Louie – Page 150 – MagicShow.Tips

Adapting Gimmicks…

What are you doing to stay creative right now? I’ve got several outlets for creativity, however on of them is new to me. During the self quarantine, my brothers and our families have a virtual dinner once a week. Last week they asked me to do a cooking show, so I’ve been working on that for fun.

One of the things that I came up with was to turn a garlic clove into chopped garlic. The simple solution is to use a thumb tip. I didn’t really want my hands covered in garlic, so I thought about wearing gloves and a then this I covered a thumbtip with the end of glove and it worked great!

Forcing yourself outside of your comfort zone is a great way to get yourself thinking creatively! If the cooking show turns out watchable, I’ll share it here.

Live Comments…

The other day I posted about a virtual gig I did. I was an act in a cabaret show and my bit was prerecorded, so I didn’t perform live. Honestly that was sort of a mistake. We should have found a way to do it live from different locations, and not prerecorded.

All of these things like Facebook Live, YouTube Live, Zoom, etc all have chat functions. When my prerecorded segment was on the show, I didn’t know if I wanted to watch because I was scared of what people would say in the comments. I forced my self to watch it and read the comments as my segment was playing. I decided what I could learn from negative comments would have HUGE value. I got positive comments, so my ego was unscathed.

One thing about doing a virtual gig is that you can use the comments to your advantage. You can use them for people to pick a card, name a number, say their favorite movie, etc. Now you can add some interactive elements to the show.

The takeaway is you should embrace the comments feature and use them to your advantage!

Making a Trick Happen…

About six months ago I had an idea for a trick, essentially it was a signed card changed from a five of spade to a four of spade. You can read my idea for method for this trick here. This is basically the trick “Picking Off The Pips” that I think I read a version of in the Amateur Magician’s Handbook by Henry Hay when I was a kid. The difference is that it’s a signed card.

I was going to make up a card, but time wise never did. Then due to the cancellations of shows due to COVID-19 I was cleaning up my office and found a set of Dry Transfer Decal Card Pips.

This was probably the greatest thing that’s come out of cleaning out the office! Thanks to these I was able to easily make the gimmick for my idea.

The pip I added to the card was a bit smaller than the pips currently on a poker size deck, but I don’t think that will change how the trick works.

The trick hinges on people not being as familiar with a deck of cards as magicians are. I remember as a kid my mom coming home from work and they had a corporate trainer do a thing with a deck of cards. It wasn’t a card trick, but at the end the trainer asked if anyone had noticed anything strange with the cards. My mom was the only one who noticed that the red cards were black and the black card were red. The only reason she caught that is at that time she’d probably picked a hundred cards a week for me while I was practicing tricks. Normal audiences won’t notice.

I’m glad to have the gimmick, unfortunately I there are no audiences to do the trick for right now. I wish I could try it out.

Take It Further…

If you’ve seen my magic lecture you’ve heard my favorite quote, which is essentially what my lecture is about. If you haven’t, here’s the quote:

Go past crowd pleasing and into real comedy…
Mel Brooks

He says it on Tom Papa’s podcast, it’s a great interview and you should listen to it. In my lecture I use the quote not just for comedy, but for magic. Sponge balls are crowd pleasing, how do you go past that and get into real magic?

Let’s get back to what I’m writing this post about. Someone in a magic forum had posted a picture of the nest of wands comedy prop that was broken.

If you’re not familiar with the Nesting Wands trick you have large diameter wand and smaller wands keep coming out of it. If you’re not familiar with the prop, here’s it in action:

The sets that are common in the USA have one end that’s sealed, and the person who wrote the Facebook post thought that they were broken and need to be fixed. For me whenever a prop breaks, I look at it as a chance to p lay with the prop and figure out things that may not have been possible before. I’ve had a bunch of cool things come out of props breaking and getting a new view of them.

When I was younger and did magic shows at kids birthday parties, I used this prop. However the set I had were made by Tops Magic in Europe. Most people in the USA didn’t like this set of Nesting Wands because they were open at both ends. I loved them because there was a lot more you could do with them. Here’s some ideas:

When the kid tries to “one up you” and restack them, they will fall out the other end.
You renest them and they all fall onto the floor.
You renest them and they slide out the other end and land in your case, but you don’t notice that. Then once they are all in your case, you look at the wand in your hand and see it’s empty. You then look around for where they went.
When the kid hands them back to you, you drop them all over the floor. You pick up the biggest wand and ask the kid to hand you another wand. They do, you put it into the wand in your hand and it just falls out the bottom ( you don’t notice that) and have the kid keep handing you wands and they keep falling through. Repeat till it’s not funny and at that point start holding the wands in with your finger at the bottom. Once they are all nested, let them drop out and onto the floor!

Look a prop breaking as an opportunity to do something creative and new with the prop. Sometimes you’ll just have a broken prop…other times you’ll have gold!

Exposure???

Something about magic that I’ve never understood is magicians complaining about people exposing magic secrets. I’m not into secrets, but will use people exposing things to prove a point. Honestly, no one is searching out the secrets to magic tricks.

Fast forward to now, when everyone is giving away a free online lecture. The International Brotherhood of Magicians is having an daily lecture, as well as pretty much everyone else. Here’s the thing, no one has a barrier to entry. It’s all free, and open to anyone. Unfortunately, it’s all potential exposure.

Here’s my issue, when the IBM is against exposure, why are they freely giving out the secrets to tricks? There’s no barrier to entry, anyone can watch these videos. I’m going to restate my position that exposure really doesn’t hurt magic. You can’t take it both ways, if you dislike exposure and like these lectures, you need to reevaluate your position on exposure.

think about it, is there a test to watch a lecture in person? The only test is if you have $20 for the ticket. Same with all magic, there really are no barriers between the general public and magic secrets.

Don’t get hung up on secrets.

Magic Product…

Something that I’ve never really liked is when magicians sell their magic products on their performer websites. To me it just feels like it’s taking away focus from what your performance website is all about. While you can make money from magic product, it’s usually far less than your show fee. Personally I’ve never and don’t plan on selling magic on my main website at www.LouieFoxx.com, which is just for my show.

A good example of why I don’t like this is the magician Kevin James website. If you’re a fan and go there, you can figure out a lot of “secrets” by visiting his online store. I also think that the majority of the people who visit his site aren’t people who would book him, it’s more of a “catch all” website. The purpose of the site isn’t to book gigs, but to offer all things Kevin James. For me that’s not the purpose of my main website.

**Note: I’m a huge fan of Kevin James as a performer and magic creator**

You may have noticed a couple of changes to this blog. First of all it’s got a new look, and it’s slightly easier to navigate. Apparently I was on an old server and was limited with some of the stuff I could do. With my newfound free time I moved the blog to a new server and added a magic products page to the blog. What’s nice about having it here is that it doesn’t really conflict with the intent of the blog intended readers.

In Love With a Method…

One of the worst reasons to keep trying to do a trick is because you are in love with the method. I’ve got a trick in my show that I love the method more than the audience loves the trick. I think the trick has something going for it, it’s just a matter of figuring out what that is.

The reason that I’m still trying to make Silk Thru Coathanger work:

I’ve written about this trick a lot on this blog, and it’s still a work in progress. If I was rating my routine for it, I’d give it the grade of C. However a while ago I added a move, took out a move and rearranged the sequence. Those changes moved it up from a D to a C. I’d be really happy if I could get it up to a B.

Recently I did some workshopped it with some other performers and we came up with some ideas for how to frame it. We’ll see how those play…

Making a Set List…

Frequently I’m amazed when newer performers mention they have a 60 minute show. That’s a long time to do a show, I’m calling BS on a lot of them. They may have 60 mins of material, but usually it’s not a 60 minute show. I’ve got tons of material and have been been in magic a long time, but barely have a 60 min show.

What’s the difference between material and a show? Material is what you can do, but a show has texture and flow.

So, how do you put together a show? I start by writing out a set list, a list of tricks and how long they run. After the name of the trick, I write how long the routine runs and an “A” or and “S”. The “A” means someone from the audience helps me onstage and the “S” means that it’s done solo, with just me onstage. Sure there are tricks where I’m the only one onstage, but I use someone from the audience who stays seated, I consider those tricks to be solo tricks.

First I arrange it set list of the routines that I want to do. Here’s an example of what a short show set list would look like:

cup – 2 mins – S
hoop – 3 mins – S
Card to Pocket – 5 mins – A
Whip -6 mins – A
Straight Suit- 6 mins – A /S (This uses someone on stage, but they return to their seat about halfway thru the routine)

The next thing I do is try to arrange them into an order that alternates solo and audience. Here’s what the revised list would might look like:

cup – 2 mins – S
Card to Pocket – 5 mins – A
hoop – 3 mins – S
Whip -6 mins – A
Straight Suit- 6 mins – A /S

Next I look at the type of trick, luckily this particular set let isn’t super magic heavy, it’s more skill demonstrations which makes the next part easier. The goal is to no have two of the same type of effect next to each other. So if I had a “Bill To Lemon” in the list, I’d try to not put it next to “Card To Pocket” as both are teleportation type tricks.

Personally I have no problem putting things with similar props next to each other. For example I could put Card to Pocket and Tossed Out Deck next to each other. The effects are different and they both add different textures to the show.

That’s a general outline of how I put together a set list for a show. There are other factors that come into play. For example some tricks work better deeper into the show once the audience gets to know you, and so me tricks are openers or closers. In the set list above my two routines that use the audience are the Card To Pocket and the Whip routine. In theory I could swap the two tricks positions, however the whip is a big build up and it works better when the audience knows me. The card to pocket has a lot more magic that happens and works better for an audience that’s just getting to know me. Other considerations is how messy a trick is, or if it needs to be preset.

Once you have your set list, you can start to work on the flow of the show. You can then reveal things about yourself, add in call backs or put in something to tie it all together to start creating a show.

Large Three Shell Game…

One of the silver linings of the current “social distancing” is that I’m able to get work on some of my back burner projects, things that I aren’t a priority, but would like to get done. In the past, I have made a couple of giant shells for the three shell game out of a resin, but used a casting method to where the shells weren’t uniform. I’ve wanted to make a set where the shells inside and out were more uniform.

Yesterday I 3D printed a giant shell which will be the original that the other shells will be made from.

The next step is to make a silicone mold and cast them in resin. I’ll probably put a magnet in them so that they handle more like a chop cup than a shell game set.