches from my face got me thinking about a trick that has to do with vision. My first idea was to have blurry writing on a notecard that then changed to in focus writing that was readable. The problem with that idea is that it’s small, it wouldn’t really play for many people, unless it was a social media video.

The next idea is better, it’d be a picture of the Mona Lisa, or whatever, but blurry. Then it changes to in focus.

This could easily be accomplished by making it like a flap card.

I’m not sure if I’ll ever do this, but I think it is a good idea!

-Louie

Will Goldston Magic Books…

It’s been an exciting couple of days for books! A couple of weeks ago I won a stack of Will Goldston books from an auction house in Florida.

Will goldston magic books

Will’s books are interesting as I’m not sure who they are written for. The descriptions of how things work are very brief almost like they’re written for a general non magician audience, however the tricks aren’t things that an amateur magician could really make without a well equipped wood and metal workshop. Also without knowledge of the props and magic in general, you really couldn’t make them based on the descriptions in the books.

I did find a little surprise inside one of the books:

The Sensational Tales of Mystery Men is signed by Peter Kane! Peter is essentially the person that created Wild Card and the card trick The Elongated Lady. I’ve got a couple emails out to some people who may know if that signature belongs to that Peter Kane or a different person with the same name.

I love finding little surprises in old books!

-Louie

Magic at Powell’s Books!

Over the long President’s Day weekend my family went on a trip to Oregon. One of the places we stopped was Powell’s Books in Portland. Powell’s is one of the largest independent bookstores in the USA and has a nice mix of new and used books.

It took a bit of hunting to find their magic trick section!

powells books in portland or

They had a bunch of magic books, lots of newer ones and some older ones. I found the Thurston Scrapbook that Phil Temple put out in the 1980’s.

Thurston scrapbook by phil temple

This has been added to my stack of books to read!

-Louie

Tommy Wonder Cups and Balls

I’ve always been interested in Tommy Wonder’s Cups and Balls routine. I finally plunked down the cash and picked up this set:

tommy wonder two cup routine by raphael and bluether magic

Right out the gate, I think the bag is a little bit too small (not long enough) for the cups. You need to be able to tie it shut with the string with the cups in the bag. I really had to force/stretch the bag to get the cups into it and tie it shut. This isn’t a huge deal, as over time I imagine it will stretch and get easier (I hope).

tommy wonder two cup routine

I started by reading the routine in The Books of Wonder Vol 2 and working it out. The routine didn’t feel right, so I then watched some videos of Tommy performing the routine. There’s a lot of flow that’s missing from the book and it really would have benefitted from having a bullet point list of the effects that happen in the routine.

Here’s one of the videos I watched:

One thing that I noticed about the routine is that it’s not a show stopper like when you see Gazzo, Ammar or Bob Read do the cups. At the end of those, there’s a punctuation at the end, a definite end. Tommy’s routine is more of a middle piece than a closer.

In Tommy’s book he mentions that he’s known to magicians for his cups and balls. There’s a clue there, I don’t think he thought it was the best for non-magicians. It’s certainly innovative in how the loads were done, with none from the body/pockets, and resets instantly, but I’m not sure that translates to non magicians as much as it appeals to magicians.

I’m going to learn the routine, and give it a try, hopefully I can get it down in about a month for a week long run of shows I’ll be doing next month.

-Louie

Creating Custom Gimmicks

I just wrapped up building a custom prop for another magician. I don’t know if people know what goes into creating props. Below are the first three attempts at making part of the prop, I forgot to take a picture of the forth and final version.

The first version which is on the left, was kinda my “proof of concept” version and it let me know that the idea was solid.

The middle version was a slight tweak, where the slot is bigger, but that brought me to a second challenge, the top needed to taper in. I also realized I has a little more room to play with with the prop, so I extended the gimmick.

The third version on the right, fit great, but internally I discovered there was a “pinch point”, so I had to go back and to a quick redesign, which led me to the fourth and final version (not pictured).

Looking back, the second version was clunky, but functional. The third version didn’t really work, but the final version worked soo much better than second version. I’m glad I pushed forward to get it to the final version!

If you’ve got a custom prop you are looking to get made, contact me and we can chat about it!

-Louie

Always Learning…

When I was on vacation in Australia in November, we visited Sydney’s Chinatown. There was a guy there cutting silhouette portraits, and I had mine done. In the past and still occasionally I’ve cut portraits at gigs, it’s a great little skill to have, but to be totally honest, I have no idea how to sell it.

OK, back to the guy in Sydney, unfortunately I forgot to take a picture of his sign, but it was $2 Australian dollars for a portrait, or just about $1.10 US.

He cut it quick, and his display looked nice and he did it really quick.

The silhouette doesn’t really look like me, but it was fun to get it done and totally worth about a dollar!

I’ve always said you can learn a lot from simply watching people who do what do, no matter their skill level or what you view as their skill level. Here’s what I learned from him:

1: He had a great display that clearly said what he did, how much it cost and how long it would take.

2: He cut on a vinyl with and adhesive back and stuck it to the card at the end.

The adhesive backed vinyl is very smart, it eliminates the need for glue, which then eliminates the need for a table. It also saves times. If I ever try to sell the silhouette portraits again, I’ll probably experiment with using something with an adhesive back.

-Louie

Asking Questions…

One of the huge lesson I learned last month on the school assembly tour that I was on was how to get more our of the people who helped me onstage. Basically I just asked a lot of questions. The questions aren’t random, and I have preplanned joke responses for some answers, but I’m looking for thing that I can use to create a real live moment.

The other thing I learned is not to jump in too quickly with my response, especially if I already have a joke answer to what the kid says. You need to let the kid’s answer land with the audience, then hit your response. If you reply too quickly, the audience doesn’t have time to process, but I think it also feels less real and in the moment.

Take your time.

-Louie

Take Up Reel Question

A question I recently got asked about my Take Up Reel for the vanishing bird cage is how much can you move around with it on. My answers is that it gives you pretty much full range of motion.

For the last month I’ve been performing 2-3 shows a day and my 45 minutes show ends with the vanishing birdcage. I’m pretty physical in the show, and in the middle of the show I do some trick roping with the take up reel on my left wrist with the pull set to the long position.

trick roping

Right after the trick roping routine, I could reach over, grab the cage and vanish it. I don’t as the cage is about 15 mins later in the show, but in that picture the working end of the take up reel is in my right sleeve.

For me and how I perform, using a take up reel allows me to do the vanishing birdcage. It’d be impossible using just a wrist to wrist pull.

-Louie